Reviews tagging 'Emotional abuse'

A jeśli jesteśmy złoczyńcami by M.L. Rio

229 reviews

teamoneil's review against another edition

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challenging dark emotional mysterious reflective sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.75


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mikathereviewer's review against another edition

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2.0

First of all we have plays, mention of poetry and of course acting. 
Personally, the touch of a play while reading was really cool. We get dialogue only, acts and more. The last play I read was really fun so seeing one now again makes me remember that I didn't read them in a while. 
The acting was relatable as I am or rather was an actor myself. That's also the reason I wanted to read this book. Not 'cause of the Shakespeare and other historical stuff but the acting. 

Some parts were actually crazy/interesting to read about as the book didn't really had the 'it was boring/too slow' problem.
Some examples:
Scene I Act IX was so crazy. Like it felt like real betrayal but also not. And what did James even imagine? What was that aaaah. 
The II. Act was so sad. Especially scene II, I feel so bad for James.

I also think that Oliver has some character depth (Especially in the III. Act as we get to know his family)

The whole drama was the only reason I was still indulged into reading this. It kept me reading.



Since I didn't read the book for the historical stuff I got a bit irriated by the fact that Shakespeare got mentioned often. And with often I mean very often. I get it that's the theme/topic for Year 4 and our protagonists also play historical figures, but honestly it could have been mentioned a bit less and more story instead. It got too much that I, at some point, skipped the Shakespeare parts. 
Also the book isn't very original if over 50% of it is just Shakespeare. 

Never have I ever as an actor reinterpreted/recited my lines as first of all no one would understand, except me and secondly that's usually a thing poets do and not actors. The kids in this story did this and it made me feel weird. Just use your official lines and learn them properly. 

The characters were so weird sometimes and before someone tells me: Some theatre kids are actually weird. Yes SOME and that's no excuse to include only weird characters. 

We never got an explanation why Richard was so mad at some point. Never. Why was he? That apparently didn't happen the years before so that must have triggered something, but we never get any explanation. The other character also have no depth and they all fell flat (except Oliver, as mentioned above)

Meredith was such a useless character who was only depictured as a wh0re the whole time. 

They did use for real, without jokes, as sexual orientation 'sexually amphibious'

The ending was so predictable. It was right the person you would feel suspicious at first. The ending is nothing shocking. 

31. July 2024

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miyothecat's review against another edition

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challenging dark emotional mysterious sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

5.0


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mainereading's review against another edition

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dark emotional funny mysterious sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0

I loved this book so much and the writing was fantastic! I can't believe this was her debut novel. If you're a fan of The Secret History by Donna Tartt or even if you didn't like it but liked the idea of that book, you might really enjoy this book!

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kristinamv's review against another edition

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dark mysterious tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.5


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hdkroon's review against another edition

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dark mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0


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hantopearl's review against another edition

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challenging dark emotional mysterious sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Flaws of characters a main focus? Yes

4.75


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v_____'s review against another edition

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dark tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? No

3.0

 I sit with my wrists cuffed to the table and I think, but then I forbid to tell the secrets of my prison house, I could a tale unfold whose lightest word would harrow up thy soul...

- If We Were Villains, 1%


🎧 listened to the audiobook


Review in one word:
Meh


Short review:
I do get the hype... Somehow...
But there are definitely some weak spots in this story!


Long review:
As somebody who doesn't really care about Shakespeare at all (yes I said it!) and never read any of his work, neither in English, nor in German, I'm not that impressed with everybody quoting him all the time. Actually I find it annoying, pretentious and boasting rank and status. Simply too much.
I guess this book hits different, when you are into Shakespeare - I'm not, and that is totally on me.
Or maybe it's not, because if I wanted to read that much Shakespeare in a book, I would actually pick up one of his works 🤷‍♀️

Much like in The Secret History, to which this is often compared, I didn't like or dislike any of the characters.
I feel indifferent about them. I don't care about them. They are quite flat and superficial...
For example Richard:
he is the evil guy who hurts everyone. That's it. No explanation as to why he is like that (childhood trauma? Drug/alcohol abuse? Mental health issues?) is offered, not that this would excuse him, but him being the guy who just hurts everybody is like the laziest character building ever.

Or Meredith,
whose main and only character trait is stunningly sexy and beautiful rich girl (don't even get me started on the misogyny 😡)

Oliver:
naive outsider who doesn't get along with his own family, so he seeks it in his classmates.

The rest of the thespians:
mixed them up most of the time because they were so interchangable. Somebody was doing drugs a lot, somebody was gay and somebody else was Richards cousin.


I don't see, why people are obsessing about the characters so much.
In my opinion they aren't really as close or as much the found family as Oliver (the narrator) claims them to be...

