arlaubscher's review against another edition
adventurous
challenging
dark
emotional
hopeful
inspiring
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.75
Content Warnings
Graphic: Alcohol, Miscarriage, Infertility, Pregnancy, Death of parent, Gore, Grief, Alcoholism, Blood, Injury/Injury detail, War, Religious bigotry, Medical trauma, Death, Fire/Fire injury, Xenophobia, Medical content, Murder, Mental illness, and Violence
Minor: Sexual content, Slavery, and Trafficking
mushroomfrog's review against another edition
adventurous
dark
emotional
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.75
Content Warnings
Graphic: Medical content, Murder, Death, Gore, Injury/Injury detail, Blood, Body horror, Death of parent, Pandemic/Epidemic, and Confinement
Moderate: Infertility, Grief, Incest, Pregnancy, Miscarriage, and Vomit
rachelditty's review against another edition
adventurous
mysterious
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
A really well-built world full of cool characters and such interesting plot. I was super into this for the first four parts, when everything was a mystery and I still had to put pieces together. I think the last two parts dragged a little for me, mostly because it was less about figuring things out and more about executing the plan at the climax of the story, but even when I wasn't as hooked at the end I was still having run reading.
I wish the final battle had dragged on for a while longer--it seemed way too short in my opinion. I also really wish Sabran had gotten to deliver the final blow with Ascalon. Don't get me wrong, Tane and Ead tag-teaming the Nameless One was cool, but I wanted Sabran to get her own sort of liberation from this beast that had been haunting her childhood and her childbed since she could remember. I wish it had been Tane and Ead with the stones and Sabran with Ascalon.
I also want to know SO MUCH MORE about Cleolind and Galian--I know the next book is about the Grief of Ages, but I hope the third installment is just about Cleolind and Galian and Kalyba. I want to know so much more about them. I couldn't help but feel bad for Galian when we got to know more about his history, how the woman who raised him had tricked him in such an awful way. I also felt bad for Kalyba when she was killed, because she did treat Sabran with this strange, saccrine kindness, and did seem almost remorseful about what she was doing. I want more of these three. And about the three trees!!
I'll be honest, I wasn't as hooked on Sabran and Ead's relationship as I wanted to be. I liked it, but I didn't love it. I know my friend REALLY loves them; I don't know why they didn't get me the same way.
The endings for all the characters felt very fitting. I'm glad Tane and Niamythun are still riding, and that she's getting to hunt down the Golden Empress. I thought Niclays was going to die at the end of the book, but I'm really glad I was wrong. Loth being implied to be in cahoots with the now-queen Marosa was unexpected, but I liked it. And Ead getting to be Prioress? Yes.
Overall a very enticing read that was just fast enough to keep me interested but still detailed enough that I was able to put pieces together alongside the characters. Really cool. Excited to read the sequel!
Some quotes I liked:
"'All stories grow from a seed of truth,' Tryude said. 'They are knowledge after figuration,'" (p. 21).
"Her heart was a trapped butterfly. The water in you is cold, her teacher had once told her. When you hold a weapon, you become a faceless ghost. You give nothing away," (p. 121).
"'You have not seen death, my lord. You have only seen the mask we put on it," (p. 127).
"'You wear so much armor by daylight that, by night, you can carry it no longer. By night, you are only flesh. And even the flesh of a queen is prone to fear,'" (p. 203).
"'Can we not both agree that no more of her friends should be cut from her side?'" (p. 205).
"'Damn you to the womb of fire.'
Sigoso smiled. 'I am there,' he said, 'and it is paradise,'" (p. 218).
"The roar of the crowd grew so loud, so fast, that it seemed to Ead to transcend sound and attain a physicality," (p. 293).
"'The threat comes from beneath, not from afar,'" (p. 309).
"'You have let me unburden myself, even though my fears are selfish. The Damsel has granted me the child I begged of her, and all I can do is... quake,'" (p. 330).
"'...the love of your life was an abject coward even as a boy. I fear death too much to seek it.'
'Well, I can only be grateful for the softness of your spine. I confess to fearing your death, too.'
'I remind you that you are two years my senior, and that the arithmetic of death is against you.'
Jannart smiled. 'Let us not speak of death when there is still so much life to be lived,'" (p. 346).
"'If I had convinced myself I was no sinner, I would never have kissed the lips I long to kiss,'' (p. 347).
