Reviews tagging 'Islamophobia'

American psycho by Bret Easton Ellis

22 reviews

klbailey's review against another edition

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challenging dark medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.5

I gave this book a high rating because it definitely made me feel the way it was supposed to make a person feel. I will hopefully never have to read it again. The movie is one of my favorite gore fests so of course I’m going to read the book, never again. It had me wanting to shake these women, even being rich, stuck up, pointless people, whhhhyyy are you letting this boring fashionista pig talk to you like that??

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getyourghosts's review against another edition

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dark tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.5


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cashboulder7's review against another edition

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4.25


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solspringsreads's review against another edition

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dark tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

1.75

I get why this book is like this, I just don’t care. (I even get how my “not caring” relates to the themes of desensitization to violence!) I can see why people have been so inspired creatively by this narrative and why people find value amidst the repeated violence and listing of brands; but I feel like it topples over the line between social commentary and reveling in the societal aspects on which it’s supposedly commenting, perhaps moreso than other interpretations/adaptations of this work, like the 2000 film. Even so, I can understand the value in reading this book and why its impact has lasted for so long.

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zoemaeboonz's review against another edition

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challenging dark emotional funny reflective tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.75



This book was a hard one to get through; by page 80 I was already considering whether this would be too gory for me to finish reading. I am glad I got through this book though and whilst I would not recommend it to anyone or read it again I do think that it is a good work of fiction. The way in which Ellis portrays a character with such realistic psychopathic qualities and depersonalisation - a very manic sense of mind is really well written. I don’t think I will ever read a novel where such mental illness is portrayed with such unapologetic truth. It is clear that Ellis got his inspiration for most of the very graphic murders from psychopaths such as Ted Bundy or Jeffrey Dahmer. I found myself actually skimming through some parts or even having to put the book down at points because of how intense these scenes were (most notably the rat one because wtaf). Bateman is not being romanticised in this novel nor is he being portrayed as a likeable character by the author. The way it is written is through this very manic first point of view and in times when Bateman depersonalised from himself we saw the passages being written in third point of view. This book will probably sit with me for a bit and I find myself having to write about it because of this - most notably the amount of Xenophobia and slurs that were in this book was definitely hard to read and the fact that the term ‘yuppie’ was the least derogatory term put in the book says it all. The quote that probably sums up this book for the reader in a way that can make you understand the bigger picture in this novel is probably this: “…and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: I am simply not there.”. This is not an easy read because it is not meant to be an easy read; Bateman is a psychopath and a horrible person and all the things written affirm this about the character and who he is. Though I disagree with the back of my book saying it’s ‘one of the greatest novels of our time’ I can agree that it is a good work of literature that I will gracefully never lay eyes on again. 

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emamno's review against another edition

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dark medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

0.25

Bret Easton Ellis is such a talented, descriptive, imaginative author and he chose to create this? Ew.

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kittiesss's review against another edition

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challenging dark tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0


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wednesdayboy's review against another edition

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challenging dark reflective tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0


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phibs's review against another edition

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dark funny reflective tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5

Bret Easton Ellis constructs a completely believable world in which characters blindly and vapidly consider their wants first, regardless of circumstance. Characters are made interchangeable, all entirely selfish, two-dimensional yuppies in a grim satire of 1980s Wall Street consumerism. 

Although Ellis manages to deftly weave grim comedy throughout, his postmodernist critique remains explicitly crude and vile, leading the reader to question how necessary Ellis’ innumerable graphic depictions of wanton violence against women were to the narrative at large. 

Director Mary Harron certainly cherrypicks the best of Ellis’ novel to adapt for cinema, leaving the novel little more than a compendium of desensitised butchery and $300 ceviches.

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lynxpardinus's review against another edition

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challenging dark reflective tense

4.0


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