The design and UX isn't done, Rob and Abbie, okkurrrr! đ
nannahnannah's review against another edition
5.0
Matteo AlacrĂĄn has been one of the most evocative series I've ever read. It's also pushed the YA boundaries further than most other series I've read, too--and not in a "grittier, darker, manlier" way, but in a more mature, well-written, well-researched, better-world/environmental-politics way, and better-understanding-of-characterization way.
This is the second (and last) book of Matteo AlacrĂĄn. It's just as powerful as the first book (which blew my mind as a kid), though I wish it were longer. The book deals with many relevant and important themes, and it deals with them through the PoV of a fifteen year old.
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In this novel, Matteo AlacrĂĄn has come back to Opium as El PatrĂłn, the Lord of Opium. The "original" Matteo has died, taking all of his bodyguards and scientists with him to the grave. This means Matteo AlacrĂĄn is now the Original El PatrĂłn, Lord of the country of Opium, a drug country between the United States and AztlĂĄn, what used to be Mexico.
What Matt's inherited is a mess of mind-controlled slaves, dangerous drug lord contacts, a business (and business practice) he despises, and the title of one of the most corrupt people on Earth. And he has to find a way to shut it all down.
As in The House of the Scorpion, every character is flawlessly crafted. Matt is such a believable hero with critical flaws and frustrations and traits that make me feel as if he's a real person somewhere I can visit. There was one place in the book that solidified Nancy Farmer as one of my favorite authors. I can't remember the exact page(s), but it was during one of Matt's conversations with MarĂa. He was overcome with emotion, and couldn't speak. MarĂa immediately understood, as it was something he'd done before, and filled the silence with words (which was easy for her). This natural understanding between them, and the character traits of both of these characters shows just a masterful understanding of characterization and writing.
If anything is lacking in The Lord of Opium, it's in the last 1/4th of the book. The first 3/4ths is perfectly paced as all of the first book. Mysteries are perfectly placed and resolved, and characters enter at just the right time to add comic relief or complexity. But during the last part of the book, things happen too fast. I would've adored 200 more pages. Some revelations are made off-scene and told to Matt, and the climax resolves too quickly for my preference.
However, the resolution is very satisfying, and in the end, there's not much more I could wish for from this series.
This is the second (and last) book of Matteo AlacrĂĄn. It's just as powerful as the first book (which blew my mind as a kid), though I wish it were longer. The book deals with many relevant and important themes, and it deals with them through the PoV of a fifteen year old.
<<>>
In this novel, Matteo AlacrĂĄn has come back to Opium as El PatrĂłn, the Lord of Opium. The "original" Matteo has died, taking all of his bodyguards and scientists with him to the grave. This means Matteo AlacrĂĄn is now the Original El PatrĂłn, Lord of the country of Opium, a drug country between the United States and AztlĂĄn, what used to be Mexico.
What Matt's inherited is a mess of mind-controlled slaves, dangerous drug lord contacts, a business (and business practice) he despises, and the title of one of the most corrupt people on Earth. And he has to find a way to shut it all down.
As in The House of the Scorpion, every character is flawlessly crafted. Matt is such a believable hero with critical flaws and frustrations and traits that make me feel as if he's a real person somewhere I can visit. There was one place in the book that solidified Nancy Farmer as one of my favorite authors. I can't remember the exact page(s), but it was during one of Matt's conversations with MarĂa. He was overcome with emotion, and couldn't speak. MarĂa immediately understood, as it was something he'd done before, and filled the silence with words (which was easy for her). This natural understanding between them, and the character traits of both of these characters shows just a masterful understanding of characterization and writing.
If anything is lacking in The Lord of Opium, it's in the last 1/4th of the book. The first 3/4ths is perfectly paced as all of the first book. Mysteries are perfectly placed and resolved, and characters enter at just the right time to add comic relief or complexity. But during the last part of the book, things happen too fast. I would've adored 200 more pages. Some revelations are made off-scene and told to Matt, and the climax resolves too quickly for my preference.
However, the resolution is very satisfying, and in the end, there's not much more I could wish for from this series.
Content Warnings
Moderate: Slavery
also: genetic modification without consentnytephoenyx's review against another edition
dark
emotional
reflective
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
While not quite as immersive and compelling as The House of the Scorpion, The Lord of Opiumcontinues Matteoâs story after the major event at the end of the first novel. While the tension I remember from Scorpion wasnât present in this book, I was nevertheless drawn in by Farmerâs unique dystopian story and Matteoâs personal journey.
I think the concept is interesting â what happens when someone rises to power who wants to undo the carefully crafted dystopian world? Itâs a perspective Iâve never seen before. The new characters introduced in The Lord of Opion hold their own against the long standing characters from Scorpion, and each in their own way contributes to the careful unraveling of the empire. My favorite of these was Mushroom Master, who managed to be charming and insightful in every scene.
Farmer remains true to the original premise of this duology in that the teens and children run the show. I remember feeling like this was an unusual YA series when I read Scorpion, and I stand by that now. The writing here is more formal than most modern YA. However, the characters still do a decent job acting their age, something I canât necessarily say for all YA novels. There are scrapes that Matt and the others find themselves in that really do require adult intervention. One thing I do love, though, was that the adult characters â particularly the allied ones â never underestimated Matt because of his age. At most, they warned him that others might. It was well done to show the power and respect his position brought, and not fall into common tropes.
As with Scorpion, the world building here is fabulous. Opium and the state of the extended world has already been established, but in The Lord of Opium we explore a few new locations that add richness and depth to our previous understanding. The best of these is the Biosphere, though conceptually, the Scorpion Star is worthy of mention as well. I also appreciated the fact that the voice and story felt consistent, despite the eleven year publication gap between books.
The plot is very slow and if anything, Iâd say The Lord of Opium is more of a character-driven novel, pushed forward by Matteoâs desire to undo the mess left to him. It still carries many interesting themes, including personhood and freedom, which were strong themes in Scorpion. We also cover grief and love a bit in this one, mingled with explorations of trust and power. A good chunk of the book also explores environmental themes within the dystopian world and attempts to restore the land, which I appreciated. Itâs funny â so many dystopian novels focus on the degradation of the planet and on famine, but I donât know that I can really think of any where the protagonist is trying to solve that problem instead of just enduring it. So that was good.
Because The Lord of Opium is written in a different tone than most YA, I think this is the perfect duology for âpeople who think YA is too youngâ. Itâs a great bridge story with a more serious tone but still age appropriate characters dealing with the challenge of fulfilling their roles in society and making the sorts of choices that define their character. I really enjoyed both these books, but theyâre still the sort Iâd be cautious recommending unless I knew the personâs style well. For example, I donât know that fans of Serpent & Dove would love this one, but I think that fans of The Giver and The Hunger Games and Illuminae may be more open to it. All and all, though, these novels are really worth a try if they pique your interest at all. Theyâre creative and unique and immersive and would make a fabulous HBO series.
Content Warnings
Graphic: Child abuse, Death, and Violence
Moderate: Grief, Kidnapping, Medical content, Murder, and Slavery
Minor: Death of parent and Drug use
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