"'I don't want to carry on! Do you not understand? Does nobody in this world understand, damn you? Is no one else haunted?'" (p. 434).
"'The one who wears the chains is a thousand times greater than the one who wields them,'" (p. 451).
"'This part, small as it appeared at first, was forged in the fire of her own strength, and resisted her cage. And I understood... that this part was made of steel,'" (p. 499).
"...spilling guts like a cutpurse spilling gold. Death came for them like a desert wind," (p. 527).
"'Margaret,' he said, 'you are my child. I forgave you all your sins on the first day of your life,'" (p. 580).
"'During my... adventure, I learned what it was to be a heretic. It felt as though my very existence were under assault. If Inys can be the first to cease using the word, I think it would have done this world a very fine service,'" (p. 604).
"Each day, each step, each tick of the clock took him closer to that golden possibility. He was tired of having half a soul," (p. 653).
"In death, its branches reached for the stars, as if they might hold out silver hands and help it stand again," (p. 656).
"How to paint a portrait of Sabran, who had been in his life since he was six. Since a time when all they had worried about was how many adventures they could fit into a day," (p. 740).
"Seek not the midnight sun on earth/ but look for it within," (p. 789).
"'I will teach my heart to beat again.'
It hurt to leave him in the dark. Still, leave he did. Those bones had long since let him go," (p. 790).
"'Some truths,' he said, 'are safest buried. Some castles best kept in the sky. There's promise in tales that are yet to be spoken. In the shadow realm, known only to a few,'" (p. 804).
Spoiler
I wish the final battle had dragged on for a while longer--it seemed way too short in my opinion. I also really wish Sabran had gotten to deliver the final blow with Ascalon. Don't get me wrong, Tane and Ead tag-teaming the Nameless One was cool, but I wanted Sabran to get her own sort of liberation from this beast that had been haunting her childhood and her childbed since she could remember. I wish it had been Tane and Ead with the stones and Sabran with Ascalon.
I also want to know SO MUCH MORE about Cleolind and Galian--I know the next book is about the Grief of Ages, but I hope the third installment is just about Cleolind and Galian and Kalyba. I want to know so much more about them. I couldn't help but feel bad for Galian when we got to know more about his history, how the woman who raised him had tricked him in such an awful way. I also felt bad for Kalyba when she was killed, because she did treat Sabran with this strange, saccrine kindness, and did seem almost remorseful about what she was doing. I want more of these three. And about the three trees!!
I'll be honest, I wasn't as hooked on Sabran and Ead's relationship as I wanted to be. I liked it, but I didn't love it. I know my friend REALLY loves them; I don't know why they didn't get me the same way.
The endings for all the characters felt very fitting. I'm glad Tane and Niamythun are still riding, and that she's getting to hunt down the Golden Empress. I thought Niclays was going to die at the end of the book, but I'm really glad I was wrong. Loth being implied to be in cahoots with the now-queen Marosa was unexpected, but I liked it. And Ead getting to be Prioress? Yes.
Overall a very enticing read that was just fast enough to keep me interested but still detailed enough that I was able to put pieces together alongside the characters. Really cool. Excited to read the sequel!
Spoiler
Some quotes I liked:
"'All stories grow from a seed of truth,' Tryude said. 'They are knowledge after figuration,'" (p. 21).
"Her heart was a trapped butterfly. The water in you is cold, her teacher had once told her. When you hold a weapon, you become a faceless ghost. You give nothing away," (p. 121).
"'You have not seen death, my lord. You have only seen the mask we put on it," (p. 127).
"'You wear so much armor by daylight that, by night, you can carry it no longer. By night, you are only flesh. And even the flesh of a queen is prone to fear,'" (p. 203).
"'Can we not both agree that no more of her friends should be cut from her side?'" (p. 205).
"'Damn you to the womb of fire.'
Sigoso smiled. 'I am there,' he said, 'and it is paradise,'" (p. 218).
"The roar of the crowd grew so loud, so fast, that it seemed to Ead to transcend sound and attain a physicality," (p. 293).
"'The threat comes from beneath, not from afar,'" (p. 309).
"'You have let me unburden myself, even though my fears are selfish. The Damsel has granted me the child I begged of her, and all I can do is... quake,'" (p. 330).
"'...the love of your life was an abject coward even as a boy. I fear death too much to seek it.'
