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culpeppper's review against another edition
challenging
emotional
reflective
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
Too many shifting perspectives for me, but I love stories that amp up tension that results in many dramatic confrontations. There's truly delicious tension between all the characters, and though I didn't love all the aspects of the story, I really appreciate the greater narrative at work here.
Content Warnings
Graphic: Domestic abuse, Misogyny, Physical abuse, Racial slurs, Racism, Toxic relationship, and Classism
Moderate: Child abuse, Emotional abuse, Rape, Sexual violence, Violence, Stalking, Murder, Fire/Fire injury, Gaslighting, Alcohol, and Colonisation
Minor: Fatphobia, Gun violence, Infidelity, Mental illness, Slavery, Death of parent, and War
cepbreed's review against another edition
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I'm very happy to have finally read a book by Toni Morrison and decided for myself that she deserves all the praise she gets and more. Even though I've heard she wrote novels much better than Tar Baby I loved this book. Taking a folktale and adapting it in an indirect way was such a brilliant premise. Morrison has an amazing mind for connecting details to each other and created intrigue from the get go. Her characters are all dynamic and real. I found Margaret particularly compelling. This woman was a trophy was Valerian, his Maine born red haired pageant queen. At first it seems like she won, getting to marry a rich man with a home on a tropical island, but beneath the shallows of their marriage she was deeply unhappy. A woman pushed into a box, never allowed to be a girl. I'm not trying to justify any of her actions but the way she abused Michael as a baby was so foreign to me. Morrison describes the abuse in a way that finally made Margaret human. She needed someone to see her and Valerian never did that for her. Another moment of Margaret's that made me halt in my tracks was the discussion she has with Ondine long after the dinner party. Margaret complains about their cold relationship and blames Ondine for not stopping her abuse of Michael. She says Ondine was older and therefore responsible for her actions. Ondine responds "I wasn't thirty-five. I was twenty-three. A girl. Just like you." SHE ATE HER UPPPPP!! As much as Margaret has felt pained she only acknowledges herself as a victim.
Definitely going to read more Toni Morrison on my own time.
Definitely going to read more Toni Morrison on my own time.
Content Warnings
Graphic: Domestic abuse, Racial slurs, Racism, Toxic relationship, and Classism
Moderate: Child abuse, Mental illness, and Sexual content
Minor: Death, Death of parent, Murder, and Alcohol
wellreadandhalfdead's review against another edition
challenging
emotional
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Cursing, Misogyny, Racial slurs, Racism, and Toxic relationship
Moderate: Child abuse, Mental illness, and Stalking
Minor: Rape
erebus53's review against another edition
challenging
dark
emotional
hopeful
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.25
Every now and then I get to the end of a book and go... "welp... that happened"...?
Driven deeply by dialogue and character interplay, I think that to get the most out of this book it probably shouldn't be a solo project. Toni Morrison expects you to do the leg work, and pits characters with their own background and motivations on opposing sides of conflict, where there is no winner. It would probably be a good book club read.
Set in Martinique, we hear the story of a young black model who is raised by her aunt and uncle when she is orphaned. The relatives are the home-help of a rich white man who bankrolls the girl's education, and he comes to settle in the Caribbean after his retirement, with his trophy wife and home-help in tow. This once candy magnate, is now estranged from his son, and preparations are made for a Christmas dinner which may yet see his son visit them.
Meanwhile, a young black man jumps ship and finds himself waterlogged and half starved outside their house. He starts hanging about and pilfering pantry items until he is discovered hiding in a wardrobe. Invited to stay in the house and given a makeover, he shakes the whole household's ideas of the appropriate roles, and is a catalyst to some major upheaval, unleashing suppressed rage and uncovering long held secrets.
There is a pile of sexual tension between the model and the vagabond. She has been raised in a white man's house, and he comes from an impoverished black town and has Opinions. They have a lot to discuss. Boy do they. The relationship starts in a place of violated trust (he was a burglar caught hiding in her house?!) and you know that things will never be unconflicted with two people with such personal strength and belligerence.
Under a (metaphorical) rock we find the (also, thankfully, metaphorical) cockroaches of mental illness, child abuse, fear, and bigotry. We discuss the prodigal son and his Anthropology, and white saviour support of Indigenous tribes-people, and are confronted with the conspicuous consumption of fashion as epitomised by a luxurious fur coat made of baby seal pelts.
I am perhaps, not entirely fair with this book. I am too accustomed to books that have a specific theology to sell; a point to make. Be they scientific tomes that explore an idea and come up with conclusions, or YA Fiction that picks a moral side, or has goodies and baddies, they all tend to have a conclusion, whereas this story is left up in the air. It deliberately asks more questions than it answers. While I admire it for that, I also didn't enjoy it as much as I could have, because most of the issues are not new to me, and in summary, it's all quite disheartening.
Driven deeply by dialogue and character interplay, I think that to get the most out of this book it probably shouldn't be a solo project. Toni Morrison expects you to do the leg work, and pits characters with their own background and motivations on opposing sides of conflict, where there is no winner. It would probably be a good book club read.
Set in Martinique, we hear the story of a young black model who is raised by her aunt and uncle when she is orphaned. The relatives are the home-help of a rich white man who bankrolls the girl's education, and he comes to settle in the Caribbean after his retirement, with his trophy wife and home-help in tow. This once candy magnate, is now estranged from his son, and preparations are made for a Christmas dinner which may yet see his son visit them.
Meanwhile, a young black man jumps ship and finds himself waterlogged and half starved outside their house. He starts hanging about and pilfering pantry items until he is discovered hiding in a wardrobe. Invited to stay in the house and given a makeover, he shakes the whole household's ideas of the appropriate roles, and is a catalyst to some major upheaval, unleashing suppressed rage and uncovering long held secrets.
There is a pile of sexual tension between the model and the vagabond. She has been raised in a white man's house, and he comes from an impoverished black town and has Opinions. They have a lot to discuss. Boy do they. The relationship starts in a place of violated trust (he was a burglar caught hiding in her house?!) and you know that things will never be unconflicted with two people with such personal strength and belligerence.
Under a (metaphorical) rock we find the (also, thankfully, metaphorical) cockroaches of mental illness, child abuse, fear, and bigotry. We discuss the prodigal son and his Anthropology, and white saviour support of Indigenous tribes-people, and are confronted with the conspicuous consumption of fashion as epitomised by a luxurious fur coat made of baby seal pelts.
I am perhaps, not entirely fair with this book. I am too accustomed to books that have a specific theology to sell; a point to make. Be they scientific tomes that explore an idea and come up with conclusions, or YA Fiction that picks a moral side, or has goodies and baddies, they all tend to have a conclusion, whereas this story is left up in the air. It deliberately asks more questions than it answers. While I admire it for that, I also didn't enjoy it as much as I could have, because most of the issues are not new to me, and in summary, it's all quite disheartening.
Content Warnings
Graphic: Child abuse, Domestic abuse, Emotional abuse, Infidelity, Mental illness, Racial slurs, Sexual content, Blood, Stalking, Abortion, Murder, Schizophrenia/Psychosis , Alcohol, Sexual harassment, Colonisation, and Classism
Moderate: Alcoholism, Animal death, Grief, Death of parent, and Injury/Injury detail
Minor: Slavery and War