Reviews with content warning for Body shaming - Voyage of the Damned

I listened to this as an audiobook and did really enjoy the ride, but something felt a little muddled. I think it was the ending. Worth a read though!

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bookishmillennial's review against another edition

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adventurous emotional funny mysterious reflective tense fast-paced

Plot- or character-driven? Plot
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

disclaimer: I don’t really give starred reviews. I hope my reviews provide enough information to let you know if a book is for you or not. Find me here: https://linktr.ee/bookishmillennial

Magical passengers on a magical ship, a murder mystery, the most precious main character (Ganymedes Piscero, they could never make me hate you baby!!!), AND it's an inclusive nonwhite/mixed, queer, disabled, chronically ill, mental health, and fat cast? Yeaaaaaaah, Frances White, uhhhh you dropped this *insert emoji of crown here*

I listened to the audiobook of this one and had a grand old time. The world-building was excellent, the mystery kept me on my toes (literally got more stressed as the story went on), and I loved getting to know this cast of characters. I don't want to spoil anything since this is a mystery, but please read this!

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justinekorson's review against another edition

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adventurous challenging dark emotional funny mysterious sad tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

Thank you to Netgalley for providing me with an ARC of this story.
SPOILERS TO FOLLOW

I've wanted to read this ALL YEAR and it was just as good as I heard it would be!!! I, at first, was so in denial of all the murders (for obvious Ravi and Eudora reasons) that I was CONVINCED that that none of it was real?? Or like a ploy to get all the Dux's to be civil with one another? But as the story kept going I realized that, yes all of these people were actually dead. I think the deaths that upset me the most were Shinjiro and Jasper (only because he was a literal child. he was kind of an awful person). (I was also really sad when Leo died even though he was also a prick. I just felt bad for the situation that led him to do all that). I expected more of them to survive for some reason but when Cordelia's plan was revealed it all made sense in the end (sadly). I was really glad Tendai and Yewande managed to escape mostly unscathed though and I'm still mourning a little the death of Wyatt??? I was so in love with the Wyatt version of Ravi that when he revealed himself I was so shocked. There were a TON of clues though now that I'm thinking back on all of it. Overall it was such a mind bobbling story because every character I suspected died almost immediately after. I can't wait to read more books from this author!!

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jennireadsmaybe's review against another edition

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adventurous emotional funny hopeful mysterious medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

I was going to DNF in the first 20% but I'm so glad I kept going because by the end I loved it! The world is constantly being built upon from start to finish, which I think adds to the story so well because you get a deeper understanding of the politics involved in the world. I loved the locked room, "Death on the Nile" style of the mystery; the stakes were always rising just a bit more each chapter. I was definitely stressed out!

Ganymedes Piscero is my all time favorite fantasy MC. He's an awkward, funny, magic-less, outsider who can't seem to escape from his own thoughts. As someone who is depressed and has struggled with suicidal thoughts, I thought the mental health rep is phenomenal. I identified so much with Dee. I also loved the bits of romance that were sprinkled throughout. It was so fun!

Honestly, I think authors should take notes on how to make a diverse fantasy world from Voyage of the Damned. BIPOC, queer, disabled, chronically ill, mental health, and fat rep all find there way throughout the book. It was beautifully done.

Read this if you like well-built fantasy worlds, fantasy standalones, queernormative worlds, locked room mysteries, representations of all kinds, and sarcastic MCs.

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hollowspine's review against another edition

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adventurous funny mysterious medium-paced

Plot- or character-driven? Character
Strong character development? No
Loveable characters? No
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

2.0

This is a definite romantasy with an emphasis on the romance. Readers who want something a little spicy (but not too spicy) and who love classic romance tropes, like enemies to lovers, forced proximity/stuck together, and drunken games of 'never have I ever,' will find all that and more here, including a HEA. The other element is the mystery, which is similar to And Then There were None, only on a cruise ship rather than an island. Fans of snarky narrators will enjoy the feisty main character, Ganymedes, who is never without a quip no matter if the situation is a fusty dinner party, or witnessing a murder. The characters, representing the twelve political entities of the fantasy world, are a representation of POC, disabled and LGBTQIA+ folks. This romantasy mystery mashup is for fans of In Other Lands, and would lend itself to YA crossover readers. Fantasy readers who want very detailed world building and magic systems may feel let down. Avid mystery readers may figure out the puzzle early on in the story. While this is marketed for an adult audience the tone and characters are really more in line for YA readers. While this is in no way as good as Six of Crows, that's more what you're getting for character type, and romance spicy level in this book rather than the Magicians or A Marvelous Light. The characters, some of whom are in their late 30's read like teens.

