purechaos's review against another edition
adventurous
dark
emotional
informative
lighthearted
reflective
sad
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.0
It did take a while for me to be able to start this book, and at times I found it incredibly slow, complex or tedious.
I did keep reading it because there was a small interest as to what would happen, even though this book is following what could be considered a 'usual every day life'.
Towards the end, I found the final 3 or 4 chapters actually quite interesting. Not something I'd read again, but glad I finished it!
I did keep reading it because there was a small interest as to what would happen, even though this book is following what could be considered a 'usual every day life'.
Towards the end, I found the final 3 or 4 chapters actually quite interesting. Not something I'd read again, but glad I finished it!
Content Warnings
Moderate: Confinement, Death of parent, Deportation, Forced institutionalization, Body shaming, Death, Drug use, Police brutality, Drug abuse, Grief, Hate crime, Gun violence, Murder, Pregnancy, and Violence
Minor: Misogyny, Death, Death of parent, Drug abuse, Violence, Body shaming, Incest, Pedophilia, Suicide, Suicide attempt, Toxic friendship, Child death, War, Chronic illness, Deportation, Drug use, Forced institutionalization, Grief, Medical content, Miscarriage, Rape, Gun violence, Hate crime, Injury/Injury detail, Murder, Police brutality, Pregnancy, Sexual assault, Sexual harassment, Sexual content, Sexual violence, Suicidal thoughts, Terminal illness, Torture, Vomit, Xenophobia, and Confinement
scifi_rat's review against another edition
adventurous
emotional
hopeful
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Moderate: Death, Grief, Incest, Injury/Injury detail, Misogyny, Gaslighting, Mental illness, Pregnancy, Sexism, Torture, and Xenophobia
Minor: Violence, Blood, Miscarriage, Suicide, and War
jodar's review against another edition
adventurous
challenging
dark
emotional
reflective
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
I admire how Le Guin writes – it’s a distinctive, often poetical and meditative style that I can readily recognise and immerse myself in.
This SF novel is about the first contact by a single envoy (the MC) to an icy planet (Winter) inhabited by a human species unique in their sequential hermaphroditism. The envoy comes from a benign, intergalactic ‘cooperative’ consisting of scores of planets who over thousands of years have made contact across a human diaspora from long ago.
Le Guin here focuses, as is typical, on social, personal and political themes. Notably here, the MC strikes cultural misunderstandings in both directions, often without realising till later on that a misunderstanding has occurred. The envoy gradually learns, with the help of a key ally in Winter and after considerable physical suffering, how to approach the cultures of Winter effectively. We also read events from the perspective of the MC’s ally.
Originally written in 1969, the novel has elements of the cold war, with ideological differences between states, one of which is essentially communist and has secret police and brutal prisons reminiscent of the Soviet Union. Le Guin also, as often, brings in eastern thought, such as yin and yang, deep meditation and theology-free religious life. Though to me there are also shades of the Judeo-Christian story of prophets coming to a people from ‘another place’, there the spiritual realm, here the intergalactic cooperative. These political, religious and interpersonal/sexuality threads are teased out in an interweaving, complex way, which is one of Le Guin’s fortes. Nothing didactic, but a lot to mull over by the reader.
I read this first in November 1985 and I hugely enjoyed this challenging, but wonderful novel again.
This SF novel is about the first contact by a single envoy (the MC) to an icy planet (Winter) inhabited by a human species unique in their sequential hermaphroditism. The envoy comes from a benign, intergalactic ‘cooperative’ consisting of scores of planets who over thousands of years have made contact across a human diaspora from long ago.
Le Guin here focuses, as is typical, on social, personal and political themes. Notably here, the MC strikes cultural misunderstandings in both directions, often without realising till later on that a misunderstanding has occurred. The envoy gradually learns, with the help of a key ally in Winter and after considerable physical suffering, how to approach the cultures of Winter effectively. We also read events from the perspective of the MC’s ally.
Originally written in 1969, the novel has elements of the cold war, with ideological differences between states, one of which is essentially communist and has secret police and brutal prisons reminiscent of the Soviet Union. Le Guin also, as often, brings in eastern thought, such as yin and yang, deep meditation and theology-free religious life. Though to me there are also shades of the Judeo-Christian story of prophets coming to a people from ‘another place’, there the spiritual realm, here the intergalactic cooperative. These political, religious and interpersonal/sexuality threads are teased out in an interweaving, complex way, which is one of Le Guin’s fortes. Nothing didactic, but a lot to mull over by the reader.
I read this first in November 1985 and I hugely enjoyed this challenging, but wonderful novel again.
