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caffinatedslug's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Graphic: Infertility, Miscarriage, and Sexual content
Minor: Sexual harassment
bookish_kori's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
Not a reason at all to skip the series, in fact I’d still recommend it, just be prepared/trigger-warned for some Womanizer Lite behavior from the men and some personality shifts from all characters book-to-book. Seems to be smoothed over well in the show so far :)
Graphic: Sexual content
Moderate: Child death, Death, Infertility, Gaslighting, and Sexual harassment
Minor: Terminal illness and Blood
Male behavior towards their partners throughout the series is aggressive bordering on coercion/non-consent at times in intimate scenes before basically yelling “DO YOU CONSENT?” to which the woman agrees. This book had some straight up coercionbzliz's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.75
I loved that because of her status as a widow, Francesca is afforded a pinch more freedom than the previous FMCs have been given. She also doesn’t have the same level of ignorance going into sex with Michael that creates such a power imbalance in the other books. (It also happens to be the steamiest of them, by a lot.) In addition, Francesca has bigger hurdles to clear: miscarriage, grief over her husband’s death, her own infertility, guilt over having feelings for someone else. The simultaneous timeline between Colin, Eloise & Francesca’s stories was fun. A lot less ‘okay, that’s done so now we can focus on the next child’ feeling.
There was still some ick around some of the scenes that honestly just feels inevitable for historical romances. And these men just can’t control themselves! (The creep in the garden, the creeps at the club, and even Michael as he’s trying to coerce Francesca into marriage.) I enjoyed it but I still prefer Colin’s story to this one.
Graphic: Infertility, Miscarriage, Sexual content, and Grief
Minor: Sexual harassment
beckyremillard's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
Graphic: Death, Infertility, Infidelity, Miscarriage, Sexual content, and Sexual harassment
ashleyelizabeth's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
0.25
Moderate: Infertility, Miscarriage, Rape, Sexual assault, Sexual content, Toxic relationship, Grief, and Sexual harassment
booksbyantheia's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.0
Odié profundamente un detalle particular, y es la cantidad de chistes sobre violación que hace Michael. No me sorprende considerando los antecedentes de Quinn, pero el hecho de que se hubiera tomado el tiempo de marcarlo como un hombre que sabe lo que es el consentimiento para luego hacer esas bromas (sobretodo en relación a la libertad sexual entre él y Frannie) se me hizo pesadísima. No son muchas, pero definitivamente le bajan una estrella al libro.
Graphic: Chronic illness, Cursing, Death, Infertility, Miscarriage, Sexism, Sexual content, Medical content, Grief, Pregnancy, Sexual harassment, Colonisation, and Injury/Injury detail
Minor: Rape
junna's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.75
Graphic: Death, Miscarriage, and Sexual content
Moderate: Sexual harassment
bookedinsideout's review against another edition
4.0
For example, after an attempted sexual assault, a man “squeaks” after having his head slammed into a tree. “Rather like a girl, Francesca thought dispassionately. She’d known he wouldn’t make a good husband, but that clinched it.” Yes, taking advantage of a woman isn’t great, but forget about his desirability altogether if he’s going to “squeak like a girl.” In this same scene, it’s lightly suggested that it wouldn’t have happened in Francesca didn’t go alone with him into the garden in the first place. Good grief.
But I was glad that they addressed one of my lighter concerns: that these heroes hardly ever ask for their heroine’s hand in marriage — they either assume after they’ve essentially “ruined” her or tell her that’s what’s happening.
“’You never did answer my question last night.’
She didn’t turn. ‘What question was that?’
‘I believe I asked you to marry me.’
‘No, you didn’t,’ she replied, her voice quite calm, ‘you informed me that you believed we should be married and then proceeded to explain why.’”
So it still wasn’t a perfect romance for me, but it was still by far my favourite book yet.
A love story for someone who’s lost their partner can be great if it’s done right, but often it saddens me to see the current partner being compared to the one who’s died, and of course the current one has to be better and we have to point out the previous partner’s flaws and how this one makes up for them. I was pretty impressed because really neither man was pitted against the other. Both Francisca and Michael mourned John, and it was never about one man taking the other’s place or having to be the same kind of partner or a better one. It was a story of grief and guilt and she didn’t come to a conclusion easily, but she was able to love them both at the same time and not put either of them down.
In the vein of being able to hold two things as special at the same time without weighing them, one thing I did like from Eloise’s book was both her and her family’s (especially Violet’s) whole-hearted acceptance of Eloise’s new step-children as her children. They immediately became part of the family and that was that. In the epilogue where there is talk of children and whether they are biological or not, Eloise says:
“Before I had Penelope, and even when I was carrying her, I thought it would be different. It is different. But it’s not less. It’s not a question of levels or amounts, or even…really…the nature of it… I can’t explain it.”
I usually cringe at
Though the Bridgertons are mostly always one big happy family, I have appreciated seeing how a big family (probably any family) can sometimes make you feel lonely in your differences. Eloise, a proud spinster, suddenly feeling alone and a little insecure after all her siblings are marrying off and then her best friend, her partner in spinsterhood, does too. And Francisca feeling separated from her family by distance, by her isolating grief, and then both happy and sad at the same time watching them so easily conceive.
After feeling fed up with the men of Bridgerton in the last book, Michael Stirling was not perfect, but a welcome surprise. He gives massages, he’s not threatened by a woman taking charge, and he’s not opposed to period sex.
Graphic: Death, Infertility, and Miscarriage
Moderate: Chronic illness and Sexual harassment
Minor: Death of parent and Pregnancy
cepbreed's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.75
Graphic: Chronic illness, Death, Infertility, Miscarriage, Sexual content, and Grief
Moderate: Sexual assault and Sexual harassment
Minor: Alcohol
aqtbenz's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.25
Graphic: Chronic illness, Death, Miscarriage, Sexual content, and Grief
Moderate: Infertility
Minor: Sexual harassment