Reviews tagging 'Genocide'

Babel: An Arcane History by R.F. Kuang

65 reviews

niktaylor's review

Go to review page

dark sad slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.75


Expand filter menu Content Warnings

tinyjude's review

Go to review page

dark emotional hopeful reflective sad slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0

Set in 19th century England, we follow the story of Robin and his cohort (Ramy, Victorie and Letty) in the highly renowed instituion of Bable. Through the lens of these characters we see them grow and suffer the effects of dark academia in all its senses. The way in which grades, work, obsession can hurt physically and mentally the students. The competitive atmosphere... But also, how deeply rooted colonialism is in every aspect of academia.

Thus, the novel explores and discusses topics such as systemic racism, colorism, slavery, colonialism and the ways in which the latter works to increase the power of the Empire. These are characters who have been extracted from their homelands and treated as assets (Robin-Canton, Ramy-Calcutta, Victoire-Haiti; Letty is the only white British woman in their group). They are the language they speak because that is valuable for the Crown, but they are nothing more than devices, another instance of colonizers exploiting colonized people and taking away their languages, culture, etc...

Some reviews complain about timelines (the author stated at the beginning that it was a piece of fiction and some changes were made to accomodate the plot) and the use of anacronisms like "whiteness" as we understand it today, but I like them. After all, this text speaks to a modern audience, us, and even though at that time they didn't have a word for this thing, now that we do, we should use it.

The novel reads in some parts much like an academic paper, as it deals in depth with etymology, linguistics, history, a little bit of literature, philosophy and politics. So, as a language nerd who could recognize from my degree studies and further research, many of the authors, concepts, explanations and dilemmas discussed, I was elated. Like a cat smelling catnip or their favourite treat. Nevertheless, that didn't make it a dense book for me, in fact, it just sparkled my interest in languages even more.

Other people feel like it was a bit too-much-on-your-nose or handholding the reader through the book. They argue that it feels patronizing, as if we wouldn't be able to recognize the problems, the racist comments they receive, without the characters pointing it out. For people well versed in these topics and who have lived through all of these experiences, it's normal to think it was too much. Nonetheless, I think it was still useful, it will be useful for people who are starting to deconstructe themselves. Furthermore, I kind of love how she hammered into every paragraph thousands of critiques, moral dilemmas about justice, rightness, exploitatin, betrayal, belonging, grief, privilege, class, race and gender differences. Because I love angry characters full of spite and vengeful thoughts. As with Rin in The Poppy Wars, I was all in with Robin and the necessity of violence to occur for an Empire or an entire system to fall. And I am also fond of lots of descriptions :D

Moreover, the intricate relationship between translation and betrayal, translation and commodification, translation and colonization, translation and identity... It was exquisite and a very beautiful defense on why preserving every single language in the world is such an important task, as it is not just about the language, but also, culture, history, identity, a whole world behind that cannot be replaced or reconstructed. A richness that must be preserved.

Finally, Victorie, my love. You are so strong and one of my favourite characters. Ramy, you were the best of them all, since your first appearance I knew you would be my favourite. Robin, oh Robin and his constant dilemmas, feeling as if he was living two lives, as if he was never complete. I loved his character development. And Letty... Fuck you!
Spoiler I knew she wouldn't get it (and I say this being a white person) and I wanted to punch her so bad. She was so disrespecftul, racist, classist, self-centered, selfish, self-victimicizing, arrogant, ignorant... She could have listened, but she didn't want to see the truth because it was ugly and it proved she was part of the problem. She was a coward and a terrible friend. She never loved them as they loved her. She never made the effort to go beyond her prejudices, she never put herself on their shoes. She enraged me so much. AND SHE FUCKING KILLED RAMY IN COLD BLOOD, HER SUPPOSED FRIEND ON WHOM SHE HAD A CRUSH ON, JUST BECAUSE HE REJECTED HER AND IT HURT HER WHITE EGO ???? JAIL TIME, GO TO HELL
And she represents so many white people who turn a blind eye to these kind of situations, because it doesn't affect them, because it is inconvenient, shows the venom in the system, and because it shows their lack of compromise, love, morality and humanity in regards to others. In contrast, that teacher (I think Mrs Craft) at the end proved to be at least decent among the white characters.