This was not my cup of tea, I was really in it for the people dying on a cruise ship thing, but that wasn't the focus of the story. The more I thought about it the more I felt like I was reading a fanfiction about something I'd like, but where the author and I had very different ideas about situations to put the characters in. While I was interested in who would die next, and whodunit, this was much more a romance story than a mystery. Many pages were dedicated to developing a romance, which I was not on board with (see the pun!) at first, but eventually came around to, but then the twist happened and nothing made sense.

I had just accepted the fact that I was reading a romantasy with a slight murder mystery subplot and was if not loving the heavy use of romance tropes, I was at least agreeing to stay on the ride. Through the chapters dedicated to having the characters need to go to the baths (together because murderer is out there!), deciding they needed a break from investigating all the murders to get drunk and play never have I ever together (totally not going to get murdered when we're passed out!) and then smooch under a willow tree in a scene that was not not inspired by the little mermaid. I was still on the ride. I liked the two characters (enough) and wanted to see how it all panned out (also I was still really hopeful that the first character who died would come back because she seemed like she'd be really cool).

Then the author revealed a twist, that for me made all of those scenes very very weird. And not in a good way. The author also pretty much treated the twist like it made sense and the characters accepted it pretty much within a paragraph and were able to move forward with a this new/old/other romantic thing that just made absolutely no sense to me at all. I mean, it also solved the mystery, but in a really stupid way - basically Ganymedes the MC who has been playing detective this whole time, just has the murderers explain everything to him. It was kinda like the scene where the detective gathers everyone in the study for the big reveal, only it's the murderer revealing it to the detective.

Also, there is no justice in the story. The MC ends up with someone I would say is a psycho and he's like, "you complete me." It's bonkers. Lastly, way too much telling, and very little showing.

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lilacverses's review against another edition

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dark funny lighthearted mysterious fast-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? No
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

2.5

I would like to preface this review with (1) my great disappointment that I did not enjoy this book and (2) that my own name is Cordelia, and that will become relevant shortly.

This book should be commended for its bold and wide diversity. Truly imaginative and colorful, this book is perhaps the most inclusive in its characters that I’ve read in a while if ever. However, this book also made me think on at least one occasion how important it is that marginalised perspectives be written by the marginalised, which gave me complicated feelings, since I do think all authors should consider and employ diversity in storytelling as often as possible.

I hated the main character. I did not find them or their voice funny, which this book really was trying to be. I found it similar to bad sitcom humor.

I hated most of the other characters, mostly because the main character whose whole existence is supposed to foil the eleven others, was just as filled with disdain for them as they were for him. Moments of empathy were only found when the veil of archetype/caricature were briefly lifted, but often almost immediately fell back into place. If you’re going to write an ensemble cast, can I suggest making them people? Perhaps not relying on one-note flags to skip the work of characterising? Especially because I could feel reading how much this book wanted to push for its “everyone matters, everyone is human” sentiments, but time and time again characters crueler actions were brushed off as being motivated by nothing but their lack of qualities aside from cruelty. The book seemed in conflict with itself in that regard.
A great way to have dealt with this would’ve been multiple POV, one for each character, sprinkled through our main POV. I’d have loved to see it, the dramatic irony and consequent tension that could have built, on top of really exercising the reader’s own empathy skills throughout! It would have been delicious!

We shant be discussing the worldbuilding. There isn’t much to speak of, anyway.

