Reviews with content warning for Confinement - LA METAMORFOSIS

A lot of these stories didn’t make a whole lot of sense to me, and I don’t know if that’s due to the writing style or poor translation. Maybe it’s just the summer humidity making my brain foggy. Interpreting Kafka’s writing feels like deciphering a riddle, and I mean that as both criticism and praise.

Contemplation (1913) – 4.5☆

A beautifully written series of vignettes romanticising the mundane. It’s more like a collection of poems than a sequence of chapters; there’s no narrative structure or throughline connecting each part. It serves as an enticing introduction to Kafka’s writing, like an instrumental opening track.

The Judgement: A Story for F (1913) – 3.5☆

This one felt incomplete, like a chapter from a longer story. I felt I was lacking context. I did a little research and it seems the German version contained some double meanings that got lost in translation, thereby obscuring the metaphor. Still, I didn’t dislike it, and I can appreciate what Kafka was going for.

The Stoker: A Fragment (1913) – 2.5☆

Ironically, this story actually was intended to be the first chapter in a novel, but it didn’t leave me wanting more like The Judgement did. If I had to sum up The Stoker in one word it would be “dull.” I just didn’t care.

Metamorphosis (1915) – 4.0☆

The main event, my reason for buying this book. I liked it and I can definitely see why it’s considered a classic, but I just can’t shake the feeling that I’m missing something.

It strikes me as an allegory for disability. Gregor used to be the breadwinner of the household, and now that he can’t work he’s seen as a burden. His family is ashamed of him, and though they claim to “tolerate” his presence, they do everything they can to hide him away and they avoid him as much as possible. Further, he has become inhuman. He’s a monstrosity, and by the end of the story his mere existence is taken as evidence that he is a threat, and therefore as justification for fatal neglect.

Once again I did some research, and apparently there are many differing interpretations of Gregor’s sorry state. I even saw one theory that

the title actually refers to Grete’s maturation from a carefree girl to a responsible young woman. That would explain the odd shift in focus at the end of the story, but I’m not sure that’s the final piece of the puzzle I was looking for.

It’s a thought-provoking tale, I’ll say that much! There’s a lot to chew on. It’s a fascinating blend of realism and fantasy with a surprising amount of depth.

In the Penal Colony (1919) – 2.5☆

Another dull story.

The torture machine was convoluted and ridiculous so it didn’t have whatever horrifying and/or erotic effect Kafka was going for. I think he was trying to make a point about the criminal justice system, about how those in power are so perversely obsessed with punishment that it doesn’t matter to them whether or not their actions actually constitute any kind of “justice.”

I’d honestly recommend watching the 1985 Doctor Who serial Vengeance on Varos instead of reading this – it plays with a lot of the same ideas, plus more.

A Country Doctor: Short Prose for My Father (1920) – 3.5☆

More poetic vignettes à la Contemplation, with higher highs and lower lows. It’s difficult to rate these collectively. My favourites were definitely Jackals and Arabs, an intriguing story commenting on colonialism and the self-appointed messianic role of Europeans, and A Report to an Academy, which was really poignant in its frank discussion of assimilation as a survival strategy. Some of the other stories were forgettable, impenetrable, sometimes feeling stubbornly pointless (though perhaps that pointlessness was the point, I don’t know). Overall, I think there’s more good than bad in this collection of short prose.

The Hunger-Artist: Four Stories (1924) – 3.5☆

Though listed as “Four Stories” I will review them together because they were grouped together. First Sorrow was simple but effective. My only real complaint is that maybe it’s a little too short; it would have been nice to see more of the trapeze artist’s craft before introducing the problem of travel and the rest of the narrative after that. A Little Woman reminded me of an ex. A Hunger-Artist was an evocative and sympathetic look at performers relying on attention almost literally as a means of sustenance. Josefine, the Singer, or The Mouse People struggled to hold my attention.

Aeroplanes in Brescia (1909) – 3.0☆

A quaint historical snapshot. The romantic descriptions of the little planes in flight makes me think of Porco Rosso even though that’s set a couple of decades later.

Great Noise (1912) – 3.0☆

It doesn’t have much to say and I don’t have much to say about it. It’s only half a page long, though, so it’s not like it overstays its welcome.

The Coal-Scuttle Rider (1921) – 3.5☆

A simple but effective tale of class conflict, of the haves leaving the have-nots to die preventable deaths if they cannot pay for what they need.

Content Warnings

chrisljm's review against another edition

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reflective sad fast-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.0

Content Warnings

librarymouse's review against another edition

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emotional reflective sad slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.5

The Metamorphosis is an interesting look at a young man who has become the breadwinner for his family, who is suddenly transformed into a giant insect. He first tries to stay in bed and recover, equating the feeling of being an insect to bone deep exhaustion from his taxing job as a traveling salesman. As the time passes past his intended wake up alarm, and then past the time he's supposed to board his train to work, Gregor pushes himself to get up and go to work, telling himself he will make the next train. When the manager from his job comes to check in on him under the assumption that he is lazy and all workers willing to miss a day must be lazy and not ill, Gregor pushes himself to the point of injury to open the door and try to explain his tardiness. He longs to return to work, or more likely dreads the possibility of losing his work and thus his family's livelihood. It's sometimes interpreted that The Metamorphosis is a metaphor for how capitalism crushes the spirit, which I do see in Gregor's distress at the idea of missing work and his overbearing bosses, but I find that view of the intended message in conflict with its conclusion. When the parents see how industrious the sister has become in the time spent working and caring for Gregor, and how she's grown and aged, she's seen as more valuable. At the beginning of the novel, they are reliant on Gregor. Though they're still flawed; the father's stubbornness, the mother's delicacy, and the sister's short fuse, the characters are stronger, healthier, and more ready for what the world can throw at them because they've joined the work force. It's an interesting exploration of loneliness and isolation. Applying a contemporary lens, I initially interpreted it as a discussion on depression and/or disability and the weight of caring for a loved one who is unable to care for themself. The way they view Gregor as unreachable and a burden, unable to understand them because they can't understand his attempts at communication is heartbreaking and familiar in how non-speaking disabled people are often viewed and treated currently and in the past. The Metamorphosis was written at an interesting time, as WWI had begun just over a year before. The novel was published as shell shocked and newly disabled veterans were beginning to be sent back home from the front lines. While Kafka didn't serve during WWI, Gregor's isolation and loneliness may have been a comfort for the newly returned soldiers.

I wasn't initially drawn in when I tried reading The Metamorphosis, but I really enjoyed the libriVox audiobook I listened to. To hear it read aloud, makes Gregor's desperation for connection all the more tangible.

Content Warnings