I knew of Oscar Wilde, of course, but this was my first time actually reading his work. I found it difficult not to use the book as a means of analysing its writer. He was known for his wit but was he genuinely clever or just good at appearing clever? Maybe there’s no distinction. Maybe it’s foolish of me to try to judge the character of a man by the work he creates. Wilde himself rebuked the idea that art should be taken as autobiography, that works of fiction reveal something about the writer. Then again, he also wrote in a letter “[The Picture of Dorian Gray] contains much of me in it — Basil Hallward is what I think I am; Lord Henry, what the world thinks of me; Dorian is what I would like to be — in other ages, perhaps.” It’s hard not to read the story as a reflection of its author to some extent.
The Picture of Dorian Gray is so much gayer than I expected. Like, it’s difficult to even describe it as subtext. It’s right there, unmistakable despite careful censorship, from chapter one onwards. I have to admit, this kind of pining, withholding, and hinting at queerness appeals to me far more than the uncomplicated “representation” we tend to see nowadays. I acknowledge literature like this comes from a society in which homosexuality was criminalised and deeply stigmatised – the ambiguity I adore wasn’t just a stylistic choice, it was a necessity – but it resonates with me in a way modern queer media just doesn’t.
The story is dominated by the theme of influence (and its inverse, impressionability). It’s handled well for the most part but I don’t really understand the significance of the book Lord Henry recommends to Dorian. I know that some scholars identify it as an ode to either The Yellow Book or Huysmans’s Against Nature, and that the idea of a “poisonous book” was accentuated in later editions in response to the controversy surrounding this very novel upon its publication. In other words, I know that Wilde was playing with the idea of an immoral piece of literature corrupting (read: queering) young minds. That said, Dorian is already affected by the picture painted by Basil Hallward and the mirror given to him by Lord Henry, not to mention Lord Henry’s words; the addition of the corrupting book seemed to overcomplicate what was otherwise quite an elegant concept.
The Picture of Dorian Gray is good. I wasn’t blown away by it, but the premise is solid and I was pleasantly surprised by how audaciously queer it is. I can see why it’s considered a classic. Definitely worth a read.
Graphic: Death, Misogyny, Toxic relationship, Blood, Murder, Toxic friendship, and Classism
Moderate: Addiction, Animal death, Body horror, Bullying, Drug use, Emotional abuse, Gun violence, Infidelity, Mental illness, Panic attacks/disorders, Racial slurs, Sexism, Suicide, Antisemitism, Grief, and Alcohol
Minor: Animal cruelty, Body shaming, Fatphobia, Homophobia, Racism, Sexual content, Slavery, Suicidal thoughts, Torture, Violence, Xenophobia, Cultural appropriation, and Colonisation