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astrangewind's review against another edition
adventurous
dark
emotional
hopeful
inspiring
mysterious
sad
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.0
After reading Fractal Noise, I was excited to read To Sleep in a Sea of Stars. I'm not big into science fiction, but I loved how Paolini's universe came to life, human life, in Fractal Noise. So when I expected the same level of fiction in To Sleep, I was sorely disappointed.
Where Fractal Noise focuses on the fear of barren things, the unknown and unknowable, To Sleep focuses on... an alien spacesuit and intergalactic war. Really? I could read infinitely many other scifi books with an identical plot. That said, I know that there are many people out there who are into that kind of thing. I get that. But I feel like a lot of scifi authors tend to overdo their world-building; once you start describing the scary thing, it becomes worlds less scary. And having an alien supersuit that saves your life, stops you from feeling pain, heals people, grows plants, fixes machines, et cetera, becomes incredibly rote after the first dozen times it happens.
Speaking of rote, this book did not need to be 800+ pages. How many times do they scoot from one system to another, sometimes for no reason? How many times do the alien ships descend on them from "out of nowhere"? How many times is there an issue with the ship? a "serious" instance of cryo sickness? a life-threatening injury of one of the crew members that they "miraculously" live through? a member of the imperialist, beaurocracitc UMC acts like an imperialist beaurocrat until Kira expresses herself clearly and honestly, and then they throw all caution to the wind to believe her in total? (More than once, I'll tell you that much.) Paolini's editors needed to hit this one harder, I think.
Kira's relationships with others convinces me that Paolini has never been in love or had a sibling. Kira's sister doesn't come up often, but when she does, the interactions are stilted. (I have never once called my sister "sis." I do, however, call her "bro" roughly once per day.) Sibling dynamics aside, Kira's relationship with Alan is not well-defined and very awkward. (Who the hell uses "babe" as a term of endearment when you're both crying in a serious, terrifying moment? So weird.)It becomes even more weird given the frequency with which Alan and his death are mentioned in the remainder of the book, as though I cared about him from the start, or believed that they cared about each other. That relationship - and Kira's relationship with her family - feel so separated from her that I don't empathize when she talks about missing them. They never mattered that much to me as a reader.
In the first half of the book, I found it hard to understand why people trust Kira. She causes repeated problems- and it's not a secret that there's blood on her hands - yet the crew of the Wallfish continues to trust her with no second thought. To Paolini's credit, the second half of the book smooths this out a bit, but it doesn't mean that I ever found Kira particularly likable.
I'm for sure ragging on Paolini because I'm comparing this book against a more recent, obviously better book of his. His strengths do appear in this book, too. To Sleep ends in the only way it could have. He is not afraid of leaving questions unanswered.I did find the gift giving part a little bit silly, though. Things become much less interesting if you can solve any problem at the press of a button. And, like Angela in Inheritance, Gregorovich and Inare, both bizarre and cryptic, are a strength of Paolini's.
Ultimately, I don't regret reading this book, but the additional context did kind of ruin Fractal Noise for me, it should have been half as long, and it was generally mediocre.
Where Fractal Noise focuses on the fear of barren things, the unknown and unknowable, To Sleep focuses on... an alien spacesuit and intergalactic war. Really? I could read infinitely many other scifi books with an identical plot. That said, I know that there are many people out there who are into that kind of thing. I get that. But I feel like a lot of scifi authors tend to overdo their world-building; once you start describing the scary thing, it becomes worlds less scary. And having an alien supersuit that saves your life, stops you from feeling pain, heals people, grows plants, fixes machines, et cetera, becomes incredibly rote after the first dozen times it happens.
