ninefablesfox's review against another edition
3.0
I liked ‘Covenant’ much better than its predecessor. I couldn’t tell you what was different - the author paced this novel much better but Angela was just as boring and annoying; the creepy sexual overtones still present and many scenes were a little wanting for details. It seems Benulis left some moments open-ended to pave the way for the third and final novel in the series.
All Angela’s attempts to save everyone without consequences were very frustrating. It’s difficult to relate to a character who is beautiful beyond compare, able to summon divine (or demonic) support at a moment’s notice and who survives every dangerous feat she attempts. I appreciated the angels backstories much more this time round and found myself feeling sympathy for who I thought was the series antagonist, Israfel.
I look forward to the next novel.
3 out of 5 Angels Expelled from Heaven.
All Angela’s attempts to save everyone without consequences were very frustrating. It’s difficult to relate to a character who is beautiful beyond compare, able to summon divine (or demonic) support at a moment’s notice and who survives every dangerous feat she attempts. I appreciated the angels backstories much more this time round and found myself feeling sympathy for who I thought was the series antagonist, Israfel.
I look forward to the next novel.
3 out of 5 Angels Expelled from Heaven.
forestgreenreader's review against another edition
3.0
I liked the story as a whole and I especially loved learning more about Troy, and Juno is so cute. But Angela was a mixture of stupid, arrogant, and self conscious throughout the whole book and some of her thoughts didn't make sense. I hated her in this book, which sucks because I loved her personality in the first book.
bookadventurer's review
2.0
Covenant is the second installment in a series about a young woman, the subject of a prophecy that foretells the end of the world. In the prophecy, she is an unknown redheaded person whose destiny will manifest as either the Archon, or the Ruin (unsurprisingly, if she's the Ruin, the world ends). But Angela Mathers is also just a young girl. She lives on an island isolated from the rest of the world, in a sunless city called Luz. There, she attends school with her best friend, Sophie, and other redheaded children, who have all been exiled to the island so the Powers That Be (that is, the human ones) can keep an eye on them, find out who the Archon is, and kill her. The school is recovering from the devastating events of the last book. Angela and Sophie try to put off destiny, but at the Christmas Ball it comes calling - one of the redheads has brought his sister (Angela's friend) back from the dead, and Sophie is kidnapped in the confusion that follows. Angela begins a quest through the labyrinth of the underworld in order to retrieve her, and in the process faces danger and betrayal.
This book felt like a loosely woven sweater, with pulled threads peeking out everywhere, and holes in places. The worldbuilding could have been tighter, more realistic. Throughout, the unanswered or unconvincingly answered questions made it hard to believe in the world. How does Luz really fit into the human world, exiled as it is? Who is Sophie, and why is the story of the Book of Raziel so complicated? Especially: what is the point of the kidnapping of Sophie, and the luring of Angela to Lucifel? Some of the answers to these questions are easy to figure out, but the weak development of the mythology, the backstory, the context stood out. I never really understood these things, although I wonder what a re-read of Archon would do to improve that.
The history behind the conflict between the angels Israfel (troubled ruler of Heaven) and Lucifel (confined ruler of Hell) was revealed slowly as Angela fought her way to the end of her journey, but it didn't really seem to fit. The addition of the Father, the Father's role in events, the history between Israfel and Lucifel, and Angela's journey felt superfluous and disconnected.
Angela's journey through Hell is fraught with tension and danger, as she races ahead of an army of the undead and matches wits with the keeper of the labyrinth. It was exciting, and the pace never lagged. There were some twists and suspenseful moments that had me guessing and turning the pages. However, I felt distanced from her and from what she was going through. Part of this is because I never really became invested in following Angela - I never really empathized with her. Also, I think this section was so quick to read because Hell itself never had much substance. Angela's journey takes very little time (and relatively few pages), and the landscape never felt immediate. To put it another way, instead of riding along with Angela on her journey, I read a book about Angela riding through Hell.
Overall, the scope of the novel felt too big. As exciting and adventurous as it is, the multiple perspectives, three-realm setting, and loosely connected plot meant I never really felt fully engrossed in the novel. Lastly, there is a lack of immediacy to the plot development, characterization, narration, and worldbuilding that makes the novel feel quite two-dimensional.
See Read-alikes at The Book Adventures, starting Saturday, May 29th 2014.
This book felt like a loosely woven sweater, with pulled threads peeking out everywhere, and holes in places. The worldbuilding could have been tighter, more realistic. Throughout, the unanswered or unconvincingly answered questions made it hard to believe in the world. How does Luz really fit into the human world, exiled as it is? Who is Sophie, and why is the story of the Book of Raziel so complicated? Especially: what is the point of the kidnapping of Sophie, and the luring of Angela to Lucifel? Some of the answers to these questions are easy to figure out, but the weak development of the mythology, the backstory, the context stood out. I never really understood these things, although I wonder what a re-read of Archon would do to improve that.
The history behind the conflict between the angels Israfel (troubled ruler of Heaven) and Lucifel (confined ruler of Hell) was revealed slowly as Angela fought her way to the end of her journey, but it didn't really seem to fit. The addition of the Father, the Father's role in events, the history between Israfel and Lucifel, and Angela's journey felt superfluous and disconnected.
Angela's journey through Hell is fraught with tension and danger, as she races ahead of an army of the undead and matches wits with the keeper of the labyrinth. It was exciting, and the pace never lagged. There were some twists and suspenseful moments that had me guessing and turning the pages. However, I felt distanced from her and from what she was going through. Part of this is because I never really became invested in following Angela - I never really empathized with her. Also, I think this section was so quick to read because Hell itself never had much substance. Angela's journey takes very little time (and relatively few pages), and the landscape never felt immediate. To put it another way, instead of riding along with Angela on her journey, I read a book about Angela riding through Hell.
Overall, the scope of the novel felt too big. As exciting and adventurous as it is, the multiple perspectives, three-realm setting, and loosely connected plot meant I never really felt fully engrossed in the novel. Lastly, there is a lack of immediacy to the plot development, characterization, narration, and worldbuilding that makes the novel feel quite two-dimensional.
See Read-alikes at The Book Adventures, starting Saturday, May 29th 2014.
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