Reviews with content warning for Xenophobia - Orlando

I want to start this review by saying that I feel like didn't fully understand this book. There were many lines that felt like a reference that I didn't get despite the many annotations that came with my edition. Be it because I'm not British, didn't live in the 1920's, wasn't part of the Bloomsbury group, am not Vita, or just because I'm dumb. Some of these may not even have been a real reference to anything and just randomness that comes with the "stream of consciousness" method. The "stream of consciousness" sections were amazing and interesting at first but did get tiring very fast. The author's writing is very funny though, in that way where it takes you a few seconds to realise there was a joke there but when you do it lights all parts of your brain. The book is full of reflections and commentaries, some interesting some not so much, many involving Orlando's legs. So many, I stopped reading to google Vita Sackville's to know what the author was talking about. The entirety of the text felt, just like Vita's son said, like a very long love letter to her. And I mean all kinds of love, be it friendship, be it romantic, be it admiration. All together in 200 or so pages.

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cassie_04's review against another edition

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mysterious reflective slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? It's complicated

3.0

DEAR GOD. AN INFURIATING READ. TOOK ME 5 MONTHS TO FINISH. Great book though. Interesting takes on gender throughout. I also enjoyed the surreal passage of time and place throughout the book. Unfortunately, like much of Woolf's work it is incredibly racist. I enjoy her experimental style but this one was a little bit too loosey goosey and descriptive in places, as well as the frequent racism made this book difficult to read. Has historical and literary interest though, so in those regards, was worth a read.

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murrderdith's review against another edition

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challenging reflective slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? It's complicated

3.75

Listen, it's Virginia Woolf. It's good and this is groundbreaking work in its narrative use of gender fluidity. Orlando is an amazing character, even if they* are also an absolute aristocratic snob (I mean, so was Woolf.)

...it's also the book of hers I enjoyed the least. It turns out, my favorite thing about Woolf is her ability to shift perspective within the stream-of-consciousness style she pioneered. The interiority is still here but without that other element, this text felt more linear and rigid than Mrs. Dalloway or To The Lighthouse (my personal favorite.) I missed the writer's ability to embody so many people (and occasionally buildings) within a narrative.

*The character shifts from masculine to feminine pronouns in the text, I'm using the singular they here for expediency's sake.

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juniperpages's review against another edition

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4.75

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avocadotoastbee's review against another edition

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adventurous funny mysterious reflective slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes

4.0

"I am sick to death of this particular self. I want another."

Orlando, who was born as a man in the 16th century, lives 400 years and dies as a woman in 1928, when Virginia Woolf finished writing the book Orlando.

Virginia Woolf wrote this novel essentially as a love letter to her lover, Vita Sackville-West, who resembles Orlando. But Orlando is not just an homage, it is so much more. It is miles ahead of its time: exploring gender identity, addressing queer love, and questioning gender roles including men’s position of power in the 18th and 19th centuries - Orlando shows the fluidity and flexibility of time and gender. Orlando depicts love and loss and beauty in both. In addition, Virginia Woolf paints beautiful pictures with her detailed descriptions of nature and landscapes.

I loved reading about Woolf’s ideas and hypotheses about gender, time, love, and evolving and growing as a person. The only thing that interfered with the reading experience was the racially offensive language that was ever present.

I also want to note that it can be difficult at times to follow Woolf's stream of consciousness if you are not familiar with her writing style.

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sofipitch's review against another edition

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reflective slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? N/A
Diverse cast of characters? Yes
Flaws of characters a main focus? No

4.25

This book is beautifully written and full of insightful lines and trains of thought. However I also listen to it basically all in one sitting at work and I don't think that is the best way to experience this book, it started to feel tedious and repetitive.

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aardwyrm's review against another edition

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funny lighthearted reflective slow-paced

Plot- or character-driven? Character
Strong character development? No
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.0

Just gonna start with the fact that like many things labeled as subversive and full of subtext *for its time*, it's just frantically racist. Spare yourself that if you want. And most of the transgressive queerness is vanilla and silly if you're not living in a pretty repressed portion of 1928.

Like many things occupied with being literature and saying things of importance, the book doesn't have much in the way of characters or plot, but it's not really about either of those things, it's about wry social commentary from a position that doesn't recognize itself as privileged and blinkered, and it's pretty good at being that? I'd never noticed that Douglas Adams had some very Virginia Woolf rhythms before, anyway. And a rewrite that dealt with the fact that this is in fact a sci-fi novel would be fascinating.

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