Generally, I did not enjoy the plot. This I think is not the fault of the book or author. I hate mysteries in books. I hate the way information is revealed, I hate how so often (while specifics remain unknown) I can call exactly where it’s going. However, there was also a big plot twist that made me want to throw my hands up in the air and toss the book entirely. I wish I could say more but out of respect for the pub date and the future readership, I shall say nothing more than “how fucking convenient.”

Really had a hard time with the prose at times. There was a small handful (I think three) really gorgeous lines, like truly beautiful gems of description. These ultimately made me more frustrated because I could taste however briefly the full potential of the author. Could’ve done with a small handful more! Got it, flaunt it, Frances!!! Mostly, thought the mix of “pain in my backside” washed word choice and “fuck this fuck that fuck you” happening really had me confused and frustrated. Also the sexual humor in a literal locked box murder situation was like … “in front of my salad?” But the salad is a mutilated corpse and the fate of an empire.

Finally, I want to briefly discuss the Cordelia. As a character who is not our main character, she is hated, for various reasons, some valid and some less so. As a person called Cordelia, I cannot hide my bias. I wanted to identify with her. And I did, a little. As a Cordelia who, while brunette, generally also identifies as “skinny” and has been called/likened to a “doll” (as our fictional Cordelia has), I just want to say that villainising a character or generally trying to create a sense of audience dislike for a character shouldn’t mean that character is subject to negative comments about their body. I wanted to think this would be something the main character (who is fat) would understand? Especially as he is subject to body comments throughout the book as well? It was just sort of unfortunate to read a book that was so inclusive and about uplifting others and kindness and empathy and then to have the one female character who is explicitly skinny be called “stick” over and over. Yeah, there are worse things to be called, but I’ve only ever been called “stick” and it’s not a compliment! The opposite actually! There are better words and ways to communicate the size and consequent expectations of ability of someone’s body than words like stick. Which the author demonstrated with other slender male characters who got a more favorable opinion from the MC.

All that said, the book is fine. I don’t think I will recommend it with my personal stamp of approval on it, but it’s still better than Fourth Wing, so if you like goofy fun delightfully queer tales with potentially cringey humor, pick this one up! Please read trigger warnings, though!

Thank you to the publisher for providing an advanced reading copy in exchange for an honest review.

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persephonefoxx's review against another edition

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adventurous funny mysterious medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

We can get murdered tomorrow. Tonight, we party.

It’s giving Danganronpa in the best way possible.

It probably says a lot about me, but I love a fun murder mystery. And God, this book was so fun. An ensemble cast of super powerful teenagers and young adults (and one amazingly insane six-year-old) stuck on a murder cruise? Filled with politics divides, generational disputes, social expectations and pressures, dangerous secrets, and loves worth killing and dying for? A perfect cocktail mystery, magic, and so much murder.

There were multiple times this book had me screaming. As in book closed, turning to my wife, ‘omg omg omg’ screaming. (Let’s just say a certain scene pertaining to secrets and fingers will go down as one of my top ten favourite scenes of all time.) And while I had a pretty solid idea of who was doing the killing by the time we entered the final quarter (thanks to obsessive autistic pattern recognition and a very quickly diminishing suspect pool), there were twists and turns in the final quarter of this book that had me going feral.

And I can’t talk about this book without talking about the oodle and oodles of representation. Causal and expansive queer representation in an incredibly well thought out queer normative fantasy setting. Not to mention the additional disabled, plus sized, POC, and chronically ill representation across the cast of multifaceted weirdos. Plus it gets mad props for including the most accurate line about bisexuality I have ever read: “why do I want women to beat me up and men to gently embrace me?” Same Dee. Same.

TL:DR - This book was so much fun. Dripping with representation in an ensemble cast of well-rounded and loveable (and sometimes hate-able) characters. (Nergüi really is ‘that bitch’ and I love them.) It is a rollercoaster of murder, mystery, romance, magic, and friendship. A story of self-discovery, self-worth, and kindness. I loved this book, and I fear my wife will have to listen to me ramble about it for some time to come.

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moonchild_cos's review against another edition

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adventurous emotional funny mysterious tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

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