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businesswife's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
Graphic: Death, Violence, Blood, and Death of parent
Moderate: Sexual violence, Transphobia, and Fire/Fire injury
Minor: Homophobia and Pregnancy
escapismforlife's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.5
It's at complete hold of the final war against the God's of Otera.
The group of is on a side quest to get answers which drags out. And there to much which has to go on for the plot. Not to mention Deka resolving to get over problems from events in this book. I am so upset right now and it shows because I had to come back to this one almost two years later to leave a review.
While I adore these cast of characters the potentials gone. Everything from abilities, growth, and relationship trust. My interest to find out the end was after reading TMO.
But of course thoughts on what I got through of this trilogy finale in The Eternal Ones are coming.
Graphic: Confinement, Genocide, Physical abuse, Violence, Forced institutionalization, Death of parent, Gaslighting, Abandonment, and Injury/Injury detail
elenikin's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Graphic: Death and Violence
abby_can_read's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Graphic: Death, Violence, and Blood
Moderate: Transphobia, Death of parent, and Fire/Fire injury
Minor: Homophobia, Sexual violence, and Pregnancy
katerinovaaa's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
Graphic: Body horror, Death, Violence, and War
Moderate: Torture and Death of parent
Minor: Panic attacks/disorders, Pedophilia, and Sexual assault
hue's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
4.5
I ADORE Deka and Britta's friendship. They're truly platonic soulmates, and it's so so so lovely that their relationship keeps going strong no matter what. I love that though Deka is strong and divine by her own, she doesn't fear depending on people. Her blood sisters, Britta, Keita, Ixa (who isn't a person but I guess it counts), White Hands. She has a web of people that she can trust, that trust her and comfort her, stand by her side despite all the blood they have to go through. It's beautiful!
I wish I would've had this story to read when I was a teen. I would've been so empowered and thrilled to follow Deka along as she fights for what is right and what is wrong. If you can stomach blood and gore, this is a gold mine. What YA should be!
THIS IS HOW YOU WRITE QUEER CHARACTERS AS SIDE CHARACTERS! AS NORMAL, REGULAR PEOPLE JUST LIVING THEIR LIVES! PRAISE NAMINA FORNA, YOU BEAUTIFUL SOUL!
I'm sure Namina Forna is going to write some incredible stuff along her career. I'm excited for the next installment (that I'm late getting to), and whatever Namina might write in the future, I'm definitely going to follow her work, whatever it may be!
Graphic: Body horror, Death, Emotional abuse, Gore, Misogyny, Physical abuse, Sexism, Torture, Violence, Blood, Vomit, Grief, Religious bigotry, Death of parent, Murder, Fire/Fire injury, and Gaslighting
goodthingsread's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
I was very excited to read this book after having finished The Gilded Ones and I, for one, was not disappointed. Perhaps it helped that I read each in quick succession and didn't have a year to dwell on the first book and anticipate the second. Given the ending of the first book, without any real cliffhangers, I assumed the second would be different in form and function. And it was. The story takes quite a turn, quickly establishing the setting now as a war, potentially long and protracted, between the awakened goddesses and basically the entire male population of Otera. Deka has been skyrocketed to a place of honor, duty, and responsibility beyond all others, creating a natural divide between her and her friends.
That said, one of the things I loved about this book (and series, so far) is that those friendships are not diminished by this distance. While her compatriots do note that Deka has been separated from them, that she's growing in ways they are not, that she has a different role and perspective, they don't hold that against her. She has a romance with Keita and a strong friendship with Brita, and never once do those two feel jealous of the other or begrudge Deka for focusing on her purpose or the other relationships. Some might feel this too easy, but frankly I find it refreshing. I'm too used to the artificially strained relationships in most YA novels, so to not have to deal with that but focus on everything else in the world was a relief.
Eventually, Deka learns that she -- and everyone -- have been lied to and the war that was essentially female vs. male transforms into a situation of Everyone Sucks Here.
I didn't find the sudden influx of queer identities to be all that strange either. As with all first person narratives, we're limited by the knowledge and understanding of the main character. Deka has a lot to focus on in the first novel, a lot to learn because in many respects she's been held back, so it doesn't surprise me that she doesn't notice the relationships of those around her or cares to mention/focus on the various gender identities hiding in a restrictive society. Now, in this second book, where she is ripping off the rose colored glasses of herself and everyone, of course it comes up. Now, when certain other people matter more and are being viewed by her outside of that restrictive society, of course how they express gender and love comes to the forefront. I don't think it's shoe-horned in at all and makes incredible sense in a lot of cases, especially that of White Hands.
My main critique, honestly, is that we could have used some more editing here. At a certain point, Asha leaves the main group to help another, then is directly mentioned as being present with the main group, and then in the next chapter comes back to join the main group after helping the other. Etzli rises from her chair and walks down the dais, then two paragraphs later she floats down from her throne. Ixa is so often central to the action and then just as often disappears completely that it feels like he's lost and Forna forgot he should be there. I noticed this too with the first book, how the equus are described as human from head to stomach and then horse below, as a traditional centaur; but then Maisama nuzzles Deka's hair with his snout at one point and I was completely thrown. These mistakes felt like Forna was on a role with her writing, creating at a fast and furious pace, and whoever was double checking her work didn't slow her down enough.
On the whole, though, I loved this and I am excited to pick up the final installment. This reading journey has been truly refreshing and such a rewarding change from typical YA fantasy that I'll accept a few soft spots here and there to enjoy the fruits of Forna's labors.
Graphic: Body horror, Death, Torture, Violence, and Blood
Moderate: Death of parent
clotalksbooks's review against another edition
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.25
The story has such potential, and this book just didn't deliver fully for me. It weirdly felt like not much was happening, despite lots of repetitive action, until the very end which (similar to the first book) saved it for me. There are some scenes towards the end that really touched me and got me feeling like yes, this is the glimmer of gold I have been waiting for. Hence my overall rating.
There are lots more diverse representations in this book, which at times felt like unnecessary spotlighting without feeding the story. I'm hoping this gets explored in greater depth in the next book.
Maybe this is just a scene setter for the third book. I will still continue the series as I am invested. Fingers crossed the third one is more for me.
Graphic: Violence
magnoliaash's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Body horror, Torture, Violence, and War
Moderate: Sexism and Vomit
Minor: Sexual violence and Religious bigotry
emiliemhr's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Death, Violence, and Blood
Moderate: Homophobia, Panic attacks/disorders, Transphobia, Death of parent, and Fire/Fire injury
Minor: Homophobia and Transphobia