Scan barcode
midnightstory's review against another edition
challenging
emotional
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.75
i cried at the end ngl
Content Warnings
Graphic: Animal cruelty, Chronic illness, Confinement, Cursing, Death, Domestic abuse, Drug use, Emotional abuse, Infidelity, Misogyny, Physical abuse, Rape, Sexism, Sexual assault, Sexual violence, Toxic relationship, Grief, Religious bigotry, Abortion, Murder, Pregnancy, Toxic friendship, Abandonment, Colonisation, and Classism
Moderate: Adult/minor relationship, Bullying, Blood, Suicide attempt, and Alcohol
Minor: Animal death, Child death, Terminal illness, and Torture
wordsofclover's review against another edition
informative
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
In the court of King James 1, Anne Turner is told to befriend the young Frances Howard to needs help styling herself in a court that knows how much her husband despises her and her family. Stuck in an unhappy marriage, Frances latches onto the older, wiser Anne, and the two become fierce friends, sticking to each other during grief, annulments and poverty. As Anne uses Frances's connections to help keep her family afloat, Frances uses Anne as a confidante which eventually leads to a true scandal when they are accused of murder.
I enjoyed this historical fiction book set in a court that I have yet to read a lot of books from. While I've read books focusing on the witchcraft trials during James's reign, this is one of the first I've read set within his court and with characters who lived very closely with him. It was fun to learn more about the king's 'favourites' and reading more that it appears he was most likely bisexual and took lovers of both genders.
There was a strong strand of female friendship in this book, not only between Frances and Anne but also Anne and Mistress Bowdery. How people lived in the court such as the wealthy spending money the didn't have and living in debt because that's how the King liked it to be (and therefore these people not being able to pay the lower classes for work done like Frances and Richard Weston).
This book felt well written and really well researched and I'd like to read more from Lucy Jago. I didn't know anything about this true murder scandal before, and it was fun to learn about all the things leading up to it even if it had a tragic ending. I thought the epilogue between the daughters was also really well and touching, and it was nice that a story of female friendship still ended with the blossoming of a new one.
I enjoyed this historical fiction book set in a court that I have yet to read a lot of books from. While I've read books focusing on the witchcraft trials during James's reign, this is one of the first I've read set within his court and with characters who lived very closely with him. It was fun to learn more about the king's 'favourites' and reading more that it appears he was most likely bisexual and took lovers of both genders.
There was a strong strand of female friendship in this book, not only between Frances and Anne but also Anne and Mistress Bowdery. How people lived in the court such as the wealthy spending money the didn't have and living in debt because that's how the King liked it to be (and therefore these people not being able to pay the lower classes for work done like Frances and Richard Weston).
This book felt well written and really well researched and I'd like to read more from Lucy Jago. I didn't know anything about this true murder scandal before, and it was fun to learn about all the things leading up to it even if it had a tragic ending. I thought the epilogue between the daughters was also really well and touching, and it was nice that a story of female friendship still ended with the blossoming of a new one.
Content Warnings
Moderate: Rape
Minor: Animal cruelty and Animal death
rach59r's review against another edition
challenging
dark
emotional
inspiring
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
The book completely captured me and my imagination. This was such as story of female power and suppression that it felt both heart retching and inspiring.
Content Warnings
Graphic: Sexism, Sexual assault, and Sexual violence
Moderate: Death
Minor: Animal cruelty and Animal death
ergative's review against another edition
dark
emotional
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
This felt vaguely disappointing, given how well it started. It did a superb job evoking life in the Tudor era (well, Stuart, but I just finished reading Black Tudors, and the similarities were very resonant) era, and the snakepit of court politics (and the fact that pretty much all King James IV/I ever cares about on page is silkworms was very funny), and I was all in for a scandalous tale of poison and murder. But it really dragged. We spent ages and ages following these characters' desperate attempts to build the lives they wanted in the face of a cruelly restrictive social context (because misogyny, always, but also class and the importance of connections who can raise you up or bring you down despite your best efforts), and some of it really bogs down the plot. There was a whole chapter in which a particularly disappointing event, which we saw ages ago was going to happen, finally happens, and I didn't need to read about it and didn't want to watch it take place. I wanted to get on with the murder!
Unfortunately, since this was based on a historical event, it was constrained by (say it with me now) historical accuracy, which meant that I kept on hoping that once murder and poison had been deployed once, they would be deployed more than once. There were many people in the book who could have done with a spot of strychnine in their soup. But I did enjoy the fact that, in the eventual murder trial that ensues, every single accusation leveled against the defendant is, as it turns out, entirely true. She is not falsely accused of anything. Even the accusations of sorcery and witchcraft are accusations of actions that, as defined by the prosecution, she absolutely did undertake. And given that the book must turn out in the way that history records it having turned out, the fact that she is not innocently accused is satisfying.
In a way, after re-reading the chapter in Eleanor Herman's outstanding The Royal Art of Poison about the death of Sir Thomas Overbury, I rather think that this book would have given me what I wanted if the characters adhered more to their portrayals in the historical records. The idea of evil, calculating Anne Turner colluding with Franklin about exactly which poisons are strong enough to kill but weak enough not to kill too quickly, testing various decoctions on domestic pets, cackling and rubbing their hands wickedly, is so much more fun than the anxious, fretful, loving, well-meaning Anne Turner we get in this book. Jago says in her author's note that she wanted to humanize the people away from their villainous portrayals, but the villainous portrayals are so much more lively and engaging than what we got. Ah, well. I guess I can't criticize the book too much for being what the author intended it to be, rather than what I was hoping for.
Unfortunately, since this was based on a historical event, it was constrained by (say it with me now) historical accuracy, which meant that I kept on hoping that once murder and poison had been deployed once, they would be deployed more than once. There were many people in the book who could have done with a spot of strychnine in their soup. But I did enjoy the fact that, in the eventual murder trial that ensues, every single accusation leveled against the defendant is, as it turns out, entirely true. She is not falsely accused of anything. Even the accusations of sorcery and witchcraft are accusations of actions that, as defined by the prosecution, she absolutely did undertake. And given that the book must turn out in the way that history records it having turned out, the fact that she is not innocently accused is satisfying.
In a way, after re-reading the chapter in Eleanor Herman's outstanding The Royal Art of Poison about the death of Sir Thomas Overbury, I rather think that this book would have given me what I wanted if the characters adhered more to their portrayals in the historical records. The idea of evil, calculating Anne Turner colluding with Franklin about exactly which poisons are strong enough to kill but weak enough not to kill too quickly, testing various decoctions on domestic pets, cackling and rubbing their hands wickedly, is so much more fun than the anxious, fretful, loving, well-meaning Anne Turner we get in this book. Jago says in her author's note that she wanted to humanize the people away from their villainous portrayals, but the villainous portrayals are so much more lively and engaging than what we got. Ah, well. I guess I can't criticize the book too much for being what the author intended it to be, rather than what I was hoping for.
Content Warnings
Graphic: Animal death, Misogyny, and Rape