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thatchickengirl23's review against another edition
- Plot- or character-driven? A mix
5.0
Graphic: Death, Emotional abuse, Toxic relationship, and Murder
kingcrookback's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
Graphic: Death, Toxic relationship, and Murder
Moderate: Cancer, Infidelity, Suicide, and Terminal illness
Minor: Incest and Infertility
ratnix's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Rebecca has won. In fact, she had already won before even her murder took place, even before the nameless heroine meets Max, even before the narrative begins.
Mrs. Danvers is a scion of Rebecca, she is there to continue her influence on Manderley and even she has lost to Rebecca, though she does not see it; her full allegiance to Rebecca has subjected her to a kind of monstrification fuelled by her hate for both the heroine and Max.
Rebecca not only haunts the narrative, she takes full control of it by creating and enhancing the heroine's insecurities, plaguing her with nightmares of Manderley even after the events of the book have taken place [as the first line of the book suggests] and of Rebecca herself, by unintentionally turning Mrs. Danvers into a loyal servant willing to drive the nameless heroine into committing suicide, by haunting Max's reality.
Rebecca's rage at Max's convenient escape from being imprisoned for his crime is seen in the fire of the mansion. You can almost hear her scream Manderley will go down just like I did, but I will always be there
So, yes. Rebecca has won.
Graphic: Ableism, Death, Gun violence, Incest, Infidelity, Suicide attempt, and Murder
Moderate: Body shaming and Cancer
amzthebookdevourer's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.25
Graphic: Death, Toxic relationship, and Murder
Moderate: Cancer and Gun violence
Minor: Ableism, Incest, Infertility, Suicide, Dementia, and Cultural appropriation
gvstyris's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.25
I wondered how many people there were in the world who suffered, and continued to suffer, because they could not break out from their own web of shyness and reserve, and in their blindness and folly built up a great distorted wall in front of them that hid the truth.
Very unsure about how to rate this book. Rebecca has been on my mental TBR for years, primarily because of its enduring influence on other media I love (Gone Girl, even various Taylor Swift songs hahah), so my expectations were probably unfairly high.
And, in many ways, they were met. I loved the Gothic setting and eerie tone, as well as the slow build of tension -- although I totally get where it'll bug other readers, given how long it takes to reach any action. Manderley is almost a character in-and-of-itself, which was super compelling, and du Maurier's prose really is gorgeous. I also really admired the shift in the narrator's voice throughout the novel as she lost her youthful naivety and grew into her role of 'Mrs de Winter.'
I am glad it cannot happen twice, the fever of first love. For it is a fever, and a burden, too, whatever the poets may say.
Graphic: Death, Toxic relationship, and Murder
Moderate: Incest and Classism
Minor: Cancer, Infertility, Suicide, and Terminal illness
lleer's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Death and Murder
Moderate: Pregnancy
andrewhatesham's review against another edition
- Plot- or character-driven? A mix
4.25
Moderate: Death and Murder
stories's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Would be fascinating to study, and even fascinating to reread: the abrupt ending certainly had me jumping immediately back to the opening.
Plenty of ambiguity, as well as foreshadowing, and endless musing on hypothetical scenarios. Gorgeous descriptive language. Lots of mystery, and drawn out reveals of information. Written for the journey of coming to understand, not just arrival at the destination.
Moderate: Death, Suicide, Grief, and Murder
Minor: Domestic abuse, Gun violence, Incest, Infidelity, Forced institutionalization, Cultural appropriation, Alcohol, Colonisation, and Classism
theangelssing's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Graphic: Death and Murder
Moderate: Suicide
jayjayjers's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Graphic: Death, Toxic relationship, and Murder
Moderate: Infidelity, Suicide, and Grief
Minor: Incest and Terminal illness