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amy_q13's review against another edition
adventurous
dark
emotional
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
Graphic: Child death, Death, Blood, Grief, Death of parent, War, and Injury/Injury detail
Moderate: Addiction, Alcoholism, Panic attacks/disorders, Car accident, and Classism
Minor: Physical abuse, Sexual content, Forced institutionalization, and Vomit
joygarcialim's review against another edition
adventurous
dark
hopeful
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.0
This wasn't a book which I could give a straightforward rating. At the core of it, it was a fun plot to uncover, an imaginative concept to dissect, and an interesting setup for romance. However, the writing was inept. I wanted to find out what happened, and yet I couldn't stop putting the book down. It was a very oxymoronic experience in that sense.
The plot was what really made the book so damn interesting. The magical channel of two potential lovers sending love letters was at the heart of the story, and it possessed an abundance of charm and mystery.The whole history about the typewriters as well was brilliant. There were so many well-delivered plot twists and that were well placed so they weren't overwhelming nor absurd, and even the predictable ones were good.
Although there wasn't enough details to evoke a powerful imagery of the sceneries, such as how Oath looked like, there was a sense of an antique world. There could have been a lot more done to contribute to the world-building otherthan the magical typewriters, as there wasn't a lot of magic until Iris went to Avalon Bluff (and I'd still say it was really close to bare minimum to be considered a fantasy). There was a scene where Roman was talking to his magical lights but it just came across as powered Google home. It didn't make sense when other appliances and objects seemed to sense Roman's needs and fulfil them without his command.
I questioned my own ability to understand emotions and relationships many times throughout the book, whilst simultaneously questioning Rebecca Ross's.Iris grieving her mum didn't seem authentic. Then she quits her job for a day before she started to miss Roman, her supposed enemy, and their relationship hadn't been built up enough to reach a point of missing or longing. The only way it made sense is if Rebecca was lonely, but she did have a friend.
She started to see Roman as a romantic partner a few days after he arrived in Avalon Bluff, after he straight-up lied(by omission) about his identity as Carver. There was a real missed opportunity to write a romantic conflict and working towards conflict resolution, which would have made the relationship seem a lot more romantic and wholesome. They got married within a few days of starting a relationship, which is just a bad message to young readers, since this is YA after all. It would have been a lot more palatable if the romance had been fleshed out, if the characters got to know each other so much better, especially after Roman went to Avalon Bluff. and a lot of it just served corn and not roses. It would have been a lot more interesting if there was more fleshing out of Roman's arranged engagement/marriage. It's just a shame as there were so many missed opportunities.
The plot was what really made the book so damn interesting. The magical channel of two potential lovers sending love letters was at the heart of the story, and it possessed an abundance of charm and mystery.
Although there wasn't enough details to evoke a powerful imagery of the sceneries, such as how Oath looked like, there was a sense of an antique world. There could have been a lot more done to contribute to the world-building other
I questioned my own ability to understand emotions and relationships many times throughout the book, whilst simultaneously questioning Rebecca Ross's.
She started to see Roman as a romantic partner a few days after he arrived in Avalon Bluff, after he straight-up lied(by omission) about his identity as Carver. There was a real missed opportunity to write a romantic conflict and working towards conflict resolution, which would have made the relationship seem a lot more romantic and wholesome. They got married within a few days of starting a relationship, which is just a bad message to young readers, since this is YA after all.
The stylistic choice of writing gave me a lot of uncertainty about what Rebecca Ross was trying to convey. Whilst the skeleton of the writing was fabulous, the flesh had been severely starved. It was not good and honestly is what took out a lot of enjoyment.
For instance,
“This was one of the finest restaurants in Oath, where Roman’s parents had fallen in love over a long candlelit dinner.” The average time for men to fall in love is actually 88 days and it's longer for women, one dinner doesn't cut it unless this long dinner was 88 days.
“Iris watched her bolt down the hallway, knowing she was probably going to wax vengefully poetic to the professor who had once dismissed her writing.” I'm not even sure what this means.
“What marks would it leave on them, shining like scars that never faded?” But don't all scars fade, even if not completely? And do scars shine?
“So many loose pages, fluttering like snow down to the floor.”
“He continued to hold their stare, deadly serious. “If I asked you, would you say yes?” I was so confused. Did Iris become enby during that one sentence?
“She ran to Keegan with a shriek, weeping and laughing, leaping into her arms.” Was Marisol was happy to see her wife amidst an impending war zone?
“This was the life she wanted—slow and easy and vibrant, surrounded by people she loved.” People she hardly knew.
“This was one of the finest restaurants in Oath, where Roman’s parents had fallen in love over a long candlelit dinner.” The average time for men to fall in love is actually 88 days and it's longer for women, one dinner doesn't cut it unless this long dinner was 88 days.
“Iris watched her bolt down the hallway, knowing she was probably going to wax vengefully poetic to the professor who had once dismissed her writing.” I'm not even sure what this means.
“What marks would it leave on them, shining like scars that never faded?” But don't all scars fade, even if not completely? And do scars shine?
“So many loose pages, fluttering like snow down to the floor.”
“He continued to hold their stare, deadly serious. “If I asked you, would you say yes?” I was so confused. Did Iris become enby during that one sentence?
“She ran to Keegan with a shriek, weeping and laughing, leaping into her arms.” Was Marisol was happy to see her wife amidst an impending war zone?
“This was the life she wanted—slow and easy and vibrant, surrounded by people she loved.” People she hardly knew.
Finally, the book gave left a lot of unexplained situations, which I hope are hints for things that are to come in the second book.
Graphic: Physical abuse, Violence, Blood, Kidnapping, Grief, Medical trauma, Stalking, Death of parent, War, and Injury/Injury detail
Moderate: Addiction, Alcoholism, and Vomit