Reviews tagging 'Gun violence'

V for Vendetta by Alan Moore

11 reviews

bearystarry's review against another edition

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challenging dark emotional hopeful mysterious reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0


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redheadorganist's review against another edition

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adventurous challenging mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

3.75


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linblythe_pub22's review

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dark informative inspiring mysterious reflective fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? No

4.0


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steveatwaywords's review

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adventurous dark tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

2.75

Moore and Lloyd's work by now is quite (in)famous, sadly as a film, so looking at the original graphic novel was a must. To qualify this a bit, Moore himself admits this was fairly early in his career and several of the tropes and conceits are now a bit dated or even naive. I have to agree.

First, though, I have to praise the novel for its politics and references, far more complicated and layered than anything seen in the McTeigue film scripted by the Wachowskis. Moore's world--a mix of 1930s noir and post-apocalyptic totalitarian fantasy--is fairly thick in its home-front power relationships. This is really enjoyable for a dark immersion, if at times a bit bewildering. And while Portman made a fair Evey in the film, she is little like the much-challenged Evey of this work.

Where the story grew ever weaker for me was in the growing omniscience and omnipotence of the title character. Without spoilers, V has more control over these complex comings and goings than seems possible. He is ever-present at the right moments, ever-predicting the choices others will make, and somehow prepared for it all with an arsenal of resources. This is, unfortunately, too quickly explained away through a conspiratorial cliche. Ah, well. In this area, the scripting by the Wachowskis made a more satisfying tension of story, an improvement through film I rarely admit to.

Moore, as he was writing, confessed he was inspired by a bevy of classic writers, from Orwell to Bradbury to and from Harlan Ellison to Shakespeare. A worthy undertaking. But what each of these other writers accomplishes, along with their oppressive power structures resisted by citizenry, is the fallibility, the internal conflicts which center the drama around the characters themselves. Moore's symbolism for V--often clever and widely connected to history--is, unfortunately, too abstract for us to connect to in these ways. Evey, then, is a likely substitute for our empathy, and she works in this way, though she appears far too seldom to be as effective as she might be.

"V for Vendetta" is a great introduction to themes of resistance and totalitarianism for readers unfamiliar with other literature. But I've seen other graphic works accomplish far more in less space. Likely--though I haven't yet read them--Moore develops into a stronger writer in his later works.  If anyone has a suggestion what I might read next, let me know.

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xenia_li's review

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5.0


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dudebell's review against another edition

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adventurous mysterious tense fast-paced
  • Plot- or character-driven? Plot
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? It's complicated

3.5

An absolute classic for a reason. Stripping the comic of sound effects and thought bubbles was a revolution in itself, creating a noir-ish feel without ever verging into the cinematic. This dystopic world avoids the pitfalls of many others by remaining grounded and feeling real, feeling contemporary - it was shocking to read the words “make Britain great again” in a comic that was not only pre-Trump, but pre-Thatcher. The Storm Saxon panels illuminate the kind of propaganda that we consume daily. All around brilliant, subtle world building.

The world of V for Vendetta is one in which fascists in Britain have successfully eradicated all visible ‘minorities’ from their country, leaving behind only those less visible - those who are queer. Characters are forced to make the decision: to be visible, or to move invisibly. For Valerie, this is her “one inch” that she will not give up. For Ruth, this is price she is willing to pay for her ‘freedom’ — a freedom that is simply a different sort of prison. It’s interesting to me that, in the afterword of the edition I read, Moore describes an earlier version of V as “transsexual” — and it’s true. Firstly in the sense that V is both everything and nothing, he is a man and a woman and both and neither, he is an idea, and anyone can be an idea. He represents anarchy and freedom and the queerness we can associate with that, and we see this as
SpoilerEvey dons his mask and becomes him; a woman becomes a man. I can also very easily see V as Ruth, as someone who decided one prison and got the other one anyway, who is fuelled by remorse for what she did to Valerie, who takes her lover’s initial in an act of defiance but still feels the need for invisibility, the need to mask her face and lie.


The world of V is also one in which love has been replaced with power, and for me this is the strongest element of the novel. All romance is a power play. Sexual intimacy is girls on a stage, is rape. Susan (and there’s something to be said about genderplay with that name as well) is ruling a world so devoid of love that he falls for a computer (here again — a non-sexed ‘entity’ who is addressed as a woman and has the voice of a man). There’s an incredible scene where, almost in a trance, Susan whispers “I love you” to Fate, while Creedy trembles in the background, unsure if he’s the object of this affection. Lost love is depicted as queer joy, as a celebration of Blackness. And this is something that has been sacrificed for uniformity and control.

There are some issues I take with the comic. I think the film’s decision to make Gordon a queer man was the right one, as his role in the book is a little cloudy. I also wish the two leads were less opaque. While I understand this decision to make V more myth than man, I wish there had been moments to humanise him and make him feel more real.
SpoilerBut the biggest offence for me is Evey’s under-reaction to her torture and captivity at V’s hands. What V does is insurmountable, strangely motivated, unclear in its outcome. In my opinion it would almost be better if it were lost entirely.


Overall, a classic comic, one of the greats. Definitely an important read for anyone interested in the medium.

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georgiakirkegard's review against another edition

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dark mysterious tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

4.0


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fallandfox's review against another edition

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emotional informative mysterious reflective medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

4.0


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nefariousbee's review against another edition

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challenging dark hopeful reflective tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0


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readwithchar's review

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adventurous dark mysterious tense fast-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No

3.0


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