Reviews tagging 'Death'

The Old Woman with the Knife by Gu Byeong-mo

22 reviews

jmyodafriend's review against another edition

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dark emotional reflective tense medium-paced
  • Plot- or character-driven? A mix

4.0

Although definitely not my usual cup of tea, I thought this was a compelling story with a unique voice. I found the writer's style somewhat awkward at first - perhaps this was more an effect of the translation?  - but as I got more involved in the story and the old woman's narrative, it all seemed to flow more naturally. Some shocking revelations and genuinely emotional moments elevated this above what I expected to be just the gory life story of an assassin.

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lexcellent's review against another edition

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dark tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0


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turidt's review

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dark funny mysterious tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0


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petr1chor's review against another edition

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adventurous dark emotional sad tense fast-paced
  • Plot- or character-driven? Plot
  • Loveable characters? It's complicated
  • Flaws of characters a main focus? Yes

4.0


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bookish_purrsuits's review

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3.0

This book was sold to me as a cozy murder mystery and it definitely is not. There is
animal death
which I wasn't prepared for and always like to know about ahead of time. Overall, I think the book was fine but mostly forgettable (besides
the animal death
).

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clavishorti's review against another edition

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adventurous challenging dark emotional mysterious reflective sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

2.0

As I first flipped through the pages of The Old Woman with the Knife by Gu Byeong-Mo, translated into English by Kim Chi-Young, a surge of awe swept through me. Amidst the rows of pages beckoning to be explored, lay a premise so captivating: the tale of an elderly female assassin with a cold heart in Korea, nearing the twilight of her career. My mind raced with possibilities and intrigues that could unfold within these pages. “Woah,” I whispered to myself in utter admiration, “this story concept is truly riveting.” 
 
However, as I delved into the storyline, I quickly realized that adjustments were needed. It felt like navigating through uncharted territory, where the plot seemed hazy and directionless. The narrative presented felt somewhat lackluster, demanding an ample amount of time to truly forge a connection with the story. It was akin to sailing through murky waters, where the characters felt completely devoid of dimension and lacked depth. It proved challenging for me to genuinely engage with them, as if they were mere fleeting shadows drifting through the pages of the book. 
 
What’s more confounding, the primary conflict in this story appeared to resolve swiftly and without leaving a significant impact. As a reader expecting tension and build-up in a thriller-action narrative, I felt somewhat disappointed with how the book failed to fully embody the essence of its genre. I yearned for more spine-tingling moments and heart-pounding plot twists, yet they seemed inadequately served within these pages. Throughout the story, I searched for solid ground but found myself lost amidst confusion. I hoped to find a glimmer of light at the end of the narrative tunnel, yet even then, I remained adrift in a storyline that felt perplexing and unsatisfying. 
 
Moreover, as I read about the relationship between the main character, Hornclaw, and her dog, a sense of discomfort crept into my mind. Although Hornclaw acknowledged her neglect of her pet, the empathy I felt towards the animal, abandoned for so long and left unfed, only intensified. Imagine the plight of the dog, faithfully waiting for its owner but receiving minimal attention, even to the point of starvation. It not only violated humane norms but also disturbed the conscience of the reader. 
 
Hornclaw’s indifference towards the welfare of her pet raised serious questions in my mind. Was this merely a reflection of the cold and unfeeling nature of an assassin, or was there something deeper that the author wished to convey? I pondered whether Hornclaw was intended to be portrayed as a psychopath lacking empathy towards other living beings. These questions lingered in my mind, adding a layer of emotional complexity to my reading experience. 
 
However, amidst the disappointment that shrouded this reading journey, there was one part of the story that managed to capture my attention strongly. It was when the author delved into the depths of Hornclaw’s character, taking us through her formative years to the person we encounter in this story. I felt like I was uncovering a hidden treasure trove as I traversed each page recounting Hornclaw’s journey from childhood to adulthood. 
 
In this section, the author seemed to find greater freedom in storytelling. The narrative became more vivid, colorful, and followed a clearer direction. Details about Hornclaw’s background were told with meticulous depth, providing a more tangible portrayal of who she truly is behind the cold facade of an assassin. 
 
Every moment of Hornclaw’s childhood, every obstacle she faced on her journey to adulthood, resonated strongly within this narrative. From past traumas to her relationships with loved ones, each element added new dimensions to Hornclaw’s character, making her feel more human and complex. This not only provided a deeper understanding of Hornclaw as an individual but also gave me hope that the story would take a turn and become even more compelling. 
 
Nonetheless, despite my efforts to re-immerse myself in the initial storyline, I still found it challenging to fully enjoy The Old Woman with the Knife by Gu Byeong-Mo. Even as the story approached its conclusion, a sense of dissatisfaction lingered in my mind. It wasn’t easy to determine whether the lack of appeal in this narrative stemmed from a writing style that didn’t align with my taste or from a translation that may not have fully preserved the essence of the original story. However, in all respects, this book fell short of meeting my personal expectations. Additionally, I also recognize that readers’ tastes and preferences are highly subjective, and The Old Woman with the Knife by Gu Byeong-Mo may well be a favorite for others. This serves as a reminder of the importance of appreciating the diversity of reading preferences and providing space for each work to find its place in the hearts of readers. 
 
 
“Not just because you’re a dog. It’s the same with people. They think that an old person can’t live the rest of her life with her mind intact, that an old person gets sick easily and spreads disease, and that nobody will take care of the elderly. That’s what they think about all living things.” 

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jenncortes's review against another edition

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dark mysterious tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

3.0


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isobelthefrog's review against another edition

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dark sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

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laura_cat's review against another edition

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dark sad
  • Plot- or character-driven? Character
  • Loveable characters? No
  • Flaws of characters a main focus? Yes

2.5

Storylines seemed disjointed and unfinished; not sure if this is an intentional stylistic choice. 

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james1star's review

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adventurous dark tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.5

Overall, this was an intriguing fast paced read and one I would generally recommend. We follow an ageing sixty-five year old assassin - or ‘disease control operative’ - Hornclaw who lives with her rescue dog Deadweight and approaching the end of her working life. But it’s difficult for an assassin because in some ways killing is like her fix but clearly the boss and a fellow operative Bullfight want her to retire. Hornclaw was very skilled in her prime but makes a slip up causing her to seek medical treatment which leads her to (dare I say adorable, I don’t know what it was but he just was the cutest ever I can’t)  Dr Kang and his family. As the story develops it comes to light someone is trying to sabotage her hits and possibly out to get her too… but who? And why? There are also flashback-like parts to Hornclaw’s past as well as other characters too. 

I think the story was good and has an engaging plot, I wasn’t exactly gripped compared to some thriller-type books I’ve read before but still intrigued. It’s quick and fast paced and listening to the audiobook was a good way to take the story in I’d say too. I did like how Byeong-mo makes commentary on how Korean society views the elderly/ageing population with particular remarks about the workforce and retirement. Bullfight’s character loves to wind up Hornclaw and this is a little entertaining but does get repetitive and jarring after a while and you just want to be like ‘OMFG just shut up already’ but Yhh. Most of the plot and events were alright, some bits were quite unrealistic though in all honestly but on the whole things fitted in place well. I personally didn’t like the ending as it seemed there were a few loose ends that I would have preferred been tied up. The narration was again okay but I dunno I found her voice a little annoying but that’s just me and nothing to do with the story. 

Side note: I think (but am not certain) that there was a non-binary/gender nonconforming character in ‘Worry Fixer’ as I believe the only pronoun used is ‘they’ so yh, this was a great addition to see. 

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