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lupitagonzalez's review against another edition
challenging
dark
mysterious
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Moderate: Death
Minor: Suicidal thoughts
raissasaraiva's review against another edition
5.0
A maneira como Clarice soa em suas palavras e definições nessa obra da criação metalinguística da escrita é um evento literário!
The way Clarice sounds in her words and definitions in this work of metalinguistic creation of writing is a literary event!
The way Clarice sounds in her words and definitions in this work of metalinguistic creation of writing is a literary event!
jung's review against another edition
challenging
emotional
mysterious
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
4.0
another gorgeous lispector book. loved the back and forth between Author and MC. Probably the best I’ve ever read as a work of metafiction.
kystewart's review against another edition
challenging
dark
emotional
mysterious
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
windbreak's review against another edition
3.0
found it really mysterious and opaque. not my usual cup of tea but it was definitely unique
julianna_sams's review against another edition
reflective
fast-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
5.0
risekolnikov's review against another edition
“…the moment I try to speak, not only do I not express what I feel, but what I feel slowly becomes what I say.”
Clarice Lispector wrote this when she was mere 23.
you must try the sensation while reading this book.
Summary.
Near to the Wild Heart does not have a conventional narrative plot. It instead recounts flashes from the life of Joana, between her present, as a young woman, and her early childhood. These focus, like most of Lispector's works, on interior, emotional states.
The book opens with a scene of the child Joana playing in the garden, making up poems for her father. Joana's wildness and barely suppressed violence, along with her linguistic creativity, are her most notable features. She is frequently compared to animals: over the course of the book Lispector compares her to a bird, a snake, a wildcat, a horse, and a dog. She commits transgressive acts—as a child she throws a book at an old man's head, for example, and as a married woman she leaves her husband, Otávio, and greets the news of his adultery—he has made another woman, his old friend Lídia, pregnant—with utter indifference. She is not so much immoral as she is amoral: “Evil is not living, and that’s it. Dying is already something else. Dying is different from good and evil.” In the book, she cites long passages from Spinoza, the longest quotes that appear anywhere in her novels; it seems that she felt an affinity with the Dutch philosopher's amoral conception of the world.
Clarice Lispector wrote this when she was mere 23.
you must try the sensation while reading this book.
Summary.
Near to the Wild Heart does not have a conventional narrative plot. It instead recounts flashes from the life of Joana, between her present, as a young woman, and her early childhood. These focus, like most of Lispector's works, on interior, emotional states.
The book opens with a scene of the child Joana playing in the garden, making up poems for her father. Joana's wildness and barely suppressed violence, along with her linguistic creativity, are her most notable features. She is frequently compared to animals: over the course of the book Lispector compares her to a bird, a snake, a wildcat, a horse, and a dog. She commits transgressive acts—as a child she throws a book at an old man's head, for example, and as a married woman she leaves her husband, Otávio, and greets the news of his adultery—he has made another woman, his old friend Lídia, pregnant—with utter indifference. She is not so much immoral as she is amoral: “Evil is not living, and that’s it. Dying is already something else. Dying is different from good and evil.” In the book, she cites long passages from Spinoza, the longest quotes that appear anywhere in her novels; it seems that she felt an affinity with the Dutch philosopher's amoral conception of the world.