Reviews with content warning for Animal death - Horse

Lexington, a remarkable horse, is the thread binding all the characters and timelines together.
Jarrett, a talented groom/trainer that was enslaved, is in charge of Lexington’s care during the time before the Civil War & during it. With his story, there’s several others intertwined, such as an equestrian artist that paints Lexington on different occasions.
Martha Jackson is an art dealer in NYC in the 1950s.
In 2019, Jess, an Australian white woman who runs the Smithsonian Institution's Osteology Prep Lab, and Theo, a Black man getting his PhD from Georgetown & working on a thesis about the portrayal of Black folks in American equestrian art.
The stories are intertwined by Lexington, the equestrian paintings, and racism/the legacy of slavery.

MY THOUGHTS

I am going to preface my review by saying that I don’t like that a white author being the voice of an enslaved Black man & the voice of a Black man in contemporary society facing racial injustices. Since I’m also white, I am curious to get others takes on this point.
Despite my caveat above, decided to still round up to give 5 stars because the writing is top-notch.
Historical fiction / literary fiction
Generational saga
Multiple POVs + multiple timelines
Brooks meticulously researched the book, and she expertly plotted the novel to weave together a beautiful, emotional story.
My favorite sections were Jarrett’s story. The connection between Jarrett and Lexington is palpable and endearing. The bond between Jarrett & the horse is the cornerstone of the book. I found myself rooting for them, and I kept wanting to get through the book to find out their fates.
Since the book spans over many years, we also get to see Jarrett’s character development. Over time, Jarrett becomes more aware of the world around him, and he offers astute observations.
I also really enjoyed the incorporation of the horse’s preserved bones. I was fascinated to learn about scientific aspect & work done by the Smithsonian.
On paper, I should have hated this book. I have never been a fan of horse racing, and I don’t gravitate toward Civil Era stories. To my surprise, I loved it.
I wasn’t familiar with the world of antebellum racing. The story educated me on another way white folks made money off of Black folks’ unpaid (or underpaid) labor and skills.
I love learning new words, and I looked up so many words while reading this one.

TL;DR: ⭐️⭐️⭐️⭐️⭐️Historical fiction + generational saga. Many stories intertwined by a common thread: Lexington, a remarkable horse.

Content Warnings

flowerrunner's review against another edition

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adventurous challenging dark emotional informative sad tense medium-paced

Plot- or character-driven? Plot
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? No

4.25

Content Warnings

fifteenthjessica's review against another edition

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challenging emotional informative sad slow-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

4.0

Horse weaves together two and a half story lines together across three different centuries, using the famous nineteenth century stallion Lexington as inspiration. The first (and my favorite) follows the life of the horse Lexington, primarily through the eyes of artist/Civil War soldier Thomas J. Scott who produced the most famous painting of Lexington, and Jarret, a fictional character based on an enslaved groom in one of those paintings. The second follows two modern young adults, Theo and Jess, as their work as an art historian and scientist at the Smithsonian brings them together into a project and a budding relationship. The last one is a handful of chapters that tries to answer the question as to why mid-20th century art gallery owner Martha Jackson had one of Scott's oil paintings of Lexington in her collection, which focused primarily on abstract art by her contemporaries. Throughout the story, there is also an exploration of the way people mistreat other humans and horses. I don't think these storylines are of equal quality. Jarret's life story was far more compelling and poignant than Theo and Jess's, especially when their plotline shifts from their research projects to their beginning relationship. Martha was interesting, but she could have ended up on the cutting room floor without much lost to the overarching plot and themes.

Geraldine Brooks definitely did her research while working on this and can create interesting characters as well as poignant imagery. Characters are complex and not necessarily likable. Jarret is my favorite of the PoV characters, and I enjoy his arc from acceptance of his fate to a determination to make his best life, as well as his attempts to show kindness when he can. A lot of historical fiction that comment on modern day issues tend to focus on more rebellious protagonists, and I like that Brooks made a compelling character within the reality that many people, unfortunately, can be accepting of unfair systems, even if they are the ones who are crushed by it. Another strength of Jarret's plotline is that all of the major white characters, including Scott, both oppose and are complicit with different aspects of life in the antebellum South. The modern cast features many dorks that are enjoyable because of their passions.

The book is not perfect. It talks a lot about racism in multiple points of American history, but African American women are almost exclusively relegated to bit roles as love interests. I'm not sure how to fix this (maybe tell Martha's story through the eyes of Annie, the maid whose family had inherited the painting?). Theo's justified resentment of racism paired with his utter lack of self awareness about how his parents' wealth sheltered him from some of the worst parts can be grating, and attempts to address this flaw fell flat for me.

Spoiler

His death in the third act also feels like it's more about shocking than a satisfying conclusion for his and Jess's arcs, but it is a good illustration of how far society has to go that the modern characters' arc has a more depressing end than the arc that heavily features slavery.

It is also has a rough first chapter that is a case study on why relatability in characters is not as important as resonance.

Content Warnings

atamano's review against another edition

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emotional medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? No

4.75

Content Warnings

livans's review against another edition

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challenging emotional informative medium-paced

Plot- or character-driven? A mix
Strong character development? No
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? No

4.5

Content Warnings

kristalsty119's review against another edition

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adventurous emotional hopeful informative reflective relaxing sad tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

5.0

Content Warnings

charlajane's review against another edition

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dark emotional informative inspiring reflective tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

This book deals with characters from different periods of time associated with a horse and paintings of that horse. You want to be with all of the characters in all of the time periods at once. You don’t want to leave anybody or any action behind as you skip into the next section to learn what’s happening with some someone else somewhere else. It’s gripping. The author is spectacular.

The characters wrap around your heart in a way that makes this story of a horse in the time just before the American Civil War, the actual historic figures in the story, and the characters in all the timelines relevant to today’s headlines about prejudice, history, and critical race theory (also known as teaching the real parts of history, not just the sanitized versions).

Content Warnings

winn_e's review against another edition

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challenging emotional informative medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

3.75

Content Warnings

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