Reviews with content warning for Drug use - Breakfast at Tiffany's

Truman was an incredible writer, and I think overall the prose here is as masterful as his tends to be, but it’s worth noting that this book has a lot of depictions of people having deeply entrenched biases and using very derogatory language. Personally, I find the “historical accuracy”/“it’s of its times” argument complicated at best when it is employed: to be clear, I’m willing to approach a work where it’s at, but if I think the bigoted sentiments being depicted are being endorsed within the narrative or by the author, the time and place in which it was written doesn’t make a difference in my judgment of something. Ultimately, I don’t think Capote was agreeing with the characters in this work (or in much any of his work, really), so much as showing us a lense into the world he saw around him. That being said, I still wouldn’t be able to in good conscience recommend this to people as an “entertainment” read, especially without huge caveats for period-typical language and depictions of various kinds of bigotry.

Something I find interesting about Holly Golightly in the book, as opposed to the film, is that she is far more overtly flawed and ergo more human—I know a lot of people say she’s the manic pixie dream girl prototype, but to me, the film embodies that much more than the book. The book contains fragments of that, for sure, but it feels more like a story about people perceiving someone in that way than a story pushing the concept; Holly’s presence is ephemeral, fleeting, but also incredibly sharp and sometimes callous, and in her, I can’t help but see Nina Capote (or Lillie Mae Faulk), Truman’s mother. I think that in itself is a big part of why she’s seen in such a glittering way despite being a relatively bad friend and person, not to mention the animosity broiling beneath the narrator’s surface towards her just as much as his affection for her. Glamorous, hell-bent on becoming part of a particular upper echelon of society, and ultimately, as cruel beneath the surface as they are enthralling: these words describe Holly, Truman, and Nina each in their own right.

At its core, this is a story of home, of belonging, of identity, and of the search for that: but central to that, too, is both hopefulness and uncertainty. The characters at play, obviously save for the cat, are generally not very likeable. The facts about Holly Golightly are on unstable ground, and how accurate the narrator’s interpretation of her is, as well; as for the narrator, his identity in the story is built up entirely around his connection to Holly, and despite us knowing his life extends beyond her, he does not share it with us. Their characters are reflected in the cat, who ultimately may have found a name of his own, but as he doesn’t belong to Holly or to the narrator in the end, we never learn it; he is ultimately both a symbol of freedom and of belonging, and in the end, it seems he may be the only one who has settled into a home. Breakfast at Tiffany’s is a dreamlike snapshot of New York café society from its fringes, transient and grimy, longing for home and leaving us wondering if the narrator or the central heroine ever found it.

Content Warnings

sfx_naike's review against another edition

Go to review page

emotional reflective sad medium-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.5

Content Warnings

mik43l4's review against another edition

Go to review page

lighthearted reflective medium-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? It's complicated
Flaws of characters a main focus? Yes

3.0

Content Warnings

natbooks_'s review against another edition

Go to review page

funny lighthearted fast-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.75

Content Warnings

cherryredmarlene's review against another edition

Go to review page

fast-paced

Plot- or character-driven? Character
Strong character development? No
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.5

3 stars for Breakfast at Tiffany‘s itself but 3.5 because I liked the other stories included in this edition, especially “A Diamond Guitar”. I actually don’t see the value Breakfast at Tiffany’s has for readers today except your interested in Truman Capote’s works in general. The society and people depicted in this are all quite disgusting, very naturally racist and white supremacy also isn't anything other than some quirky character trait in here. I of course see how racism at that time was much more widely accepted than today and can differentiate, but because in Breakfast at Tiffany’s I don’t see any other aspect than the writing style (which is good but also doesn’t blow your mind) for which this story would be worth reading, I am a little disappointed after finishing it and expected a bit more since this story is made out to be so iconic.

Content Warnings

laineydunne's review against another edition

Go to review page

dark emotional slow-paced

Plot- or character-driven? Plot
Strong character development? No
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

1.5

Content Warnings

nocturnath's review against another edition

Go to review page

fast-paced

Plot- or character-driven? Character
Strong character development? No
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? It's complicated

4.25

(I'm editing my score from 3.75 to a 4.25. After thinking about it a little bit more and learning more about Truman Capote, I actually appreciate Breakfast at Tiffany's more... and have become more iffy regarding the movie)

Content Warnings

thebibliobibuli's review against another edition

Go to review page

emotional lighthearted reflective slow-paced

Plot- or character-driven? Character
Strong character development? No
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.0

Content Warnings

More...