Content Warnings
Graphic: Violence, Gun violence, Death, and Forced institutionalization
Moderate: Grief, Injury/Injury detail, and Suicidal thoughts
Minor: Miscarriage
pomegranatepanacea's review against another edition
mysterious
reflective
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
This book is one of the best I've ever read and is a fascinating examination of gender through the eyes of a cisgender man on a planet with no concept of gender—essentially 300 pages of culture shock. It is also a critique of bigotry, bureaucracy, and monarchy. Beautifully written and unexpectedly down-to-earth (lol). I think cis allies should read this and I think nonbinary people like myself would love it.
Content Warnings
Moderate: Grief and Sexual content
Minor: Incest and Pregnancy
Minor content warnings are mentioned in passing in the novel.kaziaroo's review against another edition
emotional
mysterious
reflective
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.75
Synopsis: an envoy is sent from a vast, interplanetary alliance to a wintery planet to recruit its inhabitants, a people of no gender whose bodies instead develop sexual organs for just a few days each month; in his quest, the envoy becomes embroiled in the politics both within and between two feuding countries, while being drawn to one figure in particular.
This was very interesting to read, especially from a 21st century perspective where we are accustomed to the boundaries of the gender binary being pushed, twisted, and ignored in wonderful diversity. We are also mostly familiar with, and accepting of, the gender neutral pronoun "they" being used exclusively to refer to a particular person.
In The Left Hand of Darkness, the main character, Genly Ai, is a poor representative of planet Earth in this respect; he is frequently disgusted by the Gethenians' bodies and attitudes towards sex and constantly tries to fit them and their characteristics into gendered boxes. He refers to the Gethenians using masculine pronouns, and seems to reject their femininity; it is only when one of them cries, or flirts, or is distressed, that he thinks "Ah ha! There is his femininity!" when it has been there all along. Genly's awkwardness around the Gethenians' sex and even his own fumbling description of what defines a woman, paired with the fact that he is the minority, the alien, on this planet, betray the notion that perhaps it is us earthlings who are the silly ones, forcing divides and highlighting differences between genders where there are none, and believing ourselves superior because of it. The Gethenians have no gender, yet they also have so far had no testosterone-fueled war or sexism (although they are not perfect; some parts of the book had strong echoes of 1984). On the other hand, the society of Earth that we see glimpses of is cisnormative and allonormative; at the beginning of the book, Genly cannot fathom a sexless and genderless society.
I enjoyed this book a lot, and although I would have liked an earlier explanation of certain concepts (mostly kemmer), once I understood them I could fully immerse myself in the world. The Gethenians' societies and customs felt incredibly detailed and well thought out for such a short novel. It was interesting reading from the perspective of both the alien visitor and the visited, except this time it's us earthlings who are the visitors. I particularly loved the scenes journeying across the icy landscape. I highly recommend this book, but it's important to remember the publication date before complaining about the intricacies of gender politics – it was ahead of its time.
This was very interesting to read, especially from a 21st century perspective where we are accustomed to the boundaries of the gender binary being pushed, twisted, and ignored in wonderful diversity. We are also mostly familiar with, and accepting of, the gender neutral pronoun "they" being used exclusively to refer to a particular person.
In The Left Hand of Darkness, the main character, Genly Ai, is a poor representative of planet Earth in this respect; he is frequently disgusted by the Gethenians' bodies and attitudes towards sex and constantly tries to fit them and their characteristics into gendered boxes. He refers to the Gethenians using masculine pronouns, and seems to reject their femininity; it is only when one of them cries, or flirts, or is distressed, that he thinks "Ah ha! There is his femininity!" when it has been there all along. Genly's awkwardness around the Gethenians' sex and even his own fumbling description of what defines a woman, paired with the fact that he is the minority, the alien, on this planet, betray the notion that perhaps it is us earthlings who are the silly ones, forcing divides and highlighting differences between genders where there are none, and believing ourselves superior because of it. The Gethenians have no gender, yet they also have so far had no testosterone-fueled war or sexism (although they are not perfect; some parts of the book had strong echoes of 1984). On the other hand, the society of Earth that we see glimpses of is cisnormative and allonormative; at the beginning of the book, Genly cannot fathom a sexless and genderless society
Spoiler
and yet by the end he is in the beginnings of what I would tentatively call a queerplatonic relationship with no sex and no gender rolesI enjoyed this book a lot, and although I would have liked an earlier explanation of certain concepts (mostly kemmer), once I understood them I could fully immerse myself in the world. The Gethenians' societies and customs felt incredibly detailed and well thought out for such a short novel. It was interesting reading from the perspective of both the alien visitor and the visited, except this time it's us earthlings who are the visitors. I particularly loved the scenes journeying across the icy landscape. I highly recommend this book, but it's important to remember the publication date before complaining about the intricacies of gender politics – it was ahead of its time.
