Reviews tagging 'Gore'

If We Were Villains by M.L. Rio

148 reviews

augustrogue's review against another edition

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dark emotional mysterious reflective sad tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

1.0

I was so hyped for this book and truly wanted to love it - unfortunately, while it had a few fleeting moments of some very lovely prose, it ended up feeling like a bit of a pretentious mess. Multiple, long scenes that were basically play-by-plays of Shakespearean stage productions. Inexplicable switches into script-style dialogue that disrupts the flow terribly: (not from the book, just an example)

Meredith: "Where did Alexander go?" 
Me: "I don’t know." 
Wren: "I'm worried about him." 

...and then switches back just as abruptly, like it forgot it wasn't a screenplay for a second. Scenes that end abruptly for poetic/dramatic effect and then don't adequately explain what happened next. And I wanted a lot *more* of a relationship dynamic that was only lightly explored in the last 10% or so of the book.

The thing is, I actually *like* Shakespeare, quite a bit. The course I took on his plays was one of my favorites in university, and I still have a Complete Works anthology on my bookshelf. But I don't know, this book just made me roll my eyes a lot. At least the author acknowledges that the characters talking to each other in rapid-fire Shakespeare quotes about mundane things like they're ye olde Gilmore Girls (my own analogy, not hers) *is* super pretentious, in her ending notes. This book is for someone, maybe, but for the most part, it's not for me.

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salty_mermaid's review against another edition

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dark emotional mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0

<i><b>Something wicked this way comes…</b></i>

SAVAGE

This the story of 7 devoted theatre students and what happens when the world of Shakespeare gets too real - with devastating consequences.

This so appealed to my thespian soul…This tale tore out my heart and put it through the meat grinder. My eyes were glued to the page and I felt as crazed as Lady Macbeth herself getting through this. I cannot believe Rio doesn’t have any other books. This debut brilliantly wove together the world of theatre into a university setting. 

Drama, murder mystery, romance, dark academia, and comedy all in one! How fitting since they solely perform Shakespeare. 

By exposing vulnerabilities early on, Rio crafted intricately complex 3D characters. Each one was multi-faceted and layered. 

I loved the comparisons between the liberal arts students: language, philosophy, dance, music.

Also I loved how Rio occasionally interspersed script dialogue format between the characters just like in real scripts:

<i>Me: “How has she been looking at me?”
James: “Like she’s a shark and you’re an oblivious fur seal.”
Me: “Why is that the word everyone’s using to describe me lately?”
James: “Who else called you a fur seal?”
Me: “Not that. Never mind.”</i>

I think it definitely helps if you know a little bit about Shakespeare's plays and characters because you can get a better idea of who the actors are by who they are casted as. I was familiar with Midsummer Night's Dream but had to brush up on Macbeth and get acquainted with Julius Caesar.

<i><b>How could we explain that standing on a stage and speaking someone else’s words as if they are your own is less an act of bravery than a desperate lunge at mutual understanding? An attempt to forge that tenuous link between speaker and listener and communicate something, anything, of substance.</b></i>

I connected with the actors’ plight. There is a lot of foreshadowing, which added to the excitement. I'll admit I am not one to easily guess a whodunnit and sometimes when it’s obvious to others, I still don’t get it…but maybe I'm getting better...I was able to predict the murderer early on but definitely had my doubts throughout. I’d say it is not easily obvious except for one foreshadowing line that caught my attention. Ah, the mystery. In the end, the Tragic Hero and Villian are not who you thought they’d be.

There are many triggers: death, gore, suicide, domestic violence.

Absolutely loved this. I will be re-reading this when my heart finally heals for sure. 

<i><b>Actors are by nature volatile—alchemic creatures composed of incendiary elements, emotion and ego and envy. Heat them up, stir them together, and sometimes you get gold. Sometimes disaster.</b></i>

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zappapow's review against another edition

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dark emotional mysterious tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

2.5

Overall, if you like dark academia and mystery, you'll probably enjoy this book. I didn't like it very much, I found the characters annoying and the plot to be somewhat predicatable and very slow. 