'Well, I can only be grateful for the softness of your spine. I confess to fearing your death, too.'
'I remind you that you are two years my senior, and that the arithmetic of death is against you.'
Jannart smiled. 'Let us not speak of death when there is still so much life to be lived,'" (p. 346).
"'If I had convinced myself I was no sinner, I would never have kissed the lips I long to kiss,'' (p. 347).
"'I don't want to carry on! Do you not understand? Does nobody in this world understand, damn you? Is no one else haunted?'" (p. 434).
"'The one who wears the chains is a thousand times greater than the one who wields them,'" (p. 451).
"'This part, small as it appeared at first, was forged in the fire of her own strength, and resisted her cage. And I understood... that this part was made of steel,'" (p. 499).
"...spilling guts like a cutpurse spilling gold. Death came for them like a desert wind," (p. 527).
"'Margaret,' he said, 'you are my child. I forgave you all your sins on the first day of your life,'" (p. 580).
"'During my... adventure, I learned what it was to be a heretic. It felt as though my very existence were under assault. If Inys can be the first to cease using the word, I think it would have done this world a very fine service,'" (p. 604).
"Each day, each step, each tick of the clock took him closer to that golden possibility. He was tired of having half a soul," (p. 653).
"In death, its branches reached for the stars, as if they might hold out silver hands and help it stand again," (p. 656).
"How to paint a portrait of Sabran, who had been in his life since he was six. Since a time when all they had worried about was how many adventures they could fit into a day," (p. 740).
"Seek not the midnight sun on earth/ but look for it within," (p. 789).
"'I will teach my heart to beat again.'
It hurt to leave him in the dark. Still, leave he did. Those bones had long since let him go," (p. 790).
"'Some truths,' he said, 'are safest buried. Some castles best kept in the sky. There's promise in tales that are yet to be spoken. In the shadow realm, known only to a few,'" (p. 804).
Content Warnings
Graphic: Miscarriage, Gore, Pregnancy, Violence, Injury/Injury detail, Medical content, Death, Grief, Infertility, and Religious bigotry
Moderate: Sexual content, War, Blood, and Child death
taryn_g's review
adventurous
challenging
dark
hopeful
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: War, Death, Murder, Fire/Fire injury, Blood, Infertility, Pregnancy, Miscarriage, and Violence
Moderate: Religious bigotry, Death of parent, Pandemic/Epidemic, Sexual content, and Medical content
Minor: Incest, Torture, and Grief
saltytart's review against another edition
adventurous
challenging
dark
emotional
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.25
Content Warnings
Graphic: Sexism, Medical content, Injury/Injury detail, Infertility, Gaslighting, Confinement, Body horror, Pregnancy, Blood, Religious bigotry, Death, War, Miscarriage, Medical trauma, and Violence
Moderate: Gaslighting, Pandemic/Epidemic, Outing, and Infidelity
Minor: Lesbophobia, Homophobia, Emotional abuse, Trafficking, and Torture
dragonaion's review against another edition
adventurous
hopeful
lighthearted
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.5
I found this book on accident and had no idea it was popular on social media. I read it because it's a big fantasy book with dragons and oranges-my favorite creature and fruit in one.
I have heard many say that is is an "epic fantasy" that is better if not similar to Game of Thrones or Tolkein, but I was sorely disappointed. The story was pleasant, although riddled with clichés like a magical dragon-slaying sword (even sounding like Excalibur), evil witch doing witchy things (including making the previously mentioned sword), Western winged dragons are bad, and Eastern serpant dragons are good. The tone of the book was also too formal for it to be engaging; it felt as if the "court parlance" of hiding ones emotions were how everyone talked normally, so I felt a lot of emotional and tender moments were lackluster and fell flat. With certain scenes in mind... I feel the author is straight, could not really empathize or relate to the characters, and/or was too timid to write them with more than "casual interest". I've read romance trash that had more engaging and written intimacy scenes.
Then comes the tempo of events; I've read books recently that brilliantly show how plots are suddenly revealed from loose threads, and this story felt as though a series of "random" events fell on each page one after another without laying seeds for the reader to follow and "suddenly" connect. The villain of the story was only mentioned in a story between characters halfway through the book, it appeared that she came out of nowhere to suddenly be important, so I had very little connection or empathy. It also felt that key bits of the story were done for in-the-moment drama and even if there was a plot explanation later, it seems to fall on its face. It almost reads as though the author had writer's block and suddenly found a way to loop things together once she let the story sit for a bit.
