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lizruest's review against another edition
reflective
slow-paced
- Plot- or character-driven? Plot
- Strong character development? No
3.0
likecymbeline's review against another edition
2.0
My chief memory of this book is sharing it with my housemate who had no appreciation for school/books but who was in the same Canadian Lit class as I was. I read it, then lent it to her. She covered every page in pink highlighter and even though I'd bought the book (used, maybe $5) I was mortified and did not take it back from her even when she tried to return it to me.
literarymultitudes's review against another edition
5.0
This was great! I truly loved reading this book.
It was my first book by Jane Urquhart and I wasn't sure what to expect. But I really loved it. The words and the world, the images, everything. This is what makes reading so great. I just had the best reading experience.
While this was definitely not magical realism, it did have a certain kind of magical realism vibe to it - and I loved it. Jane Urquhart wonderfully managed to say little, but make parts of the story feel fairy-tale-like, while actually just telling what happened.
I'm much looking forward to reading more of her work.
It was my first book by Jane Urquhart and I wasn't sure what to expect. But I really loved it. The words and the world, the images, everything. This is what makes reading so great. I just had the best reading experience.
While this was definitely not magical realism, it did have a certain kind of magical realism vibe to it - and I loved it. Jane Urquhart wonderfully managed to say little, but make parts of the story feel fairy-tale-like, while actually just telling what happened.
I'm much looking forward to reading more of her work.
acton's review against another edition
3.0
3.5 stars.
This is an intriguing, well-written historical novel. My knowledge of Canadian history is practically nil, so I wasn't even aware that there were so many Irish potato famine victims in Canada struggling for survival during the time of the US Civil War (It turns out, history happened elsewhere, too).
The title takes on a double meaning. As Urquhart's story opens, we meet Mary, a very young woman living on a remote island off the coast of Ireland, who has the traumatizing experience of pulling a shipwrecked man out of the ocean, only to have him die in her arms. After this, she is never the same. Her fellow islanders superstitiously refer to her as "away," and believe she has been influenced by an evil spirit. Mary does feel an attachment to this man she pulled out of the sea, for the rest of her life.
Eventually, however, Mary does become wedded to a local school master and they start a family. She tends to be distant, but manages to lead a normal life for awhile. Later, when it becomes obvious that they will starve to death, their local landlord, who is rather taken with Mary, helps them escape to Canada. By the way, there are two landlords, the Sedgewick brothers, who are colorfully drawn characters.
The story of their journey to America, and their separation and quarantine when they arrive, is glossed over. I felt that the novel would have been more powerful with that part of the story told, especially from their young son's perspective.
After they've established a home, barely making a living, Mary suddenly disappears. This is the most heartbreaking part. Liam, just seven years old, wakes up alone with a baby sister who needs to be fed and changed and a cow that needs to be milked. Brian, his father, is away from home for a couple days doing the only work he can find, so it's on Liam to become a little man.
There was a phrase their father repeated, which translated into "the trace of a man on a woman," which resonates throughout the book, first with Mary's story, then Eileen's.
Liam and Eileen seem like real characters, I cared about them, and they urged me to keep turning the pages, especially when Eileen's story becomes dramatic.
I apologize if this review seems disjointed...there are little mysteries that unfold along the way that I shouldn't touch, and both Irish and Native American folklore and spiritualism effect both Mary and Eileen.
This tale is told in flashback, and we are briefly introduced to four generations of women--Mary, Eileen, Deirdre, and Esther--but the latter two are not developed at all, and I felt there were parts of this story that seemed either left out or too vague. However, it is a riveting read, and I would certainly recommend it.
This is an intriguing, well-written historical novel. My knowledge of Canadian history is practically nil, so I wasn't even aware that there were so many Irish potato famine victims in Canada struggling for survival during the time of the US Civil War (It turns out, history happened elsewhere, too).
The title takes on a double meaning. As Urquhart's story opens, we meet Mary, a very young woman living on a remote island off the coast of Ireland, who has the traumatizing experience of pulling a shipwrecked man out of the ocean, only to have him die in her arms. After this, she is never the same. Her fellow islanders superstitiously refer to her as "away," and believe she has been influenced by an evil spirit. Mary does feel an attachment to this man she pulled out of the sea, for the rest of her life.
Eventually, however, Mary does become wedded to a local school master and they start a family. She tends to be distant, but manages to lead a normal life for awhile. Later, when it becomes obvious that they will starve to death, their local landlord, who is rather taken with Mary, helps them escape to Canada. By the way, there are two landlords, the Sedgewick brothers, who are colorfully drawn characters.
The story of their journey to America, and their separation and quarantine when they arrive, is glossed over. I felt that the novel would have been more powerful with that part of the story told, especially from their young son's perspective.
After they've established a home, barely making a living, Mary suddenly disappears. This is the most heartbreaking part. Liam, just seven years old, wakes up alone with a baby sister who needs to be fed and changed and a cow that needs to be milked. Brian, his father, is away from home for a couple days doing the only work he can find, so it's on Liam to become a little man.
There was a phrase their father repeated, which translated into "the trace of a man on a woman," which resonates throughout the book, first with Mary's story, then Eileen's.
Liam and Eileen seem like real characters, I cared about them, and they urged me to keep turning the pages, especially when Eileen's story becomes dramatic.
I apologize if this review seems disjointed...there are little mysteries that unfold along the way that I shouldn't touch, and both Irish and Native American folklore and spiritualism effect both Mary and Eileen.
This tale is told in flashback, and we are briefly introduced to four generations of women--Mary, Eileen, Deirdre, and Esther--but the latter two are not developed at all, and I felt there were parts of this story that seemed either left out or too vague. However, it is a riveting read, and I would certainly recommend it.
clsafari's review against another edition
4.0
A bit tough at the beginning, and then you become entranced and find yourself slipping "away" into the world Urquhart has created so beautifully.
milea19's review against another edition
adventurous
dark
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
3.0
lectrice's review against another edition
4.0
I’ve read and loved other books by this author, especially The Stone Carvers, and liked this one, although it dragged on a bit for me in the last quarter. But loved the concept and the Canadian and Irish elements
sarahbowman101's review against another edition
1.0
Ug. Let me start by saying that I really loved Jane Urquhart's The Stone Carvers. So when I was browsing recently for something short to read (in English, not exactly easy in my neighborhood), I came across a few of her other novels. This is the story of Irish immigrants who move to Canada during the famine. Haunting and lyrical! Sounds great! I'm game!
But once you add in the magical realism aspect of "away", I got lost. Not just lost, but annoyed. And because so much time is spent on the concept of away, the pacing is crap and the characterization is really hard to grasp. I don't get it, and maybe that makes me a lazy reader or not smart enough to make comparisons to Irish lore, but I can't continue. I am about 1/4 of the way into this and I am not going to read anymore. You can't make me finish this book!
On the plus side, the landowning brothers, Osbert and Granville Sedgwick are excellent and I would read a whole book about them.
But once you add in the magical realism aspect of "away", I got lost. Not just lost, but annoyed. And because so much time is spent on the concept of away, the pacing is crap and the characterization is really hard to grasp. I don't get it, and maybe that makes me a lazy reader or not smart enough to make comparisons to Irish lore, but I can't continue. I am about 1/4 of the way into this and I am not going to read anymore. You can't make me finish this book!
On the plus side, the landowning brothers, Osbert and Granville Sedgwick are excellent and I would read a whole book about them.