studydniowka's review against another edition
adventurous
lighthearted
fast-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? N/A
- Diverse cast of characters? No
- Flaws of characters a main focus? No
2.0
Po przeczytaniu „Przypowieści o siewcy” wcześniej w tym miesiącu naprawdę nie jestem w stanie brać tego na poważnie. Mandel zagubiła się w koncepcie swojej własnej książki.
Content Warnings
Graphic: Terminal illness
stellaperlic's review against another edition
adventurous
dark
emotional
mysterious
reflective
relaxing
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
I love this book so much! Mandel always writes these eerie stories with so much character insight, interesting plot points, and hopeful/insightful endings.
Content Warnings
Graphic: Blood, Terminal illness, and Suicidal thoughts
Moderate: Trafficking, Religious bigotry, and Child abuse
amsswim's review against another edition
adventurous
emotional
hopeful
inspiring
reflective
sad
tense
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
I loved this book, wow. This is the 20th book I have read this year and my favorite one so far. A multiperspective book on a fast acting pandemic with time jumps before and after this apocalypse. That basic intro into the book alone would've had me by the chokehold, I knew it had to do with a post-apocalyptic society but nothing more. It was the little moments for me though, that really made this. WHile the plot overall I found very interesting, the environment and motivations were all very realistic to me which made the small moments in this world all the more meaningful. I must read from me!
Content Warnings
Graphic: Death, Violence, Terminal illness, Grief, Gun violence, Kidnapping, Murder, Pandemic/Epidemic, and Suicide
Moderate: Death of parent, Toxic relationship, Injury/Injury detail, Medical content, Religious bigotry, Emotional abuse, and Pedophilia
Minor: Mental illness, Rape, and Sexual assault
muireebrown's review against another edition
adventurous
emotional
hopeful
mysterious
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.75
I loved the creativity of this story. It didn’t focus on the traditional version of an apocalypse. This jump forward in time and lingering dread on the past made the story easy to get lost in. I particularly enjoyed when the author talked about things like “7 days later she would die of the flu” letting the audience know how unexpected it was. It also gave humanity weight, but didn’t feel like a heavy read.
Content Warnings
Graphic: Violence and Terminal illness
samburkhouse's review against another edition
adventurous
dark
emotional
hopeful
reflective
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Death, Terminal illness, and Death of parent
Moderate: Kidnapping, Gore, and Murder
Minor: Child abuse and Rape
muffmacguff's review
adventurous
challenging
dark
emotional
hopeful
inspiring
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
I read this because I LOVED the miniseries. Ultimately, I prefer the miniseries to the book - the ways the stories diverged I almost always preferred the show’s choices to the book’s. Maybe it’s because I saw the show first, who knows? But the book is still terrific. It’s also more melancholy, I think - you get more of a sense of how hard the years between when the story starts (year zero or whatever) and the “present” (year twenty) have been. The book also has more of an interest in recreating society and bringing back what’s been lost, a theme the show diverged from a lot I think. Anyway I look forward eagerly to reading more Emily St. John Mandel in the near future.
Content Warnings
Graphic: Terminal illness, Death, Violence, Death of parent, Child death, and Pandemic/Epidemic
Minor: Sexual assault and Sexual violence
spineofthesaurus's review against another edition
dark
emotional
hopeful
reflective
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Death, Grief, Medical content, Terminal illness, Toxic relationship, Misogyny, Murder, Pandemic/Epidemic, Suicide, Blood, Kidnapping, and Medical trauma
Moderate: Ableism, Child death, Emotional abuse, Injury/Injury detail, Trafficking, Abandonment, Alcohol, Animal death, Religious bigotry, Stalking, Alcoholism, Domestic abuse, Gun violence, Infidelity, Sexual harassment, Slavery, and Suicidal thoughts
Minor: Adult/minor relationship, Physical abuse, Car accident, Pedophilia, Pregnancy, and Sexual violence
musicalpopcorn's review against another edition
dark
emotional
reflective
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
When a plague strikes the world, the people who survive are left to survive as best they can.
I quite enjoyed this book. Emily St John Mandel is fast becoming my favourite author. I like the way she weaves her stories and ties things together with neat but emotional little bows. I quite liked how this was a little different than a standard post-apocalyptic book in that it was based more on relationships and less on the nitty-gritty of survival. I also liked how there was a lot of speculation about how people would reminisce and find different memories of technology to fixate on.
I quite enjoyed this book. Emily St John Mandel is fast becoming my favourite author. I like the way she weaves her stories and ties things together with neat but emotional little bows. I quite liked how this was a little different than a standard post-apocalyptic book in that it was based more on relationships and less on the nitty-gritty of survival. I also liked how there was a lot of speculation about how people would reminisce and find different memories of technology to fixate on.
