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snoakes7001's review
5.0
The final installment of Robert Goddard's Maxted trilogy takes Max to Japan in pursuit of the German spymaster Lemmer and his nemesis, Count Tomura. There are secrets and betrayals aplenty, scores to settle and vengeance to be sought. Some of the plot is frankly ridiculous, but who cares? With Robert Goddard I am prepared to follow where the breathless action takes me.
None of these novels really stand alone - you need to read all three, in order. But this one does tie the trilogy up nicely. However, I don't think this is the last we are going to see of James Maxted.
None of these novels really stand alone - you need to read all three, in order. But this one does tie the trilogy up nicely. However, I don't think this is the last we are going to see of James Maxted.
speesh's review against another edition
4.0
The final book in ‘The Wide World Trilogy' and Robert Goddard remembers the ‘Wide World' bit on the cover and has the story rushing - as much as a five week sail trip can be said to be rushing - off to Japan in search of answers to the many questions raised back in Europe and in the first two ‘Wide World’ books, 'The Ways of the World' and 'The Corners of the Globe.’
The travel time to Japan can be easily explained - in case you haven’t been with us thus far - by the story being set in 1919, during and just after the Paris Peace Conference, formed by the winning side, to sort out the mess made in the Forst World War. The main character, WWI flying ‘ace’ James ‘Max’ Maxted is dead. It seems he was killed in the incident at the end of 'The Corners of the Globe.' That’s not a spoiler - at the end, he is shot. You’ll have to wonder just why Robert Goddard might want to kill his hero off until you read this book. Max’s colleagues have already arrived in Japan and are hot on the trail of the mysterious Jack Farnham, who might, if he’s still alive, be able to supply some of the afore-mentioned, much needed answers. Or shed some light on them anyway. Or not, as you know the case might also be. Hot on their trail, or maybe even there before them, is the enigmatic, ‘how does he DO that?’ devious, treacherous, German spy-master, Fritz Lemmer. The whole trail of events was set in motion by Sir Henry Maxted, Max’s father, who died even before the first book, 'The Ways of the World’ even started. Seems to run in the family, that. Max, according to his older brother, who was looking at a smooth transference of the family assets, property and titles into his hands, had one job. To sign the papers in Paris and bring their father’s body home. It was never going to be that simple and soon a whole intriguing can of worms was opened, one which has had me pretty much spellbound the whole way through the three volumes.
The series as a whole, has been wonderful. Entertaining, interesting, surprising, full of suspense and shocks and very well written indeed. There are actually signs, and I do have one or two un-answered questions of my own, that there may be further books featuring some of the characters. Those still alive, of course. The middle book, 'The Corners of the Globe,' was particularly good. It dealt with issues brought up in the first book, not by solving the clues, but by expanding them and confusing the issues even more. It was a brilliant book, I thought, quite extraordinary as a number two as well (rather like ‘The Bone Tree’ by Greg Iles, in that respect). So, it was an almost impossible level for 'The Ends of the Earth' to live up to really. Whilst it is up there, it doesn’t quite match my expectations. Not entirely my fault, blame it on a superb second book. What’s wrong? Not an awful lot, however…personally, I wouldn’t have had the story going off to Japan. I’d have had the Japanese angles of the story coming to us, as it were. The first two, stayed in Britain and France and worked superbly well. The trip to Japan, whilst necessary for the story as it is now, seems still to be, as I flippantly mentioned above, a way of justifying the ‘Whole Wide World’ tag. Moving - and finishing - the story out to Japan, removed any subconscious frame of reference we European readers had. And felt a little forced. The Japanese are so different, were so different back then, they might as well be aliens. The first two, we (thought we) knew where we were and so the surprises were even more surprising and shocking. Anything here, can be written off as 'the kind of thing they obviously get up to over there.’ The ’39 Steps’ bit in volume two, is just superb, way better for it’s simplicity and naturalness (if that’s a word) than much of the set-pieces here. And, the big castle set-piece - again, yeah, necessary for the plot as it is (well, a certain part of the castle, anyway), but it was all bit 'game-show,' 'Mission Impossible' (Implausible)-like and further removed the characters from reality, even that of the well-written streets of Tokyo.
As a whole, a really excellent, old-fashioned (in more ways than one) mystery, thriller series. With hopefully more to come and to be revealed.
More world-class reviews on Speesh Reads
The travel time to Japan can be easily explained - in case you haven’t been with us thus far - by the story being set in 1919, during and just after the Paris Peace Conference, formed by the winning side, to sort out the mess made in the Forst World War. The main character, WWI flying ‘ace’ James ‘Max’ Maxted is dead. It seems he was killed in the incident at the end of 'The Corners of the Globe.' That’s not a spoiler - at the end, he is shot. You’ll have to wonder just why Robert Goddard might want to kill his hero off until you read this book. Max’s colleagues have already arrived in Japan and are hot on the trail of the mysterious Jack Farnham, who might, if he’s still alive, be able to supply some of the afore-mentioned, much needed answers. Or shed some light on them anyway. Or not, as you know the case might also be. Hot on their trail, or maybe even there before them, is the enigmatic, ‘how does he DO that?’ devious, treacherous, German spy-master, Fritz Lemmer. The whole trail of events was set in motion by Sir Henry Maxted, Max’s father, who died even before the first book, 'The Ways of the World’ even started. Seems to run in the family, that. Max, according to his older brother, who was looking at a smooth transference of the family assets, property and titles into his hands, had one job. To sign the papers in Paris and bring their father’s body home. It was never going to be that simple and soon a whole intriguing can of worms was opened, one which has had me pretty much spellbound the whole way through the three volumes.