Speaking of rote, this book did not need to be 800+ pages. How many times do they scoot from one system to another, sometimes for no reason? How many times do the alien ships descend on them from "out of nowhere"? How many times is there an issue with the ship? a "serious" instance of cryo sickness? a life-threatening injury of one of the crew members that they "miraculously" live through? a member of the imperialist, beaurocracitc UMC acts like an imperialist beaurocrat until Kira expresses herself clearly and honestly, and then they throw all caution to the wind to believe her in total? (More than once, I'll tell you that much.) Paolini's editors needed to hit this one harder, I think.
Kira's relationships with others convinces me that Paolini has never been in love or had a sibling. Kira's sister doesn't come up often, but when she does, the interactions are stilted. (I have never once called my sister "sis." I do, however, call her "bro" roughly once per day.) Sibling dynamics aside, Kira's relationship with Alan is not well-defined and very awkward. (Who the hell uses "babe" as a term of endearment when you're both crying in a serious, terrifying moment? So weird.)
In the first half of the book, I found it hard to understand why people trust Kira. She causes repeated problems
I'm for sure ragging on Paolini because I'm comparing this book against a more recent, obviously better book of his. His strengths do appear in this book, too. To Sleep ends in the only way it could have. He is not afraid of leaving questions unanswered.
Ultimately, I don't regret reading this book, but the additional context did kind of ruin Fractal Noise for me, it should have been half as long, and it was generally mediocre.
Content Warnings
Graphic: Death, Violence, Xenophobia, Blood, and War
Moderate: Confinement, Cursing, Genocide, Gore, Torture, Vomit, Medical content, Grief, Medical trauma, and Colonisation
Minor: Gore, Panic attacks/disorders, Sexual content, Terminal illness, and Cannibalism
tiffanysmith's review against another edition
adventurous
challenging
informative
mysterious
reflective
tense
slow-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Like many people, I grew up with Paolini’s debut series The Inheirtance Cycle, which I was quite fond of. As an adult, I was thrilled when I discovered he had written a space adventure novel and immediately got my hands on it.
I can say that I enjoyed the premise and the characters up until I was about halfway through this tome…that’s when I began to despair. The story was slow. The plot and characters began to grow stale by the middle because their was a lack of forward motion to the story. I didn’t really know what the true plot was for quite a while and the character’s devoted much of their time to mundane dialogue and many scenes aboard the Wallfish that really just didn’t seem relevant. I think if the story had been condensed down by 300-400 pages, it would have been totally awesome! Instead, it grew dry and I had to slog my way to the finish line.
I did enjoy the plot premise and the space world that Paolini built. It was brilliant. He writes beautifully, and the description drew me into each moment. I just didn’t enjoy how it was executed in terms of pacing. From the middle until the climax at the end, I was desperately challenged to read through it, but I’m glad I finished it, so I can relish the parts I loved about it.
I can say that I enjoyed the premise and the characters up until I was about halfway through this tome…that’s when I began to despair. The story was slow. The plot and characters began to grow stale by the middle because their was a lack of forward motion to the story. I didn’t really know what the true plot was for quite a while and the character’s devoted much of their time to mundane dialogue and many scenes aboard the Wallfish that really just didn’t seem relevant. I think if the story had been condensed down by 300-400 pages, it would have been totally awesome! Instead, it grew dry and I had to slog my way to the finish line.
I did enjoy the plot premise and the space world that Paolini built. It was brilliant. He writes beautifully, and the description drew me into each moment. I just didn’t enjoy how it was executed in terms of pacing. From the middle until the climax at the end, I was desperately challenged to read through it, but I’m glad I finished it, so I can relish the parts I loved about it.
Content Warnings
Graphic: Gore, Blood, Grief, War, and Injury/Injury detail
Moderate: Animal death, Confinement, Sexual content, Terminal illness, Medical trauma, and Murder
Minor: Addiction, Drug use, and Alcohol
futureofmydays's review against another edition
adventurous
dark
emotional
hopeful
inspiring
reflective
tense
medium-paced
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Confinement, Violence, Forced institutionalization, and Blood
Moderate: Body horror, Sexual content, Terminal illness, and Medical content
Minor: Vomit
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