I feel like this book could have been shorter, because at around 60% the suspense really dies down and I found it became quite a drag. That was surprising to me, because at the beginning I was so invested, I couldn't stop listening and it was definitely a candidate for a 5 star read. I think the reason, why it felt like a drag was because there was no more mystery all of a sudden. Just the characters trying to move on and yet another play and endless quotes, that was painfully long executed. At that point, I probably would have liked it better, if there were some character building instead of more Shakespeare quotes.

I found some parts very unrelatable. For example
that no one says something, when Richard hurts them during rehearsal. It is absolutely unacceptable to treat people like that, James' arms are bruised for god's sake, how did he get away with this for so long? This is not understandable at all.

Also: why do these people life in a castle?

Some storylines didn't make sense and were killed off like two seconds after they were introduced:
Example:
Oliver's parents telling him, they can't afford tuition for his last semester anymore. Oliver then calls a few people the next day and they help him figure it out by suggesting a loan. That's it, never heard of this storyline again. What's the point?
And: why did Oliver cover up for James? Makes no sense at all!


I found some things to be quite confusing too, like:
Why did Richard worry that James or Oliver would hit on Meredith, when he thought they were "queer with each other"? Makes no sense...

By the way, while we are on the topic: why is this labeled LGBTQ? This is such a tiny part of the story.

I absolutely don't get the point of the ending:
We find out about James having killed himself at around 95% (but in the timeline 4 years ago), and then he probably didn't by 99%, who knows? Why would he fake his death, it makes no sense. How would that help him relieve his guilt?
Seems like the author desperately tried to go out with a bang here...


I did enjoy it somehow but I do have mixed feelings about this. For this to be a great read for me, something was missing...

Conclusion:
I enjoyed The Secret History way more and I find this to be rip-off with boring and annoying theatre students instead of Ancient Greek lessons... 

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aksmith92's review against another edition

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dark emotional mysterious reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.5

The Setup: If We Were Villains by M.L. Rio is a masterful blend of dark academia and psychological thriller that captivates readers with its intricate plot and rich Shakespearean elements. Set in the fictional but elite Dellecher Classical Conservatory, the novel follows a group of seven acting students whose lives start to mirror the tragedies they perform on stage.

The book is organized in Acts, and each prologue, the story is framed by Oliver Marks' release from prison after ten years. On the day of his release, he recounts the events leading up to a classmate's death to Detective Colborne, the retiring investigator who never quite believed the official story. Each proceeding Scene then details the fateful year where the classmates and friends fall apart.  As the students' final year progresses, their tight-knit group fractures under the weight of secrets and the pressures of the roles they play. The death, *cough cough*, murder of their classmate becomes the catalyst for the unraveling of their lives. 

What I Loved: The writing was absolutely beautiful - truly. I was not only immersed but awed. M.L. Rio clearly knew what she was doing. Her portrayal of the Dellecher Conservatory was absorbing, capturing the intensity and passion of young actors devoted to their craft. The characters, each representing a Shakespearean archetype, were vividly drawn and complex. Additionally, the novel's exploration of themes such as ambition, jealousy, loyalty, and artistry's cost was thought-provoking and emotionally resonant. 

I think what I loved most was M.L. Rio's ability to make almost unlikeable characters real. What do I mean? She made unlikeable characters that you didn't necessarily and automatically like by the end, but unlikeable characters that you still want to read about. It was gripping and interesting; you were curious about what came next, what they would do, and how they would break. I was captured! It takes well-done artistry to make me love a book with characters I wasn't fond of. I've heard that some folks find the pacing of this book slow, but I didn't, and I was enamored the whole way, particularly at the end when we learn the entire truth about the events that occurred at Dellecher.

Why Not 5 Stars? For one, I completely guessed the events that occurred to that fateful classmate. I had thought it the moment his classmates and friends found his body. Therefore, it wasn't as mysterious and surprising ("thriller-like") as I had imagined. However, I didn't mind too much because I still enjoyed reading. 

Additionally, Rio's use of Shakespearean dialogue and references no doubt enriched the story - the characters frequently quoted and drew parallels from Shakespeare's plays, adding depth to their interactions and the unfolding drama. It was a precise literary device to enhance the novel, making it atmospheric and underscoring the themes explored's timeless nature. I wholeheartedly understood the point, but here's the thing: I struggle with Shakespeare so much. I knew that going into this book, I didn't like reading Shakespeare, and I didn't like the language and prose. My brain breaks. So, I braced myself. I did a pretty good job for someone who doesn't love Shakespeare, but it still meant I struggled along the way.

With all that said, this novel was clearly compelling and beautifully written, offering a fresh take on the dark academia genre. I know this book will linger in my mind, including that interesting and obscure ending. 

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madalina0_0's review against another edition

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challenging dark emotional mysterious reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0


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