bearystarry's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Graphic: War, Medical trauma, Genocide, Racial slurs, Racism, Violence, Torture, Sexual harassment, Homophobia, Hate crime, Grief, Forced institutionalization, Fire/Fire injury, Emotional abuse, Drug use, Death of parent, Death, Colonisation, Alcohol, Religious bigotry, Police brutality, Physical abuse, Pedophilia, Murder, Cursing, Lesbophobia, Infidelity, Domestic abuse, Confinement, Gun violence, Classism, Blood, and Biphobia
Moderate: Sexual assault, Sexual violence, and Sexual content
redheadorganist's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.75
Graphic: Blood, Death, Drug use, Fire/Fire injury, Gun violence, Torture, Forced institutionalization, Genocide, Mental illness, and Pedophilia
Moderate: Sexual content
Minor: Lesbophobia and Homophobia
linblythe_pub22's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
4.0
Graphic: Violence
Moderate: Religious bigotry, Murder, Classism, Torture, Sexual harassment, Racial slurs, Physical abuse, Gun violence, Police brutality, Panic attacks/disorders, Outing, Kidnapping, Infidelity, Homophobia, and Hate crime
steveatwaywords's review
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
2.75
First, though, I have to praise the novel for its politics and references, far more complicated and layered than anything seen in the McTeigue film scripted by the Wachowskis. Moore's world--a mix of 1930s noir and post-apocalyptic totalitarian fantasy--is fairly thick in its home-front power relationships. This is really enjoyable for a dark immersion, if at times a bit bewildering. And while Portman made a fair Evey in the film, she is little like the much-challenged Evey of this work.
Where the story grew ever weaker for me was in the growing omniscience and omnipotence of the title character. Without spoilers, V has more control over these complex comings and goings than seems possible. He is ever-present at the right moments, ever-predicting the choices others will make, and somehow prepared for it all with an arsenal of resources. This is, unfortunately, too quickly explained away through a conspiratorial cliche. Ah, well. In this area, the scripting by the Wachowskis made a more satisfying tension of story, an improvement through film I rarely admit to.
Moore, as he was writing, confessed he was inspired by a bevy of classic writers, from Orwell to Bradbury to and from Harlan Ellison to Shakespeare. A worthy undertaking. But what each of these other writers accomplishes, along with their oppressive power structures resisted by citizenry, is the fallibility, the internal conflicts which center the drama around the characters themselves. Moore's symbolism for V--often clever and widely connected to history--is, unfortunately, too abstract for us to connect to in these ways. Evey, then, is a likely substitute for our empathy, and she works in this way, though she appears far too seldom to be as effective as she might be.
"V for Vendetta" is a great introduction to themes of resistance and totalitarianism for readers unfamiliar with other literature. But I've seen other graphic works accomplish far more in less space. Likely--though I haven't yet read them--Moore develops into a stronger writer in his later works. If anyone has a suggestion what I might read next, let me know.
Graphic: Violence, Gun violence, and Torture
Moderate: Sexual content and Sexism
While one might expect violence and brutality from a totalitarian state based on 1930s noir, the sexist tropes in the work have aged particularly badly.xenia_li's review
5.0
Graphic: Racism, Adult/minor relationship, Hate crime, Police brutality, Violence, Torture, Racial slurs, Homophobia, Lesbophobia, Misogyny, and Genocide
Moderate: Mental illness, Infidelity, Rape, War, Sexual assault, Xenophobia, Sexual violence, Sexual harassment, Pedophilia, Murder, Gun violence, Child abuse, Emotional abuse, and Domestic abuse
Minor: Incest, Medical trauma, Antisemitism, Drug abuse, Violence, Grief, and Religious bigotry
dudebell's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
3.5
The world of V for Vendetta is one in which fascists in Britain have successfully eradicated all visible ‘minorities’ from their country, leaving behind only those less visible - those who are queer. Characters are forced to make the decision: to be visible, or to move invisibly. For Valerie, this is her “one inch” that she will not give up. For Ruth, this is price she is willing to pay for her ‘freedom’ — a freedom that is simply a different sort of prison. It’s interesting to me that, in the afterword of the edition I read, Moore describes an earlier version of V as “transsexual” — and it’s true. Firstly in the sense that V is both everything and nothing, he is a man and a woman and both and neither, he is an idea, and anyone can be an idea. He represents anarchy and freedom and the queerness we can associate with that, and we see this as
Spoiler
Evey dons his mask and becomes him; a woman becomes a man. I can also very easily see V as Ruth, as someone who decided one prison and got the other one anyway, who is fuelled by remorse for what she did to Valerie, who takes her lover’s initial in an act of defiance but still feels the need for invisibility, the need to mask her face and lie.The world of V is also one in which love has been replaced with power, and for me this is the strongest element of the novel. All romance is a power play. Sexual intimacy is girls on a stage, is rape. Susan (and there’s something to be said about genderplay with that name as well) is ruling a world so devoid of love that he falls for a computer (here again — a non-sexed ‘entity’ who is addressed as a woman and has the voice of a man). There’s an incredible scene where, almost in a trance, Susan whispers “I love you” to Fate, while Creedy trembles in the background, unsure if he’s the object of this affection. Lost love is depicted as queer joy, as a celebration of Blackness. And this is something that has been sacrificed for uniformity and control.
There are some issues I take with the comic. I think the film’s decision to make Gordon a queer man was the right one, as his role in the book is a little cloudy. I also wish the two leads were less opaque. While I understand this decision to make V more myth than man, I wish there had been moments to humanise him and make him feel more real.
Spoiler
But the biggest offence for me is Evey’s under-reaction to her torture and captivity at V’s hands. What V does is insurmountable, strangely motivated, unclear in its outcome. In my opinion it would almost be better if it were lost entirely.Overall, a classic comic, one of the greats. Definitely an important read for anyone interested in the medium.
Graphic: Blood, Classism, Domestic abuse, Fire/Fire injury, Gaslighting, Genocide, Gun violence, Homophobia, Injury/Injury detail, Lesbophobia, Misogyny, Police brutality, Violence, War, Xenophobia, Confinement, Death, Rape, Schizophrenia/Psychosis , Sexual harassment, Emotional abuse, Forced institutionalization, Grief, Infidelity, Medical content, Racial slurs, Racism, Sexism, Sexual assault, and Torture
Moderate: Alcohol, Adult/minor relationship, and Antisemitism
georgiakirkegard's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.0
Graphic: Forced institutionalization, Gun violence, Violence, Toxic relationship, Death, Kidnapping, and Torture
Moderate: Homophobia, Medical content, War, Death of parent, Racism, Sexual content, Pedophilia, Blood, Infidelity, and Genocide
fallandfox's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.0
Moderate: Death, Death of parent, War, Violence, Torture, Suicidal thoughts, Sexism, Sexual assault, Rape, Racism, Police brutality, Pedophilia, Misogyny, Lesbophobia, Kidnapping, Infidelity, Homophobia, Gun violence, Forced institutionalization, Emotional abuse, and Domestic abuse
nefariousbee's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Graphic: Genocide, Confinement, Gun violence, Murder, Police brutality, Racism, Religious bigotry, Torture, Sexual assault, and Sexism
readwithchar's review
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
3.0
Graphic: Genocide, Racism, Racial slurs, Homophobia, Sexual assault, Blood, Gun violence, Violence, Death, Police brutality, and Sexism