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wisewayfarer's review against another edition
emotional
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.75
Graphic: Drug use, Infidelity, Toxic relationship, and Alcohol
Moderate: Addiction, Suicidal thoughts, and Abandonment
Minor: Sexual content
aileron's review against another edition
funny
reflective
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Graphic: Drug abuse and Infidelity
Moderate: Suicidal thoughts
Minor: Racism and Abandonment
annoyedhumanoid's review
funny
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
+3 stars for references to Taylor Swift and Mitski
+2 stars for an enjoyable, genuinely funny cohesive collection of character studies that each serve an overarching plot. (Phoebe is my favorite, she's just like me for real—which is exactly what i said about the narrator of Dolan's first novel, Exciting Times.)
-1 star for the awkward length, about halfway between a novel and a novella. there was very little plot progression compared to character development, which isn't inherently bad, but it felt like the story stood in place while we re-litigated every character's past. if it's between being longer with more plot or shorter with less character development, and as someone storygraph brands as "Typically choos[ing] fast-paced books that are <300 pages long", you can imagine i would advocate for the latter. the obvious one to go is Vivian—i don't really know why she got her own part in the first place, except i suppose that what plot it did have couldn't have been told through Luke's because his took the format of groom speech drafts.* i appreciated her outlook on life but it felt only tangentially connected to the rest of the book. i do recognize, though, that her character is the only woman explicitly said to be a person of color, leaving a hole in her absence. it's a difficult predicament then, for which i don't have a good solution that doesn't completely deviate from the author's intent. obviously none of this matters or will ever happen, i just like thinking about how to create the (probably nonexistent) "perfect story".
*+0.5 stars for the very fun format at times. the tables? yes please! tabularly-formatted data is so pleasing to me.
and if you haven't been keeping track, that's 3+2-1+0.5, which comes out to 4.5 stars.
+2 stars for an enjoyable, genuinely funny cohesive collection of character studies that each serve an overarching plot. (Phoebe is my favorite, she's just like me for real—which is exactly what i said about the narrator of Dolan's first novel, Exciting Times.)
-1 star for the awkward length, about halfway between a novel and a novella. there was very little plot progression compared to character development, which isn't inherently bad, but it felt like the story stood in place while we re-litigated every character's past. if it's between being longer with more plot or shorter with less character development, and as someone storygraph brands as "Typically choos[ing] fast-paced books that are <300 pages long", you can imagine i would advocate for the latter. the obvious one to go is Vivian—i don't really know why she got her own part in the first place, except i suppose that what plot it did have couldn't have been told through Luke's because his took the format of groom speech drafts.* i appreciated her outlook on life but it felt only tangentially connected to the rest of the book. i do recognize, though, that her character is the only woman explicitly said to be a person of color, leaving a hole in her absence. it's a difficult predicament then, for which i don't have a good solution that doesn't completely deviate from the author's intent. obviously none of this matters or will ever happen, i just like thinking about how to create the (probably nonexistent) "perfect story".
*+0.5 stars for the very fun format at times. the tables? yes please! tabularly-formatted data is so pleasing to me.
and if you haven't been keeping track, that's 3+2-1+0.5, which comes out to 4.5 stars.
Graphic: Addiction, Drug abuse, Drug use, Infidelity, and Toxic relationship
Moderate: Cursing, Misogyny, Sexism, Sexual content, Suicidal thoughts, and Alcohol
Minor: Racism, Gaslighting, Abandonment, and Colonisation
marywahlmeierbracciano's review against another edition
challenging
funny
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Naoise Dolan’s sophomore novel has a fun structure that gives it almost a reality TV tell-all feel. Leading up to the day of the wedding, we hear from the bride; her sister, the bridesmaid; the best man; the groom; and one of the guests. Chock-full of queers, this book has the complicated characters and relationships you might expect from the inimitable Sally Rooney, but it’s funnier and much less depressing (no shade!). In essence, it’s the perfect book candy—a beach read with substance; genuinely interesting lit fic with plenty to laugh about. It’s a clever book, and the ending made me smile. Plus, as a musician, I enjoyed reading Celine’s thoughts about music.
Moderate: Emotional abuse, Infidelity, and Alcohol
Minor: Addiction, Drug abuse, Racism, Sexual assault, Sexual content, Suicidal thoughts, and Abandonment