seforana's review
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.75
Graphic: Kidnapping, Grief, Confinement, Gaslighting, Toxic relationship, Body horror, Suicide attempt, and Suicide
giulianalb99's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
La verdad es que la trama me ha parecido muy buena pero muchas veces se me ha hecho un poco pesado y lento. Aunque eso no quiere decir que la pluma del escritor es una pasada, para mi gusto le sobran páginas.
La verdad es que hay muy pocos personajes de la historia que me hayan gustado y no he llegado a simpatizar con casi ninguno: Raoul me ha parecido bastante pesado y siento un amor/odio hacia Christine que no sabría ni cómo explicar. También me hubiera gustado que hubieran pasado más cosas en la ópera ya que me ha parecido que ahí no están casi nunca (sólo al principio y al final).
Por los temas que trata, me parece que es un libro que todo el mundo debería leer (aunque no esperéis una historia de romance bonita, porque este libro es básicamente horror y tragedia).
Graphic: Forced institutionalization, Gaslighting, Suicidal thoughts, Suicide attempt, Death, Kidnapping, Torture, Toxic relationship, Confinement, Domestic abuse, Emotional abuse, Stalking, Body horror, and Body shaming
Minor: Death of parent and Fire/Fire injury
linnylionheart's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Graphic: Body shaming, Stalking, Emotional abuse, Torture, Confinement, Kidnapping, Death, Gaslighting, and Murder
Moderate: Bullying, Mental illness, Classism, Suicide attempt, and Suicide
Minor: Child abuse, Misogyny, Blood, and Death of parent
smithreads's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Graphic: Body shaming, Confinement, Emotional abuse, Murder, Stalking, Violence, Death of parent, Body horror, Classism, Grief, Kidnapping, Torture, and Toxic relationship
Moderate: Xenophobia, Islamophobia, Panic attacks/disorders, Suicide attempt, Gun violence, and Racism
maeverose's review against another edition
- Plot- or character-driven? A mix
- Diverse cast of characters? No
3.0
My rating is mostly for the unintentional comedy of how ridiculous the book is. I know some parts are supposed to be funny but I think I was laughing at the wrong parts. I also just love the idea of some guy secretly living in an opera house and messing with people. Sadly though I was bored most of the time while reading this. I liked Raoul and Christine well enough (though they were both extremely naive), Erik was very different than I thought he would be (I didn’t know anything about his backstory and I had no idea he’d be so talkative and weird. I thought he’d be more brooding lol). I found it hard to imagine the descriptions of the opera house, especially when they went underground, though that’s likely a fault of the translation.
Speaking of the translation, I don’t know if my edition (paper mill press) is just a bad edition but there were quite a few typos and a lot of things were worded awkwardly, and I don’t think it was just the writing style, it seemed like a bad translation. Maybe I’ll have to do some research and see if there’s a better one.
I really wanted to like this but I think I might just not get along with classics that well. Every time I read a classic I feel like I would like it better if it had been written today. Same time period, story and characters, just a more modern writing style (and less misogyny, racism and ableism… although this story relies so heavily on the ableism I’m not sure how you’d write it without it…). I don’t mind the old language so much but I don’t like the overly dramatic repetitive dialogue that classics often have (this one had a lot of that). I don’t like how repetitive in general classics tend to be. Which is sad because I want to like classics. The stories themselves are sometimes interesting but then the writing and dialogue ruin it for me :/
Spoiler
That ending though… Erik really went to all that trouble… just to break down over a forehead kiss and decide to let Christine marry Raoul after all. THEN DIE. OVER SAID KISS. Dude..Also, I can’t imagine a room of mirrors being that convincing that you’d have to have prior knowledge of what it is to know it’s not actually a forest. YOU’D SEE YOUR OWN REFLECTION. COME ON.
I think this is probably much better experienced via the actual musical rather than the book. I’ve never seen the musical but now I want to.
Graphic: Body shaming, Confinement, Ableism, Emotional abuse, Kidnapping, Toxic relationship, and Religious bigotry
Moderate: Animal death, Misogyny, Death, Torture, Murder, Racial slurs, and Racism
Minor: Xenophobia and Fatphobia
incel behavior, controlling behavior, manipulationjessthanthree's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
5.0
Moderate: Confinement, Murder, and Toxic relationship
Minor: Racism
nyssa_jo's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Graphic: Body shaming, Confinement, Gaslighting, Kidnapping, Stalking, and Toxic relationship
Moderate: Death, Murder, and Torture
Minor: Death of parent
silversparkles50's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Graphic: Death, Kidnapping, Murder, Confinement, Body horror, and Trafficking
Moderate: Torture and Violence
Minor: Suicide attempt
rachelwierick's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
3.75
Graphic: Toxic friendship and Toxic relationship
Moderate: Confinement, Death, Torture, Stalking, Murder, and Kidnapping
wolfiegrrrl's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
2.0
Mostly, I wanted to see what Erik's deal was because he has so much more going on than what the adaptations of the character that I'm familiar with touch on. Now that I have listened to the entire book and its epilogue, I'd say that the best way to describe Leroux's Phantom is "the character whose OP backstory was created after the main story was written in order to explain how the mystery worked and prove that it was just a man the entire time!" but it honestly leaves me with more questions than answers. I also really wasn't fond of the sentiment about birth deformities being a sign of inherent inner evil to be pitied by the "beautiful" people of the world, so I don't really know what to make of that regarding Erik's character development at the end.
That being said, the novel was rather boring in how it mostly consisted of uneventful exposition dumps until the story picks up about halfway through when the Phantom and the Persian take more prominent roles. Their part of the story is still mostly large exposition dumps, but at least those dumps were entertaining in how absolutely buck wild they are. My main complaint is that having to follow a whiny, self-entitled Raoul around through the eyes of the narrator was so draining because he is a prime example of the Nice Guy trope and I can't really say I was rooting for him like we're so clearly supposed to.
It was fun to spot all of the story/character notes that the musical plucked out when reworking the plot into more of a dark romance. Having experienced Leroux's original work, I now have a greater appreciation for adaptations that play around with the fun and interesting concepts that are laid out in the novel.
Graphic: Suicide attempt, Toxic relationship, Torture, Violence, Murder, Body horror, Emotional abuse, Kidnapping, and Stalking
Moderate: Death, Suicidal thoughts, and Confinement
Minor: Death of parent, Suicide, and Racial slurs