Reviews with content warning for Grief - The Picture of Dorian Gray

**Read for school compulsory reading**
Well. It's complicated.
I won't talk about the blantant antisemitism and horrible mysoginy, but damn that made it hard to read. I understood that Henry *is* a bad influence, but it was unhinged.
The first half of the book was pretty slow, nothing really happend. But the middle and second part? That was something, and it made the overall experience much much better.
I loved the psychology in this book, it reminded me little bit of The Cremator - how much you can influence one.
I also loved the flower symbolisms throughout the book.

Content Warnings

zombie4brainz's review against another edition

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dark emotional tense slow-paced

Plot- or character-driven? Character
Strong character development? No
Loveable characters? No
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.75

Content Warnings

pershie13's review against another edition

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adventurous dark mysterious reflective tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? It's complicated
Flaws of characters a main focus? Yes

5.0

Wow. This. Was. Phenomenal. The writing and pacing were good, the story was gripping, and I was wondering how this book was going to end literally until the last sentence. This is my favorite classic I've read so far and easily deserves five stars!

Content Warnings

foldingthepage_kayleigh's review against another edition

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challenging dark emotional reflective slow-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.25

Content Warnings

kashby's review against another edition

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tense fast-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

5.0

Content Warnings

visorforavisor's review against another edition

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challenging dark reflective tense slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

5.0

As a quick note beforehand: I acknowledge and do not approve of Wilde’s use of negative stereotypes of Jewish people in this.

The last time I read this, I knew next to nothing about the meaning of it in the context of the intense homophobia of the late-19th-century UK. But, reading it now, I realise how brave Oscar Wilde was to publish this. I quote from the original, uncensored version, Basil speaking to Dorian:

“It is quite true that I have worshipped you with far more romance of feeling than a man should ever give to a friend. Somehow, I had never loved a woman. […] I quite admit that I adored you madly, extravagantly, absurdly. I was jealous of everyone to whom you spoke. I wanted to have you all to myself. I was only happy when I was with you. […] Of course I never let you know anything about this. It would have been impossible. You would not have understood it. […] But, as I worked at it, every flake and film of colour seemed to me to reveal my secret. There was love in every line, and in every touch there was passion. As I said to Harry, once, you are made to be worshipped.”

And this is just one of the most blatant examples, one that had to be cut. There aren’t “homoerotic undertones” in Dorian. There is no “gay subtext”. It’s. About homosexuality. The whole book is about homosexuality. Even that bit at the start, about judging a book on its morality vs judging it on how well-written it is; what, it’s a coincidence that everyone ignored a beautifully written book because its gayness went against their morals?

All three couples possible between Dorian, Basil, and Henry are implied to have existed. Dorian almost certainly had a beyond-platonic relationship with Alan, who he later blackmails (a crime that comes later than murder, even as we know that his crimes become worse and worse… absolutely nothing [/s] to do with blackmail being the primary crime against gay men in this era, especially since we aren’t told what the blackmail material is, but we are told about Alan and Dorian’s “intimacy”). Dorian is repeatedly compared to male favourites of kings. He goes to a costume ball, in drag, dressed as a male favourite of Henri III of France. (Was it just chance that this is a similar name to Henry Wotton’s? Probably not.) Dorian owns homes, in which he and Henry holiday together, in known homosexual hotspots. He also attends brothels in an area known for its brothels having men for hire.

Dorian, thinking about how Basil’s affection and good nature could have saved him:

The love that he bore him — for it was really love — had nothing in it that was not noble and intellectual. It was not that mere physical admiration of beauty that is born of the senses and that dies when the senses tire. It was such love as Michael Angelo had known, and Montaigne, and Winckelmann, and Shakespeare himself. Yes, Basil could have saved him.

All the men named had homosexual relationships, and Wilde knew this. Compare with Wilde’s speech, in court, for the crime of homosexuality:

“The love that dare not speak its name” in this century is such a great affection of an elder for a younger man as there was between David and Jonathan, such as Plato made the very basis of his philosophy, and such as you find in the sonnets of Michelangelo and Shakespeare. It is that deep spiritual affection that is as pure as it is perfect. It dictates and pervades great works of art, like those of Shakespeare and Michelangelo, and those two letters of mine, such as they are. It is in this century misunderstood, so much misunderstood that it may be described as “the love that dare not speak its name”, and on that account of it I am placed where I am now. It is beautiful, it is fine, it is the noblest form of affection. There is nothing unnatural about it. It is intellectual, and it repeatedly exists between an older and a younger man, when the older man has intellect, and the younger man has all the joy, hope, and glamour of life before him. That it should be so, the world does not understand. The world mocks at it, and sometimes puts one in the pillory for it.

(It’s worth noting that while Wilde does emphasise the younger and older men being in a relationship together, he’s not talking about paedophilia: Dorian is 20 when the story begins, and Henry 30. Basil’s age is unknown but he and Henry are simoultaneously called “young”, so he is probably between the two in age.)

This speech of Wilde’s, pretty much, sums up the relationship of Dorian with the combination of Basil and Henry. In the first chapters, Dorian does have “all the joy, hope, and glamour of life before him”. References to some of the same men not only continue to show parallels between these passages but make it absolutely undebatable that Wilde was saying Basil was gay. The similar use of the words “noble” and “intellectual”, all of it.

Dorian Gray is arguing on behalf of homosexuality.

Content Warnings

hamarhemmo's review against another edition

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dark emotional mysterious sad tense medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.0

Content Warnings

thevampiremars's review against another edition

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dark emotional mysterious reflective tense medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.0

I knew of Oscar Wilde, of course, but this was my first time actually reading his work. I found it difficult not to use the book as a means of analysing its writer. He was known for his wit but was he genuinely clever or just good at appearing clever? Maybe there’s no distinction. Maybe it’s foolish of me to try to judge the character of a man by the work he creates. Wilde himself rebuked the idea that art should be taken as autobiography, that works of fiction reveal something about the writer. Then again, he also wrote in a letter “[The Picture of Dorian Gray] contains much of me in it — Basil Hallward is what I think I am; Lord Henry, what the world thinks of me; Dorian is what I would like to be — in other ages, perhaps.” It’s hard not to read the story as a reflection of its author to some extent.

The Picture of Dorian Gray is so much gayer than I expected. Like, it’s difficult to even describe it as subtext. It’s right there, unmistakable despite careful censorship, from chapter one onwards. I have to admit, this kind of pining, withholding, and hinting at queerness appeals to me far more than the uncomplicated “representation” we tend to see nowadays. I acknowledge literature like this comes from a society in which homosexuality was criminalised and deeply stigmatised – the ambiguity I adore wasn’t just a stylistic choice, it was a necessity – but it resonates with me in a way modern queer media just doesn’t.

The story is dominated by the theme of influence (and its inverse, impressionability). It’s handled well for the most part but I don’t really understand the significance of

the book Lord Henry recommends to Dorian. I know that some scholars identify it as an ode to either The Yellow Book or Huysmans’s Against Nature, and that the idea of a “poisonous book” was accentuated in later editions in response to the controversy surrounding this very novel upon its publication. In other words, I know that Wilde was playing with the idea of an immoral piece of literature corrupting (read: queering) young minds. That said, Dorian is already affected by the picture painted by Basil Hallward and the mirror given to him by Lord Henry, not to mention Lord Henry’s words; the addition of the corrupting book seemed to overcomplicate what was otherwise quite an elegant concept.

The Picture of Dorian Gray is good. I wasn’t blown away by it, but the premise is solid and I was pleasantly surprised by how audaciously queer it is. I can see why it’s considered a classic. Definitely worth a read.

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