Reviews with content warning for Alcohol - Queerly Beloved

Overall, this was good. I wouldn’t call it a romance, the love story is definitely a subplot and honestly I didn’t fully see the chemistry between the two characters. The book centers around being gay in the Bible Belt in the early 2010s. There’s a lot of homophobia, but it centers around queer characters. So the representation is good, but it might be triggering for many people. The growth of the main character is a main plot point as well, and there were so many facets of it that it’s almost too much going on in 350 pages. Not bad for a debut, and I will read further stories by this author but I think this was trying to do too much.

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rockyroadbutch's review against another edition

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emotional hopeful lighthearted relaxing medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

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internationalreads's review

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adventurous emotional funny hopeful inspiring lighthearted fast-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

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stacy837's review against another edition

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hopeful lighthearted medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

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displacedcactus's review against another edition

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emotional hopeful lighthearted medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

For a book that is marketed as a romance, the main couple actually spends very little time together on the page! Amy is our only POV character and the book is really about her figuring out her career and how to navigate where and when it's safe being "out" in mid-2010s Tulsa, OK. It feels like almost as much time is dedicated to her friendship with her two gay besties as with Charley the love interest. And that's fine, friendship is important! But ultimately this ended up reading more like a general fiction book with a romantic subplot than a true romance.

There are lots of yummy baked goods on the page, as well as other food-centered scenes and traditions. Because Amy works at a dive-y queer bar in 2013-14 Tulsa, there's not really a lot of "mixology" going on, she's mostly slinging beers and shots. It's definitely more food-focused than drink-focused.

Overall, I felt like this book was good but not great. I'd recommend it to anyone who specifically enjoys food-themed romances, but I wouldn't put it on my list of top romance reads ever.

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callmekt's review against another edition

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hopeful lighthearted relaxing medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

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bookcrushin's review against another edition

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challenging emotional funny hopeful medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

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kj468's review against another edition

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emotional lighthearted reflective medium-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? It's complicated
Flaws of characters a main focus? It's complicated

1.0

The short review: I’m bored. I’m so bored and I don’t care, and I didn’t like the message, and also, I’m bored.

The longer review, broken down into the biggest issues I had with the book:

The messaging: I’m happy the MC (Amy) figured out how to be authentically herself at work, in a way that benefited her business and helped her feel better about herself, but the journey to get there was a bit sanctimonious and pressure-y. The MC spends a lot of page space on internal monologues explaining that she’s not being authentic/honest/“faithful to the queer community” by not being out at work or super loud and proud with her (homophobic) extended family. The resulting narrative implied that it’s imperative for queer people to be out, and that they’re doing something wrong if they aren’t. Sure, there was some caveats for not outing yourself in unsafe situations, but other than that, the book seemed pretty adamant that queer people should be OUT. Don’t get me wrong, I’m a huge advocate for queer representation, think people should be able to be out, and celebrate when people do come out — but coming out is never something queer people owe others (not straight people, and not even other queer people). If you believe coming out isn’t an obligation, but a choice, this book will likely rub you the wrong way.

The romance: The relationship happened very off-page — readers don’t actually get to read many interactions between the MC and the LI (Charley). Plus, the LI traveled a lot which almost seemed to be a very convenient way to not write as much of them together. When they were together, there was NO chemistry. I thought the LI was a very flat, boring character; I can’t tell you a single thing about her likes and dislikes, outside of her job. Honestly, one of the brides the MC works for/befriends (Regi) is a more developed character than the LI. I wasn’t invested enough in the relationship, so when they had their big moment in the end, it felt very rushed and unnatural and insta-lovey. There wasn’t the foundation to justify the ease with which they made up, or how far they jumped in the relationship (spoiler:

jumping from not even defining the relationship before the break up, to exchanging “I love you” after the makeup

The writing: The author is definitely a “teller” not a “shower”. There were SO MANY PARTS where the author gave a couple sentence (or even couple paragraph) summary of a scene instead of writing it out — sometimes even writing a sentence summarizing one sentence of dialogue in a conversation, rather than writing out the dialogue. As a result, I felt really detached from the ongoings in the book and wasn’t emotionally invested. Also, I skimmed. A lot.

The “drama”: At 60% of the way through this book, there was basically no drama happening. Early on (like page 40) she gets fired from her job, and then pretty quickly starts the bridesmaid business. And then there’s approximately 200 pages of her just building the business and living her life. It was not an interesting 200 pages. And then, kind of out of the blue, a bunch of things go wrong — her best friend gets mad at her (for reasons I didn’t feel the previous 200 pages supported) and the relationship with the LI implodes. Plus, the whole time, the MC is whining to the reader about feeling like she’s lying to brides because she’s not coming out to them, and worried that she’s a people pleaser because she’s doing whatever she can to make the brides happy (…even though that’s literally what they’re paying her for: to make their events go smoothly and help them be happy).

Queer rep: lesbian MC, sapphic main pairing, background mlm relationships & gay men, background non-binary character, background other lesbian & gay characters

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