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chrisb913's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Death, Violence, and Police brutality
Moderate: Child abuse, Gun violence, and Murder
Minor: Ableism, Homophobia, and Death of parent
mandi_lea's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Ableism, Child abuse, Death, Emotional abuse, Gun violence, Homophobia, Violence, Blood, Police brutality, Death of parent, Murder, Injury/Injury detail, and Classism
queer_bookwyrm's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
Bitter by Akwaeke Emezi is the prequel to their first YA novel, Pet. This one blew me away just as much as Pet did. Emezi's writing is just so powerful and evocative. Like Pet, it's a short and fast read, but doesn't feel rushed.
We follow Bitter, Jam's mother, when she is a teen going to the art school Eucalyptus during the time of Lucille's peak violence and protests. Bitter is a traumatized and jaded girl who wants nothing to do with the protests that often get people hurt and killed. She is resentful of the Assata, the group of young people fighting in the streets against corporate greed and police brutality. She just wants to stay within the walls of Eucalyptus and focus on her art.
When one of her friends is severely injured by police during a protest, Bitter's rage takes over, and she begins to paint something from that rage and brings it to life. She doesn't realize that she has opened a gate for the violent angels to come through seeking vengeance on Lucille's monsters. Bitter learns that there are other ways to contribute to a movement without being on the front lines. Movements need artists too.
There was so much diversity and representation in this book! Almost every single character is queer. The story is so apt and prescient. Emezi poured all their rage and frustration into this book and still gave it a hopeful outcome. I think Bitter represents so many of us who struggle with the conflict of wanting the suffering to end, but not wanting to inflict violence or be on the front lines themselves. It was validating to read that there are other ways to contribute without being in the streets.
I would recommend this to any young person tired of the constant fight or feeling inadequate about their role in the fight. I recommend this to elders to see the hurt and rage the youth are going through. The main message here is to not lose hope, and that we must move beyond violence.
Graphic: Death, Panic attacks/disorders, and Self harm
Moderate: Violence
Minor: Child abuse and Police brutality
kitstonglade's review against another edition
3.0
Graphic: Death, Violence, and Police brutality
Moderate: Child abuse and Murder
itsnotalakeitsanocean's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
What I liked
- We got to see the inner workings of what a freedom fighter support group looks like. I feel like most modern stories about rebellion and stuff focus far too much on the people on the frontlines, or imply that you are either with a rebellion on the frontlines or against it completely which is just not true.
- In a similar vein,
the revolution is presented in a way that suggests there isn't a "one size fits all" clean solution, which is crucial to stories like this. People fighting will get brutalised, people's entire legacies will be destroyed in an instant through death or destruction. Emezi doesn't spare killing off characters or injuring them just because they're on the side of revolution or allied with it. Not only that, they do it with the appropriate amount of gravity that doesn't wallow in angst to the point of narm. - Perhaps a controversial opinion but I liked Bitter's hesitance and guilt over not being able to do anything. I think it's all too easy to expect characters to be willing to jump into the fray, with any doubts or hesitations easily fixed for plot convenience (something that with Black characters runs the risk of portraying stereotypes). Bitter has a lot of trauma to unpack about being shifted from foster home to foster home - each with their own problems that wore her down over the years. Of course she's going to be hesitant to leave the one place she's only just found is safe in her life.
Of course this mindset is challenged and approached from various different perspectives instead of coddling her safety in favour of larger community safety, but I found it refreshing that Bitter's mindset was portrayed and given respect whilst doing so. - Lots of amazing queer relationships and characters that were normalised and given the approriate amount of focus when necessary without slowing down the plot. I also really liked Ube in general - he's a really cool guy who just happens to be a wheelchair user.
What I didn't like
- The only thing I didn't care for was how quickly Aloe and Bitter got together. However, this is a very small, easily overlooked problem because they are one of the healthiest couples I've read in a while (not that I don't like a messy couple from time to time), and unlike a lot of other modern couples, they put in the effort to love each other and you can see why they love each other so much.
Graphic: Death, Violence, and Police brutality
Moderate: Child abuse, Gun violence, Blood, and Murder
Minor: Homophobia
glitterdeww's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Named for its protagonist, and reluctant revolutionary, Bitter takes place in pre-utopian Lucille. In this prequel we see agitators and artists grappling with a city set on devouring itself through corruption. The Lucille of this time feels all too familiar with reality. Bitter and her friends portray everything from the hope of revolution to the fear, numbness, and rage that lurks on the other side of their trauma.
Graphic: Violence, Blood, and Injury/Injury detail
Moderate: Child abuse, Death, and Death of parent
blubonby's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Death, Violence, Police brutality, and Injury/Injury detail
Moderate: Child abuse and Self harm
thebookworm_queen's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Filled with so many inspirational and comforting lines; I cried! Almost better than PET the first book that introduced us to Lucille, almost 😉
Moderate: Child abuse, Panic attacks/disorders, Violence, and Police brutality
Minor: Homophobia and Self harm
matheo96gro's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.75
Graphic: Death, Racism, Police brutality, and Classism
Moderate: Child abuse, Violence, Blood, and Fire/Fire injury
Minor: Rape
edenclam's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Death, Gun violence, Self harm, Violence, Blood, Police brutality, Murder, and Fire/Fire injury
Moderate: Child abuse
Minor: Rape