mattie's review
3.0
Full of different sections and voices: Kansas workmen and house wives, Brooklyn movie ushers, sideshow freaks, Maria Rasputin, Hart Crane. Having the character in the last poem mention the character of the first poem was an awesome easter egg for having read the whole thing. These two bits are both from a section written in the voice of a fictional character, Roy Eldridge Garcia (which is called a heteronym, apparently):
from Working Men in Their Sunday Clothes
One evening driving Johnson Road he looked at
the oil refinery in heavy wnos, columns of pale smoke lifting
into the night sky porous and quick with stars, and thought
it beautiful. Out hunting one day, the three of them saw a
hawk lurch suddenly in mid-flight and fall helplessly to earth.
They think of their lives as long highways tapering away, then
disappearing into the sandhills. It is Sunday. God for them is a
carpenter with bruised fingernails.
(I found this one in a lit journal and liked it so much I tracked down this whole book, which involved multiple library systems and minor fraud.)
The Deer
B.H. Fairchild
Amid the note cards and long, yellow legal pads, the late
nineteenth-century journals containing poems by Swinburne or
Rossetti or Lionel Johnson, the Yeats edition of Blake with its
faded green cover and beveled edges, I and the other readers in
the British Library began to feel an odd presence. We lifted our
eyes in unison to observe the two small deer that had entered
the room so quietly, so very discreetly, the music of their
entering suspended above us, inaudible, but there, truly, as the
deer were there. They paused, we could hear their breathing,
or so it seemed, and no one moved. What could we do, there
were deer in the room, and now hundreds of deer reflected in
our eyes. The silence was unbearable at first, and the librarian
in the linen blouse, her long fingers trembling, began to weep.
The deer sensed this and, without seeming to move at all,
came closer, licking her elbows, sniffing the soapy fragrance
in the well of her neck, staring into her watery eyes. At some
point beyond memory we could no longer distinguish her from
the deer, it was all stillness anyway, everywhere the silence
covered us like a silken net, and the books began to darken and
crumble with age. We had all found our place, our eyes were
full of deer, and our sadness was without cease.
from Working Men in Their Sunday Clothes
One evening driving Johnson Road he looked at
the oil refinery in heavy wnos, columns of pale smoke lifting
into the night sky porous and quick with stars, and thought
it beautiful. Out hunting one day, the three of them saw a
hawk lurch suddenly in mid-flight and fall helplessly to earth.
They think of their lives as long highways tapering away, then
disappearing into the sandhills. It is Sunday. God for them is a
carpenter with bruised fingernails.
(I found this one in a lit journal and liked it so much I tracked down this whole book, which involved multiple library systems and minor fraud.)
The Deer
B.H. Fairchild
Amid the note cards and long, yellow legal pads, the late
nineteenth-century journals containing poems by Swinburne or
Rossetti or Lionel Johnson, the Yeats edition of Blake with its
faded green cover and beveled edges, I and the other readers in
the British Library began to feel an odd presence. We lifted our
eyes in unison to observe the two small deer that had entered
the room so quietly, so very discreetly, the music of their
entering suspended above us, inaudible, but there, truly, as the
deer were there. They paused, we could hear their breathing,
or so it seemed, and no one moved. What could we do, there
were deer in the room, and now hundreds of deer reflected in
our eyes. The silence was unbearable at first, and the librarian
in the linen blouse, her long fingers trembling, began to weep.
The deer sensed this and, without seeming to move at all,
came closer, licking her elbows, sniffing the soapy fragrance
in the well of her neck, staring into her watery eyes. At some
point beyond memory we could no longer distinguish her from
the deer, it was all stillness anyway, everywhere the silence
covered us like a silken net, and the books began to darken and
crumble with age. We had all found our place, our eyes were
full of deer, and our sadness was without cease.
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