Reviews with content warning for Animal death - Land of Milk and Honey

Although an interesting premise with potentially dynamic characters, “Land of Milk and Honey” ultimately becomes a grinding love story that is lacking in love. The selfishness of the characters becomes more apparent as the book progresses, making all of them unlikable.

Zhang’s prose simmers with compelling detail and evocative descriptions of place, food, and sex. Her skill with words, however, doesn’t move the story forward. The middle of the book often feels like a slog, while the ending seems both rushed and unnecessary.

Aside from pacing, some of the plot devices and characters also serve as social commentary but remain one-dimensional cutouts and caricatures (in particular, the tech bro). The most interesting character, in fact, may be the cat.

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machenn's review against another edition

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reflective slow-paced

Plot- or character-driven? Plot
Strong character development? No
Loveable characters? No
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

3.0

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rorikae's review against another edition

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reflective medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

'Land of Milk and Honey' by C Pam Zhang is a thoughtful literary novel about a cook who takes up a position cooking for the rich on an Italian mountain.
Animals are going extinct and the environment is devastated. In this world, a cook accepts a position to cook for the wealthy on a reclusive Italian mountain. At first unsure about her employer and his intentions, she slowly begins to understand more about her position as she gets to know his daughter. But there are questions about the true intentions of her employer and those who come to the mountain as she gets further and further entangled in their lives.
C Pam Zhang has crafted a fascinating character study in a near future that shows us the perils of what may happen if we do not take ecological disaster seriously. The main character is an intriguing and deeply flawed character, which actually makes them more interesting to follow. I really appreciated how the truth of the world and the situation that the cook is in were slowly peeled back through her interactions. Many of the supporting characters were frustrating but in a very human, believable way. I would have loved to learn more about the world but I don't believe that was the intent of this book. I also really appreciated the food writing and how C Pam Zhang talked about different ingredients and dishes.

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trin's review against another edition

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dark reflective slow-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

1.5

A book about food that is unappetizing; a book about how rich people are terrible that is somehow unconvincing, even though that seems like the biggest layup imaginable. This was not for me. I found the prose pretentious -- very capital-L Literary in an unearned way -- and the characters thin and unbelievable. The protagonist is not terribly competent and makes insane, out-of-left-field decisions, as dictated by the achingly slow plot. I appreciate some of what Zhang was trying to say, especially about the experience of being an Asian woman, but it was buried under what felt like an extended version of that scene from Succession where Tom and Greg eat ortolan, except less entertaining, or effectively satire.

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rebcamuse's review against another edition

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challenging dark emotional mysterious reflective sad slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

4.25

What a very beautiful and disturbing book. It is not dystopic in a clichéd sort of way and the writing is poetry. It is memoir (fictional, yes, but memoir all the same). It is speculative fiction. Eunice Wong's reading is perfection, with just the right amount of gravitas with an equanimity that helps us understand (hear her talk about it here). What is sensuous in food and in life becomes ethically blurry when most of the world is overtaken by a smog of debatable origin and the protagonist, a former cook, goes to work for a mysterious employer on a mountain in Italy, above the smog (and above the rules of living below, it would seem). Privilege is redefined and reframed, disguised as innovation.

The imagery and descriptive writing is phenomenal. Zhang is deliberate in linking language across the story: the "calculus of loss" becomes the "connoisseurship of loss"--a subtle juxtaposition spaced several chapters apart, easy to miss. Metaphors abound: "...as I would not serve bitter greens without the consolation of oil, I began to keep back my less palatable feelings..." The insights, too, are plentiful: "Across the years it is hard to make out this version of myself, so blinkered by ambition that she sprinted through thirty years without asking, why?"

It was a slower "read" for me than I anticipated, but there is, forgive me, much to chew upon.

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ohknellah's review against another edition

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challenging dark reflective fast-paced

Plot- or character-driven? Character
Loveable characters? It's complicated
Diverse cast of characters? Yes

4.75

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jayisreading's review against another edition

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dark emotional mysterious reflective slow-paced

3.75

I really enjoyed Zhang’s debut novel, so I entered Land of Milk and Honey with relatively high expectations. Much like How Much of These Hills Is Gold, Zhang delivered exquisite lyricism and a distinct writing style that will be hit-or-misses for readers. She also presented some really interesting themes in Land of Milk and Honey—especially in relation to a dystopian world—which was a variety that included beauty, social class, pleasure, and climate change. I will say, though, that the themes were not overtly stated and might require the reader to tease them out, which could be frustrating given the prose. I also thought it would have been nice if Zhang had stuck with fewer themes to explore in-depth as opposed to the multiple that she seemed to have wanted to discuss.

I think Land of Milk and Honey fell flat for me because I wasn’t entirely invested in either the story or the characters. Regarding the story, there certainly was a plot, but it was a very slippery one to grasp that resulted in me losing interest over time. As for the characters and their relationships with one another, they were interesting enough, but I didn’t think they were particularly memorable. With all this said, I will say that I think I may have picked this book up at the wrong time and just wasn’t in the right headspace for it.

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