Lastly, the novel is very female-centric with a greater female cast of characters than male. While otherwise fine, they failed to make themselves special; the main characters seemed to "fall into" their roll and did not leave any lasting impressions, so it felt they were "quantity over quality" characters. Even having finished the book, I'm starting to forget some of their names.
I have heard many say that is is an "epic fantasy" that is better if not similar to Game of Thrones or Tolkein, but I was sorely disappointed. The story was pleasant, although riddled with clichés like a magical dragon-slaying sword (even sounding like Excalibur), evil witch doing witchy things (including making the previously mentioned sword), Western winged dragons are bad, and Eastern serpant dragons are good. The tone of the book was also too formal for it to be engaging; it felt as if the "court parlance" of hiding ones emotions were how everyone talked normally, so I felt a lot of emotional and tender moments were lackluster and fell flat. With certain scenes in mind... I feel the author is straight, could not really empathize or relate to the characters, and/or was too timid to write them with more than "casual interest". I've read romance trash that had more engaging and written intimacy scenes.
Then comes the tempo of events; I've read books recently that brilliantly show how plots are suddenly revealed from loose threads, and this story felt as though a series of "random" events fell on each page one after another without laying seeds for the reader to follow and "suddenly" connect. The villain of the story was only mentioned in a story between characters halfway through the book, it appeared that she came out of nowhere to suddenly be important, so I had very little connection or empathy. It also felt that key bits of the story were done for in-the-moment drama and even if there was a plot explanation later, it seems to fall on its face. It almost reads as though the author had writer's block and suddenly found a way to loop things together once she let the story sit for a bit.
Lastly, the novel is very female-centric with a greater female cast of characters than male. While otherwise fine, they failed to make themselves special; the main characters seemed to "fall into" their roll and did not leave any lasting impressions, so it felt they were "quantity over quality" characters. Even having finished the book, I'm starting to forget some of their names.
Content Warnings
Moderate: Sexual content, Violence, Death of parent, Death, Injury/Injury detail, and Gore
Minor: Medical content, Gun violence, Pregnancy, Torture, Medical trauma, Miscarriage, Self harm, Suicidal thoughts, and War
This is a fantasy, but the premise is a war against an evil dragon and warring religions.jayden_314's review against another edition
adventurous
emotional
hopeful
mysterious
relaxing
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
I cannot express how much I enjoyed reading this book. I adored the writing style and am actually so sad I have finished it. I miss the world, the characters, and the story and (even though I am happy it ended where it did because if there was any more it would be unnecessary and drag on) I wish there was more so I could keep reading.
This book may seem rather daunting with its 800+ pages but it is worth the read. Samantha Shannon perfectly built the world and subtly introduces new details throughout. After about 100 pages, you will start understanding the world a lot more and this was the point where I really started to fall in love with The Priory of the Orange Tree.
Tané introduces us to the world of the East (that's another part of why I enjoyed the novel, the complete separation of the world and how they are almost completely different apart from their common enemy). This is where dragons come in and it is such an interesting part of the book. Even though I don't have any complaints, I have to admit that I still do not fully understand everything about the dragons. Hopefully, this aspect will be revealed in A Day of Fallen Night (which I'm set to read in June/July). Also, Tané's family history was a super cool detail that I want to know more about. I just loved Tané's story and the connection it had to dragons. It was really cool to learn about. The way that her story and the others' were intertwined just made me happy when reading because there would be one mention of a detail that someone had just discovered and I would say, "I know that, I learned that with Tané".
The other character who's perspective is set in the East is Niclays. At first, I hated reading about him because he was completely unlikeable. I could not find any justification for his actions. He was just a miserable old man who was selfish and unpleasant. His arc probably was the most satisfying, just because of his growth and change by the end. While I was starting to love him, he did have a bit of a lapse and called Sabran a c*nt (which left me so shocked I had to close the book and stare at the wall as my jaw dropped for a solid minute). But, I did love his friendship with Laya and him overcoming the all-consuming grief he was yet to work through. Kind of wish there was a bit more of his POV before the Nameless One rose and he and Laya were captured because that could have been really interesting. Also, I would have loved a deeper exploration of his relationship with Truyde although I understand how that may have been difficult and interrupted the flow of the story. But his story with the pirates made me enjoy his character a lot more because he was wallowing in self-pity a lot less during this section.