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brotestantethic's review against another edition

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dark tense fast-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.0

This was a total let-down. The plot is alright, but the writing is dreadful. Rio lets Shakespeare do all the heavy lifting; there are pages full of nothing but quotes from his plays. These set the stage for the characters’ descents into madness, but this falls flat as half the characters are poorly fleshed out. James, Oliver (narrator), and Meredith are the only characters with any substance. Alexander’s only personality trait is that he is an addict. Filippa and especially Wren are nonexistent. As a result, stakes are low, and you’re not rooting for anyone or hoping for the mildly interesting plot to move forward at all.

Honestly, just read The Secret History.

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laguerrelewis's review against another edition

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dark emotional mysterious reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.75

This book is exactly what it says on the tin, for good and for bad. After a somewhat slow climb, it gets exponentially more engaging in its back half, but it never quite feels like the throes of its passion are earned. It does get close at the end there, though. The biggest hurdle I encountered as a reader in 2024 is that the particular white wealthy 2017-flavor of pretentiousness of the characters leads to some… ickiness. Read the content warnings, I beg.

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reneeravenlake's review against another edition

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dark emotional mysterious reflective sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.5


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mazzoccatoadele's review against another edition

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emotional mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.5

throughout the whole book oliver is like "i'm fighting demons" and the demons are just bisexuality only for him to have no chemistry with either of his love interests

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nikenacs's review against another edition

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challenging dark emotional mysterious tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0


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annakh16's review against another edition

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dark emotional mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

3.75

This was a fast, easy and intriguing read. 

The crime/thriller aspect and the unlikeable characters (I thought) were a bit out of my reading comfort zone and it turns out that I was right those things are not my favourite, so quality aside, this partly informed my personal rating. It sure was fascinating though and I especially enjoyed the book‘s take on the intense (cult-like, as Oliver would have it) nature of Dellecher school and how it impacts the obsessive emotions of its students. There was less focus on the mystery as such, but because it made space for those kind of elaborations, I only half minded. 

A lot of the Shakespeare quotes and references flew right over my head, which is a shame cause there are a lot of them. You can enjoy the book without knowing much Shakespeare or being very good at understanding him - I did - but for me, the quotes that hit, they hit hard, so I assume it adds a lot to the story. 

The major plot point -
the characters deciding to just leave Richard for dead
- felt somewhat unearned, partly because the key events leading up to this had happened in the space of only a few months. The more you get to know the characters, the more their decision makes sense (from their pov), but I still thought it was extreme and hence somewhat unbelievable. 

Re the other major plot point -
James and Oliver: this really only developed for me in the second half of the book. I really want to go back now and see if I was just incredibly oblivious for the first half of the book. But it means the final twist of Oliver actually being in prison for James, and them potentially getting together again at the very end (?), was an interesting surprise

The writing was vivid. There were some great lines (they won’t make much sense without context but I‘ll hide them just in case):
“There is no comfort like complicity“. ; “He was handsome the way you think of the devil as handsome - forbiddingly so.“ ; “Eighteen and vulnerable, I‘d felt for the first time the extraordinary dread of wanting something desperately and watching it slip through my fingers.“ ; “But that is how a tragedy like ours or King Lear breaks your heart - by making you believe that the ending might still be happy, until the very last minute.“
(among others).

Ultimately, it‘s a story I won’t forget for a while and it makes me excited to explore more dark academia, though books less focused on crime maybe.

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nhelregel's review against another edition

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challenging dark emotional mysterious sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

4.25

Listened to the audiobook for this one - the only thing with that was that at the beginning it was hard keeping so many primary characters straight. Happily they fall into archetypes (that the play, and then be extension who they are off-stage) so I had everyone down fairly quickly. Overall: this was very interesting and moody and despite there being several mysteries I didn't really feel the need to solve them (because of the frame narrative you know you'll get some answers anyways). At first I felt like one of the major plot points was unearned - it seemed unrealistic that so many people would all agree on a mind-boggling decision. However over the course of the book I felt like it became more earned, sort of? The teasing out of everyone's secrets and the dynamics between the characters were the most interesting and well-written parts, to me. The ending was... annoying in some ways. But overall I very much enjoyed the book, and would recommend! (Sorry if this review is vague - trying not to spoil anything)!

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