The series as a whole, has been wonderful. Entertaining, interesting, surprising, full of suspense and shocks and very well written indeed. There are actually signs, and I do have one or two un-answered questions of my own, that there may be further books featuring some of the characters. Those still alive, of course. The middle book, 'The Corners of the Globe,' was particularly good. It dealt with issues brought up in the first book, not by solving the clues, but by expanding them and confusing the issues even more. It was a brilliant book, I thought, quite extraordinary as a number two as well (rather like ‘The Bone Tree’ by Greg Iles, in that respect). So, it was an almost impossible level for 'The Ends of the Earth' to live up to really. Whilst it is up there, it doesn’t quite match my expectations. Not entirely my fault, blame it on a superb second book. What’s wrong? Not an awful lot, however…personally, I wouldn’t have had the story going off to Japan. I’d have had the Japanese angles of the story coming to us, as it were. The first two, stayed in Britain and France and worked superbly well. The trip to Japan, whilst necessary for the story as it is now, seems still to be, as I flippantly mentioned above, a way of justifying the ‘Whole Wide World’ tag. Moving - and finishing - the story out to Japan, removed any subconscious frame of reference we European readers had. And felt a little forced. The Japanese are so different, were so different back then, they might as well be aliens. The first two, we (thought we) knew where we were and so the surprises were even more surprising and shocking. Anything here, can be written off as 'the kind of thing they obviously get up to over there.’ The ’39 Steps’ bit in volume two, is just superb, way better for it’s simplicity and naturalness (if that’s a word) than much of the set-pieces here. And, the big castle set-piece - again, yeah, necessary for the plot as it is (well, a certain part of the castle, anyway), but it was all bit 'game-show,' 'Mission Impossible' (Implausible)-like and further removed the characters from reality, even that of the well-written streets of Tokyo.
As a whole, a really excellent, old-fashioned (in more ways than one) mystery, thriller series. With hopefully more to come and to be revealed.
More world-class reviews on Speesh Reads
hayesstw's review
3.0
This is the third book of Robert Goddard's spy trilogy. I've just finished reading the second and third books one after the other, so will comment on the series as a whole rather than on each volume separately.
It's quite an enjoyable read, even though it has more plot holes than a colander and more loose ends than a bowl of spaghetti. It's not up to Goddard's usual standard, where the books are more carefully and believably plotted. Most of his best books are written to a formula in which a mystery in the past influences events in the present. There are echoes of that here, but in this book the "present" is itself in the past, as the main action of the story takes place immediately after the First World War, during and following the peace conference at Versailles, though it is influenced by events that had taken place nearly 30 years before.
But in most of Goddard's other books the protagonist is usually an ordinary person who gets involved either accidentally, or in an unsuspecting way. Here, however, the protagonist is James "Max" Maxted, wartime flying ace and and James Bond-type swashbuckling hero. The second volume starts off reading like a sequel to [b:The Thirty-nine Steps|2713421|The Thirty-Nine Steps (Oxford Bookworms Stage 4)|Nick Bullard|https://images.gr-assets.com/books/1347634489s/2713421.jpg|44362132], which was set before the war, and this one is set after it. One of the characters even mentions The Thirty-Nane Steps. Perhaps the mention of the book is a hint that [a:Robert Goddard|16246|Robert Goddard|https://images.gr-assets.com/authors/1238359023p2/16246.jpg] is self-consciously writing a pastiche and a parody of the spy story genre, with hints of [a:John Buchan|3073|John Buchan|https://images.gr-assets.com/authors/1298680099p2/3073.jpg], [a:Ian Fleming|2565|Ian Fleming|https://images.gr-assets.com/authors/1364532740p2/2565.jpg] and [a:Robert Ludlum|5293|Robert Ludlum|https://images.gr-assets.com/authors/1208465267p2/5293.jpg]. Perhaps the real challenge to the reader is to work out which bit is imitating whom. And perhaps in some parts he's even parodying himself.
It's quite an enjoyable read, even though it has more plot holes than a colander and more loose ends than a bowl of spaghetti. It's not up to Goddard's usual standard, where the books are more carefully and believably plotted. Most of his best books are written to a formula in which a mystery in the past influences events in the present. There are echoes of that here, but in this book the "present" is itself in the past, as the main action of the story takes place immediately after the First World War, during and following the peace conference at Versailles, though it is influenced by events that had taken place nearly 30 years before.
But in most of Goddard's other books the protagonist is usually an ordinary person who gets involved either accidentally, or in an unsuspecting way. Here, however, the protagonist is James "Max" Maxted, wartime flying ace and and James Bond-type swashbuckling hero. The second volume starts off reading like a sequel to [b:The Thirty-nine Steps|2713421|The Thirty-Nine Steps (Oxford Bookworms Stage 4)|Nick Bullard|https://images.gr-assets.com/books/1347634489s/2713421.jpg|44362132], which was set before the war, and this one is set after it. One of the characters even mentions The Thirty-Nane Steps. Perhaps the mention of the book is a hint that [a:Robert Goddard|16246|Robert Goddard|https://images.gr-assets.com/authors/1238359023p2/16246.jpg] is self-consciously writing a pastiche and a parody of the spy story genre, with hints of [a:John Buchan|3073|John Buchan|https://images.gr-assets.com/authors/1298680099p2/3073.jpg], [a:Ian Fleming|2565|Ian Fleming|https://images.gr-assets.com/authors/1364532740p2/2565.jpg] and [a:Robert Ludlum|5293|Robert Ludlum|https://images.gr-assets.com/authors/1208465267p2/5293.jpg]. Perhaps the real challenge to the reader is to work out which bit is imitating whom. And perhaps in some parts he's even parodying himself.
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