Finally, Lord Arteloth Beck. His time in Yscalin was definitely a turning point for me and my interest in the story. It was around this point that I really started getting into the story and wanting to know more. Details were being revealed and it was an introduction into a new, unexplored world as a reader. I think this also helped with Ead's story as some areas had already been explored and it helped the flow by not introducing too much new information. Loth's relationship with the Donmata was so good I wanted to see more and I wish he was in Yscalin for a little while longer, just because I wanted to explore the world more. I also just loved all the moments with Loth and Nayimathun because they were really great. I think Loth had the most exploration of the world and that is so cool. I do wish that Kit's death had been a larger plot point than it actually was (if I'm being, honest this is one of the only issues I have with the novel. Death just sort of happens but it doesn't necessarily further the plot. I feel like something more could have happened with any/all of the character deaths but I do understand how that could have impacted the story. After all, I was annoyed by Niclays constant grief and bringing up Jannart's death so that's why I don't have too much of a problem with this area of the story). It was only brought up two or three times right after it happened and right at the end in Loth's final chapter.
To summarise this LONG review, I absolutely loved this book. It will likely remain a favourite for years and I am already excited for a reread next year. If you love magic, dragons, political and religious conflict, and/or amazing sapphic stories; I definitely recommend this book. It is an incredible read if you can do it.
This book may seem rather daunting with its 800+ pages but it is worth the read. Samantha Shannon perfectly built the world and subtly introduces new details throughout. After about 100 pages, you will start understanding the world a lot more and this was the point where I really started to fall in love with The Priory of the Orange Tree.
Spoiler
The story is told from four perspectives: Ead, Loth, Tané, and Niclays (with Ead as the main perspective). I am usually not a fan of different POVs within novels, but I really enjoyed this aspect of the book. By the end of the book, I had grown to understand all of the characters and I really love all of them (yes, even Niclays). Ead is my favourite character, I absolutely love her. The relationship between her and Sabran was so beautiful and I loved every part of it. Within the first few pages (this is a bit exaggerated) I was screaming for them to get together, I just knew it would happen eventually. I'm also really glad that this was the main perspective focused on during the novel because, in my opinion, it was the best. Ead's perspective also introduces a lot of the world including religious beliefs, magic systems, politics, history, and it is such a fun part to read.Tané introduces us to the world of the East (that's another part of why I enjoyed the novel, the complete separation of the world and how they are almost completely different apart from their common enemy). This is where dragons come in and it is such an interesting part of the book. Even though I don't have any complaints, I have to admit that I still do not fully understand everything about the dragons. Hopefully, this aspect will be revealed in A Day of Fallen Night (which I'm set to read in June/July). Also, Tané's family history was a super cool detail that I want to know more about. I just loved Tané's story and the connection it had to dragons. It was really cool to learn about. The way that her story and the others' were intertwined just made me happy when reading because there would be one mention of a detail that someone had just discovered and I would say, "I know that, I learned that with Tané".
The other character who's perspective is set in the East is Niclays. At first, I hated reading about him because he was completely unlikeable. I could not find any justification for his actions. He was just a miserable old man who was selfish and unpleasant. His arc probably was the most satisfying, just because of his growth and change by the end. While I was starting to love him, he did have a bit of a lapse and called Sabran a c*nt (which left me so shocked I had to close the book and stare at the wall as my jaw dropped for a solid minute). But, I did love his friendship with Laya and him overcoming the all-consuming grief he was yet to work through. Kind of wish there was a bit more of his POV before the Nameless One rose and he and Laya were captured because that could have been really interesting. Also, I would have loved a deeper exploration of his relationship with Truyde although I understand how that may have been difficult and interrupted the flow of the story. But his story with the pirates made me enjoy his character a lot more because he was wallowing in self-pity a lot less during this section.
