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roshk99's review against another edition
4.0
Strong echoes of Wodehouse's language with the focus not at all on the mystery but on the hilarious descriptions and dialogue. Not really sure who else appreciates this pretty niche British humor, but I did.
tombomp's review against another edition
4.0
another great book in the series. not exactly a "puzzle" mystery but the ending is highly satisfying and it all fit together nicely with some great misdirection. the characters and writing are regularly funny, the locations and descriptions constantly vary and are interesting, it builds suspense well - a highly entertaining and enjoyable book. a great series that I'd highly recommend to anyone who likes mystery fiction
bowienerd_82's review against another edition
funny
lighthearted
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
4.0
quietjenn's review against another edition
3.0
My last favorite of these, maybe because this one seems to have a lot of legalese, of which I am not fluent. A nice resolution, though.
finesilkflower's review against another edition
4.0
This might just be the best Hilary Tamar mystery, certain rivaling #1. (See my thoughts on the series as a whole in my review for book #1, [b:Thus Was Adonis Murdered|234327|Thus Was Adonis Murdered (Hilary Tamar, #1)|Sarah Caudwell|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1325063408l/234327._SY75_.jpg|1092711].) The hero this time is Michael Cantrip, the goofiest member of the group of young lawyers and the only one who speaks in slang. You'd think it would be hard to maintain his voice through long sections of the book, since it's so different from the way the narrative is usually written (both Julia and Selena write in a similar style to Hilary Tamar's inner voice), but it actually turns out to work and be utterly delightful. The contrast between Hilary Tamar's high-falutin style and Cantrip's casual voice provides much needed balance. It's also a fun twist, emblematic of the time, that instead of letters he writes excessively long Telex messages.
Like "Adonis," this book is not afraid to get deep into the dense weeds of tax law, and it's not afraid to be excessively horny. I love it, on both points. Cantrip is sent to the Channel Islands to work on a trust settlement and gets drawn into the world of tax havens. While there, he crushes on a glamorous investment banker as well as getting cheeky with a chummy fellow lawyer. Although this is the first book with large sections from the point of view of a man who is interested in women, somehow it still feels extremely female gaze-y and always feels like he is cheerfully letting himself be pursued instead of doing the pursuing.
Like "Adonis," this book is not afraid to get deep into the dense weeds of tax law, and it's not afraid to be excessively horny. I love it, on both points. Cantrip is sent to the Channel Islands to work on a trust settlement and gets drawn into the world of tax havens. While there, he crushes on a glamorous investment banker as well as getting cheeky with a chummy fellow lawyer. Although this is the first book with large sections from the point of view of a man who is interested in women, somehow it still feels extremely female gaze-y and always feels like he is cheerfully letting himself be pursued instead of doing the pursuing.
bev_reads_mysteries's review against another edition
4.0
I say, Larwood, is this tax-planning business really as exciting as these Daffodil characters seem to think or do they just make believe it is to make life more interesting? I mean, if I'd known it was all about does and secret documents and biffing chaps in false beards, I wouldn't have minded going in for it myself.... (Michael Cantrip--by telex, p. 47)
This is the third in a quartet of fun, witty, twisty mysteries that Caudwell wrote about Hilary Tamar, law scholar and sometime amateur sleuth, and a group of junior barristers who have an uncanny knack for landing themselves in the middle of murder and mayhem. Our most recent adventure opens with Michael Cantrip and Larwood knee-deep in concocting a novel loosely-based (ahem) on themselves and the doings in their law office. Cantrip is immediately taken off to the Channel Islands ostensibly to advise on a tax case [though, if the Daffodil Settlement folk wanted really good tax advice, why didn't they ask Larwood, a more notable authority on the subject?].
The Channel Islands served (maybe still serve?) as tax havens for folks such as those who set up the Daffodil Settlement. A settlement (or other such conveyances) properly set up could protect people living in heavily taxed countries from being bothered by such pesky details like income tax or death duties or such. Part of the idea was to hide the identities of the real owners and beneficiaries so the Inland Revenue spies...er officials couldn't figure them out. But, generally speaking, the administrators of such things were supposed to know. Key word supposed.
Apparently, now that the chief administrator of the Daffodil Settlement has died in a swimming accident, nobody knows identity of any of the important players. And a situation has arisen that makes it imperative to know--otherwise about 9 million pounds is going to be paid out to the named beneficiary (which was supposed be just pretend). Cantrip has been brought in to advise the remaining administrators on "what the heck do we do now?" But then another member of the little group falls off a cliff...and it begins to look like somebody is trying to make sure the trust is paid out in a certain way.
