Reviews tagging 'Rape'

Crossroads by Jonathan Franzen

6 reviews

milkfran's review against another edition

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adventurous challenging medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

A snapshot in time of the Hildebrandt family over one Christmas in Illinois in the 1970’s but interwoven with each character’s point of view and their thoughts, feelings, and recollections of the past. 
It’s hard to love any of the characters but it’s hard to hate them either: Franzen’s gift is to make them human as they wrestle with small dilemas that seem like big ones (“should I have an affair with a woman from church?”) and big dilemas that seem like small ones (“am I a coward for accepting a deferment for the draft?”). 

Really excited for the next ones if it’s going to be a trilogy!

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lily_kruse's review against another edition

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challenging emotional reflective medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.25


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jessidbee's review against another edition

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emotional sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

1.5


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alimalina's review against another edition

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reflective tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0

Truly, the god doesn't exist in the vast lands of colonised lands of the United States and this novel is proof of that. 
It is setup from the very beginning that this much like the Hildebrandslied, these people are only family in name, lacking the actual bonds that would make them recogniseble to one another. Everyone is too much up in their heads, busy fighting the God (their conscience if anything really) to even see people they live with.
The story of a Midwest family that hate each other is such a cliche but the text is aware of itself enough to be interesting. All of the characters are tragic,  set up to lose the thing they coveted the most, destined to never escape the fate living in godless land presented them with. Your agency, mind and principles will be lost and forgotten, only the mundane and boringly inevitable to stay. 
The writing is solid, the idea is executed brilliantly, the points of view of characters play with and against each other in an engaging way. 
I am afraid that the novel still slightly overstays it's welcome. 
Two questions have slightly bothered since finishing it: a) was this just a long setup to the trilogy and
Spoilerb) why cocaine of all things really
.

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soavezefiretto's review against another edition

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emotional reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

3.5

Franzen's insight into his characters is masterful, but at times it gets to be too much. No one emerges unscathed, everyone is so flawed, and I suppose that's the intention.
SpoilerBut I still see clear differences: Marion and Perry on one side (redeemed because they are sick?), Russ and Becky, pathetic and mostly disagreeable, on the other, Clem sort of in the middle.
It's hard not to take sides. The attention to casual details that make the story richer (the blacksmith's workshop, the farm in the Andes, the Navajo reservation) is impressive. It's certainly a pleasure to read, but I missed a pause from the intensity here and there, a few pages where catastrophe is not looming, where I'm not dreading the next wrong decision. 

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clarissas's review against another edition

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reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

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