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manwithanagenda's review against another edition
dark
emotional
reflective
sad
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
War, man.
Review: Parade's End
Review: Parade's End
kateofmind's review against another edition
5.0
Even better than the first book. Full review on my blog.
Side note, I do miss cross-posting here but cannot on principle after GR has gotten so heavy handed about deleting reviews.
Side note, I do miss cross-posting here but cannot on principle after GR has gotten so heavy handed about deleting reviews.
lnatal's review against another edition
4.0
Free download available at eBooks@Adelaide.
Opening lines:
When you came in the space was desultory, rectangular, warm after the drip of the winter night, and transfused with a brown-orange dust that was light.
It is becoming better and better....
The sequel of this book is A Man Could Stand UP.
Opening lines:
When you came in the space was desultory, rectangular, warm after the drip of the winter night, and transfused with a brown-orange dust that was light.
It is becoming better and better....
The sequel of this book is A Man Could Stand UP.
eddie's review against another edition
3.0
Disappointed; but perhaps that’s just me. One hundred years of literary activity have created an expectation of what a WWI novel should be: although written in the shadow of that war by an ex-combatant this does not conform to those expectations.
The first book of the series seemed to set up a corrupt and decadent civilisation on the brink of disaster: Book two (this one) to me should therefore cover that disaster. However, Ford just repeats the drawing-room melodrama of Book one but now against the backdrop of the thundering guns on the Western front. The result seems ultimately to trivialise the war - or maybe this effect was part of Ford’s objective?
I’m annoyed with Tietjens, annoyed with Sylvia - cannot be annoyed with Valentine as she does not appear in this book. However, I know from my experience of The Good Soldier Ford requires huge amounts of patience and super-aware reading, so no doubt my responses will develop throughout books three and four.
He writes astonishingly, and with such control. He carefully, indirectly, builds up a devastating picture of British incompetence and chaos, but not one which is foregrounded.
The first book of the series seemed to set up a corrupt and decadent civilisation on the brink of disaster: Book two (this one) to me should therefore cover that disaster. However, Ford just repeats the drawing-room melodrama of Book one but now against the backdrop of the thundering guns on the Western front. The result seems ultimately to trivialise the war - or maybe this effect was part of Ford’s objective?
I’m annoyed with Tietjens, annoyed with Sylvia - cannot be annoyed with Valentine as she does not appear in this book. However, I know from my experience of The Good Soldier Ford requires huge amounts of patience and super-aware reading, so no doubt my responses will develop throughout books three and four.
He writes astonishingly, and with such control. He carefully, indirectly, builds up a devastating picture of British incompetence and chaos, but not one which is foregrounded.
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