Final thought, did anyone else read some intense feelings between Robin and Ramy or was it just me? Romantic or really really platonic that go beyond their friendship in the group, like soulmates kinda.
Spoiler specially given Robin's reaction and fixation on Ramy's death among all of the Hermes Society's members and his memory of him on that first day before Robin dies, which is so idyllic and queer coded in my opinion

Expand filter menu Content Warnings

sharrikloves's review against another edition

Go to review page

adventurous challenging dark emotional informative inspiring reflective sad tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.5


Expand filter menu Content Warnings

slinders's review

Go to review page

adventurous challenging emotional informative inspiring mysterious reflective sad tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0


Expand filter menu Content Warnings

spineofthesaurus's review

Go to review page

challenging dark informative sad tense
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


Expand filter menu Content Warnings

anastashamarie's review

Go to review page

challenging dark emotional sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

⭐ 5/5

📙 This review is going to be a doozy. I have a lot of thoughts after this one. As literary fiction exploring the ugly sides of British colonialism and academia, this work is a masterpiece; it's a well-done character study of the pressures and pain of marginalized populations trying to fit into a world that doesn't feel like it wants them. As a work of speculative fantasy (or as a fantasy novel in general), from a storytelling perspective, I have some complaints. But, the method isn't the point and never was, so I've decided that a 5-star review is probably most accurate when I consider this work for what it was meant to be, rather than what I wanted it to be.

📗 I feel like I should start by saying: This is not the story to read if you are trying to escape from the harsh realities of our world. It throws them at you repeatedly, in both subtle and undeniable ways. As a white woman in academia, I'm going to be honest and say this was at times profoundly uncomfortable to read...which is exactly what it was meant to be. To again go with honesty, there were times that the thought crossed my mind that I didn't need to finish this, that I didn't have to spend my weekend feeling angry on behalf of fictional people living these real life injustices. And that's a privilege that needs acknowledged, for there are so many people who can't just "turn off the audiobook" so to speak, not when these stories so closely mirror their daily experience.

📕 R.F. Kuang does an excellent job of keeping the reader engaged despite this discomfort, which is a feat of its own, but is also a terrible contradiction when considering that the overarching moral of this story is to encourage listening to understand, not to respond. Much the same as even writing a review to try to convey my experience also feels antithetical, as this is not a book designed to entertain, but a book to convey emotion and an experience. Yet I still found myself oscillating between being disappointed in the story structure while being blown away by the rhetoric throughout most of the book. So take where's hereafter for what you will; it's far less important than the rest that I've already said.

📘 Do I think this book was unnecessarily long and at times heavy handed? Yes. Do I wish it had a more satisfying conclusion that actually answered the titles promise to explore the necessity of violence? Also yes. But I also feel like it delivers incredibly well in the way that it conveys its broader themes and morals. Let me explain.

For a book about the power of words, this delivers in it's precise use of them to convey it's point and I think, for the most part, does so most successfully at the micro level. I understood fully why the characters did or did not find necessity in violence themselves, how their tragedies unfolded, and why hope may have still remained despite it all. But I think where we're left to struggle is to see if violence was actually something that made a difference on the macro level. For writing that hammered points over the reader's head at times, there is no actual discussion of whether the broad end justifies the means, because we don't actually see a macro level end in the books, just a micro level end for the characters. Maybe that's the point; maybe the purpose is just that we're if we truly listen to characters who never felt heard and that the story HAS to end with them. The existentialist part of me loves the idea that individual meaning trumps the universal experience. The collectivist part kind of hates the idea that only we alone matter in the end. Regardless, especially as a fantasy reader, the loose ends are tough for me. 

Now, I don't mind ambiguity in a book in general. In fact, I think particularly in books that dive into social issues, nuance is crucial for understanding. This book approaches that nuance incredibly holistically in that it is very precisely, clearly delivered. I think this in part comes from the author's academic career and in part to convey the underlying need to be precise and clear in an attempt to be understood. I just wish the author would have either backed off this directness throughout OR carried it through all the way to the end. Make the point, however unpalatable, or leave it up to the reader to infer entirely. (But I again feel like I should acknowledge that may be easier said than done.)

📚 In the end, I can only truly speak to my experience of this work, as it exists through my own biases and experiences. I hope that honors Kuang's intentions with this story, and I hope that others take the time to read her words. There are so many layers here that I'm sure I'll be unfurling for a while to come.

Expand filter menu Content Warnings

marthadude's review

Go to review page

adventurous challenging dark emotional mysterious sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


Expand filter menu Content Warnings

stormeno's review against another edition

Go to review page

challenging emotional informative mysterious reflective tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5


Expand filter menu Content Warnings

lilacs_book_bower's review against another edition

Go to review page

challenging dark sad slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

3.0

I have such mixed feelings on this one!  I am glad I read it, and it's an important story to be told about colonization and appropriation.  But ultimately, I never cared about any of the characters, so nothing that happened to them affected me, and I wanted more.  Even though the magic system is there, it felt so mundane, like it almost doesn't qualify as a fantasy.  I didn't mind the footnotes; however, there were a few instances of character backstory or development tucked away in them, and I thought that was odd.  Definitely should have been in the main text, as I am sure not everyone read every footnote (I didn't), and footnotes seem a strange place for info about characters. I did love all the parts about the languages and the history of the words.  

Expand filter menu Content Warnings

risaleel's review

Go to review page

adventurous challenging dark emotional informative reflective tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


Expand filter menu Content Warnings