Content Warnings
Graphic: Death, Terminal illness, Pandemic/Epidemic, and Injury/Injury detail
Moderate: Injury/Injury detail, Kidnapping, Suicide, Gun violence, Adult/minor relationship, Child abuse, Medical content, Blood, Child death, Fire/Fire injury, and Grief
Minor: Mental illness, Alcohol, Abandonment, Rape, Pedophilia, and Panic attacks/disorders
conspystery's review against another edition
dark
emotional
hopeful
mysterious
reflective
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
“WHAT WAS LOST IN THE COLLAPSE: almost everything, almost everyone, but there is still such beauty.”
I cannot believe it took me as long as it did to discover this book; once I picked it up, I devoured it over the course of about four days, and now I am completely obsessed. I absolutely adore Station Eleven-- it’s everything its premise promises and more.
The thing I enjoy most about this book is its depth, and its commitment to exploring that depth. I was introduced to Station Eleven by the HBO miniseries, and I loved it, so I thought I knew what to expect when I picked up the novel, but I didn’t. The miniseries is more straightforward and resolved than the book. It’s great, but after reading the novel, I kind of prefer the ambiguity-- how the characters are more morally gray, how their connections with each other are complicated, how nearly nothing is tied up neatly. A surprising amount of the book version of Station Eleven is left up to interpretation, and it serves the premise really well.
I particularly like Jeevan in the book as opposed to the TV show (not to say I didn’t also love him in the miniseries! He was one of my absolute favorite characters!) because he’s such a great example of the difference in storytelling between the two formats. He tries to do the right thing, or that’s what he tells himself, but we see sides of him-- especially through other characters’ points of view, like Miranda-- that don’t completely line up with that image. The same can be said for nearly all the characters in the book. They’re complex, and Station Eleven centers itself around that complexity in how it presents its plot.
The writing of the book itself is also brilliant. Mandel’s writing style is unpretentious yet insightful (a friend described it as conversational); she knows exactly where to put detail so that it never becomes overbearing or repetitive. When there is focus on imagery, it’s always for a reason, and it’s always done with the wistful beauty of post-apocalyptic retrospection-- the recurring motif of light, especially around Kirsten’s character but sometimes with others, is my favorite instance of this intentionally limited, meaningful imagery. That philosophy of relative minimalism for maximum emotional impact does wonders for its thematic power.
In a similar vein, the matter-of-fact retrospective quality of the foreshadowing in this novel is exceptional. Again, Mandel does not overload the text with heavy-handed reminders of doom; the foreshadowing (or, after the outbreak, affirmations of the destruction) is limited, packed down into infrequent single sentences for maximum poignance. Even towards the beginning of the novel, while we’re still entrenched in the last days of normalcy before the outbreak hits, the foreshadowing is never meaninglessly ominous-- take the last line of chapter two, for example. Mandel’s foreshadowing always carries with it the sadness and regret of retrospection, which is a perfect match for the plot itself.
I think I highlighted more quotes from this book than I have for any other book I’ve read in the past year, full stop. And even that can’t capture everything I love about it. The brief moments of humor caught me off-guard every time, in the best way. Chapter six is masterfully written, could be a poem on its own. Miranda’s function in the narrative and her depth as her own character is so sad yet unequivocally beautiful in its power, and I love how she has such presence over everything-- in the glass paperweight, especially, not to mention her graphic novel. The comic book’s recurring appearance as the audience is given more information to understand its connection to Miranda and Arthur is phenomenal. The recounting of Arthur’s last day-- and choosing to explore this as late into the book as it appears-- adds unmatched emotional resonance, especially with its last line. Honestly, just everything Arthur is and does is so interesting character-wise; the excerpts from the letters to V show it so well. There’s one paragraph-- “I want to do something remarkable but I don’t know what”-- that just hits so hard. “...we’re all getting older and it’s going so fast. I’m already 19.” SO good. I haven’t even written anything about Clark yet! He’s such a great foil for the other characters, in a really unexpected way!
I think overall, Station Eleven shines in its ability to communicate so much depth in so many small, unexpected places. The less surface area an object has, the higher the pressure it can apply, and exponentially so-- this book is the same. It knows exactly where to pack its punches, and doing so results in a genuinely unforgettable, endlessly interpretable narrative, with a tragic but hopeful message about regret, human connection, and storytelling. I love this book; it’s a new favorite for me.
Content Warnings
Graphic: Death and Terminal illness
Moderate: Violence, Death of parent, Adult/minor relationship, and Child death
Minor: Blood, Medical content, and Rape
joshwrose's review against another edition
adventurous
slow-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Its a post apocalypse world that is set off by a global pandemic. It could be triggering to some. I definitely could not have read this book closer to the start of the COVID pandemic. But there is a lot of positivity in it. The struggles of living in a post pandemic is not a main feature of the narrative.
Content Warnings
Moderate: Terminal illness and Death