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breadscorcher's review against another edition
challenging
dark
emotional
mysterious
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
This book is as cynical as it is poignant, and as grim as it is loving, and it's hard to put a point on whether the experience is a positive or negative one. Nothing is sacred, and nothing is left unsullied. Friendships, relationships, parenthood, childhood, and every gap thereof is full of weeds and dirt to pick at and display.
If you're looking for something magical, this isn't it. If you're looking for something that ambles along the line of surreality and harsh realism, this is a story for you. If you're the sort of person who finds themself longing for more of the darkest, grimiest, and most forlornly beautiful portions of American Gods, this is the book for you.
But don't expect the break from those things that Neil Gaiman gives you, this is a story as bleak as history, and as much about the horror of the future as it is about the foundation that that present future is built upon.
If originality is your prime metric for whether you'll like a book, this has that. Whether or not the originality carries the book or not is subject to debate, but the experience was worth it for me.
It's unlike anything I've read for a good minute, and as a whole it stands apart from anything I would have read, but it's a beautiful rendition of that.
Ironically, this book includes several portions dedicated to the last book I finished, To Kill A Mockingbird, and unironically, it seems that the author was in a similar, albeit darker, mood. Race, sex/gender, and class inequality surround the story, but aren't the subject of it, necessarily.
If you're looking for something magical, this isn't it. If you're looking for something that ambles along the line of surreality and harsh realism, this is a story for you. If you're the sort of person who finds themself longing for more of the darkest, grimiest, and most forlornly beautiful portions of American Gods, this is the book for you.
But don't expect the break from those things that Neil Gaiman gives you, this is a story as bleak as history, and as much about the horror of the future as it is about the foundation that that present future is built upon.
If originality is your prime metric for whether you'll like a book, this has that. Whether or not the originality carries the book or not is subject to debate, but the experience was worth it for me.
It's unlike anything I've read for a good minute, and as a whole it stands apart from anything I would have read, but it's a beautiful rendition of that.
Ironically, this book includes several portions dedicated to the last book I finished, To Kill A Mockingbird, and unironically, it seems that the author was in a similar, albeit darker, mood. Race, sex/gender, and class inequality surround the story, but aren't the subject of it, necessarily.
Content Warnings
Graphic: Child death, Physical abuse, Sexism, Toxic relationship, Violence, Stalking, Toxic friendship, and Abandonment
Moderate: Emotional abuse, Mental illness, Torture, Grief, Suicide attempt, Murder, Schizophrenia/Psychosis , Pregnancy, and Gaslighting
Minor: Infertility, Misogyny, Forced institutionalization, and Injury/Injury detail
foxo_cube's review against another edition
adventurous
dark
emotional
mysterious
fast-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
I wasn't sure how this one was going to go when I started reading it - I didn't get on too well with the writing style initially, and, although I settled into it, I'd still say it's not my favourite. Not outright bad or anything, just not for me.
Nonetheless, it wasn't a dealbreaker, and I'm very glad I continued reading because it's a HELL of a story. If ever you think you know where the plot's going - which, for me, was often - you are proven wrong pretty quickly. It heavily telegraphs one thing, then does something else entirely. The book narrowly avoids going into the territory of silliness, and I mean that in a good way. At least, I like that sort of thing.
I do think some of the "Internet bad" messaging is a little heavy-handed. It's not preachy, or even totally anti-Internet - part of the book's sentiment is simply about caution when using social media, which is a pretty important thing. Still, I can't not mention it. The troll bit is especially obvious as a metaphor. The only other big criticism I have of this book is that the characters are a little flat. They're enough to be invested in - what shines through most is Apollo's absolute adoration of his son, and that is beautifully expressed - but it's sort of... just enough for that, if that makes sense.
The thing that made this story work for me is how curious it made me to find out the truth. Because you mostly know only what Apollo knows, and uncover things along with him, you will often find yourself led to believe one version of events only to discover, later, a whole different truth entirely. The way that LaValle pulls that off is fantastic.
I think this will be a book worth re-reading because, having read this in two sittings, more-or-less, I noticed that there was a sort of breadcrumb trail for the curveballs in the plot, and I'd like to see if this is more visible the second time round.
Nonetheless, it wasn't a dealbreaker, and I'm very glad I continued reading because it's a HELL of a story. If ever you think you know where the plot's going - which, for me, was often - you are proven wrong pretty quickly. It heavily telegraphs one thing, then does something else entirely. The book narrowly avoids going into the territory of silliness, and I mean that in a good way. At least, I like that sort of thing.
I do think some of the "Internet bad" messaging is a little heavy-handed. It's not preachy, or even totally anti-Internet - part of the book's sentiment is simply about caution when using social media, which is a pretty important thing. Still, I can't not mention it. The troll bit is especially obvious as a metaphor. The only other big criticism I have of this book is that the characters are a little flat. They're enough to be invested in - what shines through most is Apollo's absolute adoration of his son, and that is beautifully expressed - but it's sort of... just enough for that, if that makes sense.
The thing that made this story work for me is how curious it made me to find out the truth. Because you mostly know only what Apollo knows, and uncover things along with him, you will often find yourself led to believe one version of events only to discover, later, a whole different truth entirely. The way that LaValle pulls that off is fantastic.
I think this will be a book worth re-reading because, having read this in two sittings, more-or-less, I noticed that there was a sort of breadcrumb trail for the curveballs in the plot, and I'd like to see if this is more visible the second time round.
Content Warnings
Graphic: Body horror, Child abuse, Child death, Cursing, Death, Domestic abuse, Gore, Mental illness, Physical abuse, Forced institutionalization, Blood, Grief, Stalking, and Fire/Fire injury
Moderate: Suicidal thoughts, Torture, Violence, and Kidnapping
Minor: Racism