Finally, Lord Arteloth Beck. His time in Yscalin was definitely a turning point for me and my interest in the story. It was around this point that I really started getting into the story and wanting to know more. Details were being revealed and it was an introduction into a new, unexplored world as a reader. I think this also helped with Ead's story as some areas had already been explored and it helped the flow by not introducing too much new information. Loth's relationship with the Donmata was so good I wanted to see more and I wish he was in Yscalin for a little while longer, just because I wanted to explore the world more. I also just loved all the moments with Loth and Nayimathun because they were really great. I think Loth had the most exploration of the world and that is so cool. I do wish that Kit's death had been a larger plot point than it actually was (if I'm being, honest this is one of the only issues I have with the novel. Death just sort of happens but it doesn't necessarily further the plot. I feel like something more could have happened with any/all of the character deaths but I do understand how that could have impacted the story. After all, I was annoyed by Niclays constant grief and bringing up Jannart's death so that's why I don't have too much of a problem with this area of the story). It was only brought up two or three times right after it happened and right at the end in Loth's final chapter.
To summarise this LONG review, I absolutely loved this book. It will likely remain a favourite for years and I am already excited for a reread next year. If you love magic, dragons, political and religious conflict, and/or amazing sapphic stories; I definitely recommend this book. It is an incredible read if you can do it.
Content Warnings
Graphic: Child death, Violence, War, Death, Injury/Injury detail, Blood, Infertility, Miscarriage, Death of parent, Fire/Fire injury, and Classism
Moderate: Confinement, Grief, Infidelity, Pregnancy, Body horror, Mental illness, Incest, Medical content, Medical trauma, Murder, Religious bigotry, Torture, Vomit, and Animal death
Minor: Sexism, Sexual content, Suicidal thoughts, Outing, Schizophrenia/Psychosis , Physical abuse, Self harm, and Pandemic/Epidemic
doodeedoda's review
adventurous
mysterious
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
2.5
Content Warnings
Graphic: Death, Infertility, Infidelity, Miscarriage, Pregnancy, Religious bigotry, Violence, and Xenophobia
Moderate: Blood and Grief
Minor: Alcohol, Animal death, Cursing, Death of parent, Dementia, Fire/Fire injury, Homophobia, Incest, Lesbophobia, Medical content, Murder, and Injury/Injury detail
theirgracegrace's review against another edition
adventurous
dark
emotional
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.75
The size may look daunting at first, but the depth and wealth of this book is beyond that of many series, much less individual books. Priory is an epic fantasy that stretches across a world divided by their love or and hatred for dragons. In the West, a handmaiden to a queen protects her from a plot while nursing hidden secrets of her own, and a young man is sent on a dangerous mission to an enemy land. In the East, a young woman trains to be the next dragon rider of her people and an old alchemist in exile seeks eternal life in a foreign land. The story travels the length and breadth of the world, culminating in an epic battle to determine the fate of the world. My only gripe with this amazing book was that certain plotlines were solved a bit too quickly and handily in order to get to those end chapters, and everyone seems to be able to speak each other's language with very little explanation. Absolutely cinematic-quality descriptions, heart-wrenching moments, surprise reversals and twists of fate make this a book for every fantasy lover out there.
Content Warnings
Graphic: Infertility, Blood, Fire/Fire injury, Grief, Addiction, Alcohol, Alcoholism, Child death, Cursing, Death of parent, Medical content, Medical trauma, Mental illness, Animal cruelty, Animal death, Death, Emotional abuse, Gaslighting, Gore, Hate crime, Infidelity, Kidnapping, Miscarriage, Murder, Pregnancy, Sexual content, Torture, Violence, Injury/Injury detail, Islamophobia, Religious bigotry, War, Xenophobia, Classism, and Confinement
Moderate: Homophobia, Lesbophobia, Vomit, and Excrement
Minor: Cannibalism, Incest, and Abandonment
talonsontypewriters's review against another edition
adventurous
emotional
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
Content Warnings
Graphic: Death, Fire/Fire injury, Gore, War, Religious bigotry, Xenophobia, Violence, Murder, Injury/Injury detail, Grief, and Blood
Moderate: Classism, Terminal illness, Gun violence, Animal death, Drug use, Alcohol, Alcoholism, Kidnapping, Animal cruelty, Death of parent, Pregnancy, Infertility, Suicidal thoughts, Dementia, Misogyny, Miscarriage, Sexism, Confinement, Torture, Medical content, and Sexual content
Minor: Incest, Child death, Pedophilia, Suicide, Excrement, Self harm, Vomit, Rape, Domestic abuse, and Infidelity
Illness, epidemic.