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navyredrose's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.75
Graphic: Death, Violence, and War
Moderate: Gore, Sexual content, Torture, Xenophobia, Vomit, Religious bigotry, Death of parent, Injury/Injury detail, and Classism
Minor: Child death and Transphobia
yourbookishbff's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Child death, Sexism, Sexual content, Toxic relationship, Violence, Xenophobia, Grief, Death of parent, Murder, Outing, Toxic friendship, Dysphoria, War, and Injury/Injury detail
Moderate: Torture and Fire/Fire injury
Minor: Cannibalism
percys_panda_pillow_pet's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.25
I have heard a lot about this book online. I know it's fairly popular and heralded as a Sapphic masterpiece. It is definitely good, that's for certain. I don't feel like it was too over-hyped, though the Sapphic elements were not what expected. However, I still loved the Sapphic relationship and the dynamics between the two characters. It was interesting to see how they balanced each other.
I really really enjoyed the worldbuilding and characters, both were big strengths for the novel and what drew me in the most. Though sometimes I felt lost in the different cultures portrayed, it wasn't a constant feeling and the writing emphasized the important themes and points that meant that total understanding wasn't entirely necessary.
Zhu's POV was my favorite part of the book. While Ouyang had interesting sections as well, especially as we got to know his character and motivations, I'm a total sucker for "chosen one" tropes and Zhu is very similar to that in the way she chases her fate. Because of this, I definitely felt like there was a bit of an odd balance to the POVs and pacing, in addition to the fact that the book is overall a slow book. But I didn't mind once I got to the end. The end was so perfect to keep readers on their toes and maintain intrigue for the sequel, which is part of the reason I waited to write this: so that I could read the sequel right away!
Reading this actually made me want to reread similar books, like Wesley Chu's The Art of Prophecy and Sue Lynn Tan's Daughter of the Moon Goddess. Anyways, if you're curious about She Who Became the Sun by Shelley Parker-Chan now that the sequel is out, I definitely think it is worth the read!
Graphic: Death, Homophobia, Misogyny, Sexism, Transphobia, Violence, Vomit, Death of parent, Murder, War, and Injury/Injury detail
Moderate: Animal death, Racism, and Xenophobia
Minor: Religious bigotry and Sexual harassment
mal_eficent's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
The story also isn't nearly as romance heavy as the hype suggested – yes, there's romance that means a lot to the characters' development, but it's not the be all and end all of the plot. Instead most of the story was a very slow building political, military fantasy with great characters. Do I wish Zhu had been the only perspective, though? Yes. I'm not the biggest fan of multiple perspectives anyway, but Ouyang interrupted the most interesting moments of Zhu's perspective and felt like he was padding the story out more than offering insight.
Thanks to only seeing the hype and none of the marketing, I also didn't realise this was a historical retelling at all. If I hadn't looked up how to spell some of the names in the story (the joy of audiobooks) I would not have realised this was based on the founding of the Ming dynasty. Why was everyone talking about the Song of Achilles when the whole Ming dynasty exists? It makes so much more sense why this was shelved in my local bookstores as historical.
If you want a story that embraces its setting and time period, and that has some great politics you don't normally see in Western fantasy, definitely pick this up! If you want only a sapphic romance, the slower moments in the middle of this will drag for you.
Graphic: Violence and War
Moderate: Misogyny and Xenophobia
Minor: Vomit
bibliomania_express's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Ableism, Animal death, Body horror, Child death, Death, Emotional abuse, Genocide, Gore, Misogyny, Physical abuse, Racism, Sexism, Slavery, Torture, Toxic relationship, Violence, Xenophobia, Blood, Vomit, Medical content, Grief, Murder, Fire/Fire injury, Toxic friendship, Dysphoria, War, and Injury/Injury detail
melliedm's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
5.0
Zhu is a young girl living in poverty in Yuan dynasty China who has a fortune of nothingness. Her brother, Zhu Chongba, has a fortune of greatness. But when he and their father dies, Zhu decides to take his fortune for herself, and his identity. She joins a monastery which in short time is destroyed by the wronged Eunuch general of the Yuan army, Ouyang, which sets them both on the path to their fate.
