Reviews with content warning for Torture - V for Vendetta

Moore and Lloyd's work by now is quite (in)famous, sadly as a film, so looking at the original graphic novel was a must. To qualify this a bit, Moore himself admits this was fairly early in his career and several of the tropes and conceits are now a bit dated or even naive. I have to agree.

First, though, I have to praise the novel for its politics and references, far more complicated and layered than anything seen in the McTeigue film scripted by the Wachowskis. Moore's world--a mix of 1930s noir and post-apocalyptic totalitarian fantasy--is fairly thick in its home-front power relationships. This is really enjoyable for a dark immersion, if at times a bit bewildering. And while Portman made a fair Evey in the film, she is little like the much-challenged Evey of this work.

Where the story grew ever weaker for me was in the growing omniscience and omnipotence of the title character. Without spoilers, V has more control over these complex comings and goings than seems possible. He is ever-present at the right moments, ever-predicting the choices others will make, and somehow prepared for it all with an arsenal of resources. This is, unfortunately, too quickly explained away through a conspiratorial cliche. Ah, well. In this area, the scripting by the Wachowskis made a more satisfying tension of story, an improvement through film I rarely admit to.

Moore, as he was writing, confessed he was inspired by a bevy of classic writers, from Orwell to Bradbury to and from Harlan Ellison to Shakespeare. A worthy undertaking. But what each of these other writers accomplishes, along with their oppressive power structures resisted by citizenry, is the fallibility, the internal conflicts which center the drama around the characters themselves. Moore's symbolism for V--often clever and widely connected to history--is, unfortunately, too abstract for us to connect to in these ways. Evey, then, is a likely substitute for our empathy, and she works in this way, though she appears far too seldom to be as effective as she might be.

"V for Vendetta" is a great introduction to themes of resistance and totalitarianism for readers unfamiliar with other literature. But I've seen other graphic works accomplish far more in less space. Likely--though I haven't yet read them--Moore develops into a stronger writer in his later works. If anyone has a suggestion what I might read next, let me know.

Content Warnings