Cantrip gets a bit worried about the whole situation and begins sending telex messages to his colleagues back in London keeping them abreast of the situation. Things get very tense and Professor Tamar goes buzzing off to the island of Sark to prevent Cantrip from being the next contestant in the death stakes. Will our intrepid amateur detective be in time? Does Tamar know who is behind it all and why?
****Possible spoiler ahead. Read at your own risk***
I absolutely love Cantrip this time around (and am ready to forgive him for having a name that makes me want to call him Catnip). The telex updates that he sends to his fellow lawyers are hilarious and following his adventures as he tries to foil whatever nefarious plans "old Wellieboots" has up his sleeve is worth the price of admission. I am tempted to give this a full five stars based on that alone--but I have to deduct a star for the solution. I mean, yes, there's all that tax and settlement and who's the real beneficiary business floating around to create a nice bit of suspicion all round. But, honestly, when the real villain of the piece crawls out of the woodwork, it feels a bit cliche. I have to agree with Larwood that the old-fashioned motive rearing its head amongst the overall flow of the plot seemed just a bit out of place. I can't really cry foul though--Caudwell does strew the clues about and it should have been possible for me to identify the culprit. But I definitely wasn't thinking about that motive, so the clues didn't point where they should have.
This is the third in a quartet of fun, witty, twisty mysteries that Caudwell wrote about Hilary Tamar, law scholar and sometime amateur sleuth, and a group of junior barristers who have an uncanny knack for landing themselves in the middle of murder and mayhem. Our most recent adventure opens with Michael Cantrip and Larwood knee-deep in concocting a novel loosely-based (ahem) on themselves and the doings in their law office. Cantrip is immediately taken off to the Channel Islands ostensibly to advise on a tax case [though, if the Daffodil Settlement folk wanted really good tax advice, why didn't they ask Larwood, a more notable authority on the subject?].
The Channel Islands served (maybe still serve?) as tax havens for folks such as those who set up the Daffodil Settlement. A settlement (or other such conveyances) properly set up could protect people living in heavily taxed countries from being bothered by such pesky details like income tax or death duties or such. Part of the idea was to hide the identities of the real owners and beneficiaries so the Inland Revenue spies...er officials couldn't figure them out. But, generally speaking, the administrators of such things were supposed to know. Key word supposed.
Apparently, now that the chief administrator of the Daffodil Settlement has died in a swimming accident, nobody knows identity of any of the important players. And a situation has arisen that makes it imperative to know--otherwise about 9 million pounds is going to be paid out to the named beneficiary (which was supposed be just pretend). Cantrip has been brought in to advise the remaining administrators on "what the heck do we do now?" But then another member of the little group falls off a cliff...and it begins to look like somebody is trying to make sure the trust is paid out in a certain way.
Cantrip gets a bit worried about the whole situation and begins sending telex messages to his colleagues back in London keeping them abreast of the situation. Things get very tense and Professor Tamar goes buzzing off to the island of Sark to prevent Cantrip from being the next contestant in the death stakes. Will our intrepid amateur detective be in time? Does Tamar know who is behind it all and why?
****Possible spoiler ahead. Read at your own risk***
I absolutely love Cantrip this time around (and am ready to forgive him for having a name that makes me want to call him Catnip). The telex updates that he sends to his fellow lawyers are hilarious and following his adventures as he tries to foil whatever nefarious plans "old Wellieboots" has up his sleeve is worth the price of admission. I am tempted to give this a full five stars based on that alone--but I have to deduct a star for the solution. I mean, yes, there's all that tax and settlement and who's the real beneficiary business floating around to create a nice bit of suspicion all round. But, honestly, when the real villain of the piece crawls out of the woodwork, it feels a bit cliche. I have to agree with Larwood that the old-fashioned motive rearing its head amongst the overall flow of the plot seemed just a bit out of place. I can't really cry foul though--Caudwell does strew the clues about and it should have been possible for me to identify the culprit. But I definitely wasn't thinking about that motive, so the clues didn't point where they should have.
wordnerdy's review against another edition
3.0
https://wordnerdy.blogspot.com/2020/12/2020-book-229.html
The third Hilary Tamar book goes a little heavy on the British tax laws, so is slightly duller than the others, though I still enjoyed the narrative voice (and all of the telexes from the silliest member of the lawyer group). B+.
The third Hilary Tamar book goes a little heavy on the British tax laws, so is slightly duller than the others, though I still enjoyed the narrative voice (and all of the telexes from the silliest member of the lawyer group). B+.
lesbianwitchelf's review against another edition
adventurous
funny
lighthearted
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Weakest of the books. Cantrip is fun and it's great to have him in the spotlight but the cast is a bit weak compared to the others.