For Zhu, that means going to Anfeng and working her way through the complexities and dangers of court politics in an attempt to rise through the ranks and achieve the greatness she has stolen for herself, and encountering surprising (sapphic) love along the way.
For Ouyang, it means accelerating his plans for vengeance against those who ruined him and slaughtered his family...all the while his complex feelings for his Prince, the son of the man he hates, attempt trouble him.
The pacing of She Who Became the Sun is incredible, delivering information, drama, and tense action in such a way that I kept finding it hard to put the book down for any length of time. The court drama was enthralling and frequently left me unsure of how things would end up—no plan could be certain when everyone has their own interests to serve, and they wait only for the perfect opportunity to take what they need.
Both of the main characters, Zhu and Ouyang, are incredibly characterized. Though one is protagonist (Zhu) and one is perhaps the antagonist (Ouyang), it is less that they oppose one another and more that they balance one another, something reinforced many times throughout the book. Even in their identities: Zhu with a female body, but living as a man, and feeling like she is neither; and Ouyang who wants to see himself as a man, but as a eunuch knows the world doesn't share that view, and who internalizes it to a painful level, existing somewhere in between. The story hinges on the push and pull of their sides (not just them individually), and they are incredible foils to one another. The chapters tend to alternate between the two, and I never felt disappointed when we switched, because they always felt like the perfect next step in the narrative.
Both Zhu and Ouyang are saddled with innumerable flaws and exacting ambitions, and their passion makes it easy to care about what they want even if you disagree with the route they choose to try and get it. Zhu may be the protagonist, and she may have many relatable qualities, but she is not a good person. For some, that may be a problem, but I love when female or genderqueer characters can be human--even if it means they do horrible things along the way. Ouyang, as the antagonist, gets more leeway from us with his actions because we accept his role in the story, but also commits truly terrible acts. Like I said: they exist in balance.
All in all, She Who Became the Sun is an incredible feat of storytelling. I devoured every word, and although the end was incredibly satisfying, I was also left wanting more of whatever Shelley Parker-Chan could deign to give me. I cannot wait for the sequel!
Graphic: Ableism, Body shaming, Death, Misogyny, Sexism, Sexual content, Violence, Xenophobia, Blood, Fire/Fire injury, Dysphoria, War, Injury/Injury detail, and Classism
Moderate: Animal death, Child death, Infertility, Slavery, Medical content, Grief, Death of parent, and Murder
marsh_mall0w's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Graphic: Child abuse, Child death, Misogyny, Colonisation, War, and Classism
Moderate: Bullying, Torture, Xenophobia, Religious bigotry, Death of parent, and Alcohol
talonsontypewriters's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Death, Gore, Misogyny, Sexism, Violence, Blood, Grief, Murder, Fire/Fire injury, Colonisation, Dysphoria, War, Injury/Injury detail, and Classism
Moderate: Ableism, Child abuse, Child death, Racism, Sexual content, Slavery, Torture, Xenophobia, and Death of parent
Minor: Animal cruelty, Animal death, Homophobia, Infidelity, Excrement, Vomit, Cannibalism, Pregnancy, and Alcohol
alxjasper's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Violence
Moderate: Sexism, Torture, Xenophobia, Murder, and War
Minor: Ableism and Slavery
augustar14's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
It's difficult for a book this long not to feel slow paced. There was plenty of action that got me through, but it still overall felt a little slow.
I also struggle with the main character and her actions/choices at times. I understand her motivations and that her situation is complex, difficult, and influenced by significantly different cultural beliefs. And, at the same time, it is painful to see her grow into the person she becomes. The parallels with the eunuch general are fascinating, and I do plan to at least try to read to sequel to see where that thread goes. His story and decisions are painful to follow, though, too. Overall, it is a difficult read, one that offers little reward for the suffering and pain it puts the reader through. It is not a happily ever after story.
Graphic: Body horror, Bullying, Child abuse, Child death, Death, Emotional abuse, Genocide, Gore, Homophobia, Infertility, Misogyny, Physical abuse, Racial slurs, Sexism, Sexual content, Torture, Violence, Xenophobia, Blood, Grief, Death of parent, Murder, Abandonment, Colonisation, War, Injury/Injury detail, and Classism
Moderate: Medical content and Fire/Fire injury
Minor: Excrement and Vomit