gardens_and_dragons's review
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
I loved Rosalind and Orion’s bickering and their slow burn rival spies into romance. It made the twist at the end even better tbh.
Graphic: Violence
Moderate: Gaslighting, Colonisation, and Injury/Injury detail
bloodmaarked's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
✧ full review on my tumblr ✧
Moderate: Car accident, Colonisation, Blood, Injury/Injury detail, and Violence
Minor: Medical content, Stalking, and Gun violence
chronicacademia's review
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Moderate: Domestic abuse, Injury/Injury detail, Medical content, Blood, Child abuse, Colonisation, Death, Torture, Violence, Gore, Grief, Gun violence, Medical trauma, and Physical abuse
aklovekorn's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
Graphic: Injury/Injury detail, Colonisation, Racism, Death, Medical trauma, Murder, Sexual harassment, Violence, Xenophobia, Drug abuse, Blood, and Gun violence
jenny_librarian's review
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
4.5
I was surprised by most of the revelations in this book. There were enough red-herrings that I was led astray until the very end, yet it made almost perfect sense. Almost, because I’m still not 100% sure about Priest.
The only reason I’m not giving this 5 stars (apart from the Priest thing) is that there wasn’t enough of Oliver/Celia for me, and that the short story at the end didn’t feel like much explanation.
Again, I’ll be looking forward to the next release in this incredible series. In the meantime, I’ll just have to read the short stories (which are also absolutely GORGEOUS! All those books are so pretty 😍) and catch up with other favourite characters.
Graphic: Blood, Violence, Gun violence, Toxic relationship, and Emotional abuse
Moderate: Child abuse, Medical trauma, Injury/Injury detail, Panic attacks/disorders, Colonisation, and Murder
Minor: Chronic illness, Torture, and Genocide
acequeen's review
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Violence, Gun violence, and Murder
Moderate: Colonisation
Minor: Death of parent and Death
karcitis's review
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Graphic: Violence, Gore, Colonisation, Gun violence, Toxic relationship, Blood, and Murder
Moderate: Domestic abuse, Xenophobia, Medical content, Grief, Physical abuse, Emotional abuse, Injury/Injury detail, Infidelity, Panic attacks/disorders, Medical trauma, and Death
Minor: Homophobia, Confinement, Fire/Fire injury, Alcohol, Transphobia, and Car accident
jessiereads98's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
UPDATE: I read the These Violent Delights duology then read this again. It is better after reading that. However, I still feel that the setting and atmosphere in this book are lacking, even in comparison to the These Violent Delights duology. It seemed like Chloe Gong decided that rather than expanding on that, and the changing political climate, she would handwave world-building for this one. The tropeyness irked me less on reread. The characters do still read a little young for what their ages seem to be, but not as harshly as I originally thought. It especially makes sense when these are young people caught up in large, shifting politics and underworlds, and that’s a theme Chloe Gong is clearly exploring in both duologies.
Graphic: Blood
Moderate: Colonisation, Drug use, Gun violence, Injury/Injury detail, Medical content, Medical trauma, Murder, and Violence
Minor: Abandonment, Body horror, Classism, Confinement, Death, Grief, Torture, Transphobia, and War
booksthatburn's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
The worldbuilding is a mix of new details and brief references to relevant events in the earlier duology. There’s just enough detail to provide some updates on characters from THESE VIOLENT DELIGHTS and OUR VIOLENT ENDS who don’t appear in FOUL LADY FORTUNE, without spoiling too many events from before. There are enough characters for the cast to feel full, but the focus stays on each narrator long enough to be immersive in their perspective before showing a different set of events. Rosalind and Orion's relationship in particular looks very different from each of their viewpoints, with Orion bemusedly accepting how hard he's fallen for Rosalind (without even knowing her name isn't Janie).
The resolution of the mystery creates a satisfying end point to the novel while also setting up what promises to be a fascinating sequel. I'm very excited to read what comes next.
*Updating with the sequel check now that this has been recharacterized as the third book in a series rather than the first in a duology.
As the third book in a series, FOUL LADY FORTUNE builds on events in the first two books by following Rosalind Lang after her earlier intrigues and betrayal. She is functionally immortal and generally impervious, physically stuck at nineteen, even as the rest of the world moves on. She's been using her talents as an assassin, but now is ordered to team up with Orion on a spy mission, all while pretending to be someone else who's pretending to be someone else, none of whom are herself, Rosalind Lang. It wraps up some things left hanging, with details about what happened to some characters from the first two books, as well as specifically showing what Rosalind, Alisa, and Celia are up to. There's a new storyline which can mostly stand alone (so much that this was originally listed as the first book in a duology), related to a series of attacks in the city, and the spy mission for Rosalind and Orion. There are several major things introduced, but generally there's more information about them without completely resolving them (as the next book is expected to do so). This isn't the last book and it ends with some very specific things left for later.
Enough of the story might make sense on its own for someone to have a good reading experience if they start here without having read THESE VIOLENT DELIGHTS nor OUR VIOLENT ENDS, but the experience will be more meaningful if this is treated as the third book in a series.
Graphic: Blood, Death, Murder, and Violence
Moderate: Gun violence, Xenophobia, Confinement, Medical content, and Injury/Injury detail
Minor: Transphobia, Sexual harassment, Colonisation, Infidelity, Sexual content, and Torture
bailey63's review
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Moderate: Blood, Xenophobia, Murder, and Medical trauma
Minor: Car accident, Grief, Colonisation, Death, Confinement, Drug use, and Panic attacks/disorders