Content Warnings
Graphic: Blood, Medical trauma, Transphobia, Xenophobia, Death, Kidnapping, Grief, Incest, Acephobia/Arophobia, and Medical content
Moderate: Sexual content, Suicide, Gun violence, Sexism, Excrement, Miscarriage, Fire/Fire injury, and Schizophrenia/Psychosis
Minor: Pregnancy, Rape, Child death, and War
maryellen's review against another edition
adventurous
challenging
dark
mysterious
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
Content Warnings
Moderate: Confinement, Death, Grief, Gun violence, Murder, Child death, Physical abuse, and Incest
Minor: Kidnapping, Torture, Misogyny, Gun violence, Incest, Injury/Injury detail, Police brutality, Sexism, Suicide, Confinement, Grief, Murder, Physical abuse, Pregnancy, Child death, and Death
carrionkid's review against another edition
5.0
Absolute banger of a book for real
Content Warnings
Graphic: Grief, Violence, Murder, and Injury/Injury detail
Moderate: Incest
imrereads's review against another edition
adventurous
reflective
4.0
Usually I try to not think about which books I "should" read, but sometimes it pays off. This book is an example of that. It was written in 1969, and is considered to kickstart the feminist sci-fi genre. It took me a hot minute to get into this book, but once I did I found not only a good story, but also a very interesting conversation of the effect sex and gender has on culture and society. The setting of the story if the planet of Gethen, were people don't have a fixed sex, and our narrator is from a different planet where they do, so it's very much an outsiders perspective which brings up a lot of interesting conversations.
There are certain things I wish were done differently, particularly the use of he/him pronouns on the Getheran people, and I've since read that Le Guin regretted that decision herself. I think a neutral pronoun would have been a better decision, but I will admit that he/him does tell us something about our narrator and it does make some sense.
All in all I'm very glad I read this book. Not only does it give me some insight into the history of the genre, but it was also a genuinely good reading experience.
There are certain things I wish were done differently, particularly the use of he/him pronouns on the Getheran people, and I've since read that Le Guin regretted that decision herself. I think a neutral pronoun would have been a better decision, but I will admit that he/him does tell us something about our narrator and it does make some sense.
All in all I'm very glad I read this book. Not only does it give me some insight into the history of the genre, but it was also a genuinely good reading experience.
Content Warnings
Graphic: Confinement, Grief, Incest, Blood, and Death
blazingquill's review against another edition
challenging
hopeful
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
This is an older book written in a classical science fiction style - which is to say, sometimes a slog to get through. In addition, while it takes several meaningful steps to deconstruct the gender binary, it does so in a way which is very accessible, and therefore doesn’t push as far at it perhaps could, as Le Guin herself commented on several times.
That being said, it’s a very profound look into the difference between things that are societally decided and things that are innately human, in a way that thoughtfully offers solutions to the world we currently live in rather than just pointing out the bad. (From what I understand, this is often a core tenant of Le Guin’s work, and makes me excited to read more.) At it’s core, despite the way it sometimes reads, it’s a story about friendship and love. The line, “I do not know if we were right,” inflicted psychic damage upon me, and just barely manages to push the heavy queer coding into explicitly queer.
If you have experience reading dense science fiction, and don’t mind it, I would highly recommend.
That being said, it’s a very profound look into the difference between things that are societally decided and things that are innately human, in a way that thoughtfully offers solutions to the world we currently live in rather than just pointing out the bad. (From what I understand, this is often a core tenant of Le Guin’s work, and makes me excited to read more.) At it’s core, despite the way it sometimes reads, it’s a story about friendship and love. The line, “I do not know if we were right,” inflicted psychic damage upon me, and just barely manages to push the heavy queer coding into explicitly queer.
If you have experience reading dense science fiction, and don’t mind it, I would highly recommend.
Content Warnings
Graphic: Xenophobia, Grief, Incest, Misogyny, and Trafficking
Moderate: Torture, Violence, Vomit, and Police brutality
Minor: Murder, Transphobia, and War
loki's review against another edition
adventurous
challenging
dark
emotional
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.25
The way this book explores gender means so much to me. While I knew the premise of the book, I didn't expect it to be quite as revolutionary as it is, especially given when it was written. The two perspectives of Gently Ai and Estraven work beautifully to illustrate both the strangeness of the androgyny of the inhabitants of Gethen, and the strangeness of our own gender norms. The dual perspective allows us to see how each system of gender is working, and how crucial those systems are in understanding each other. It is painful to watch the two main characters so deeply misunderstand each other to begin with, and then to find mutual understanding as the story goes on. I was surprised that the book managed to convince me not to hate Gently Ai, as I did after just the first chapter. In a wider context, this is the first of Le Guin's books that I have read so far that so beautifully marries social commentary and an incredible story.
As a final note that i will not specify as a positive or a negative, this is essentially omegaverse before omegaverse even existed.
As a final note that i will not specify as a positive or a negative, this is essentially omegaverse before omegaverse even existed.
Content Warnings
Graphic: Violence, Sexism, Colonisation, and Grief