Reviews tagging 'Suicide attempt'

El Padrino by Mario Puzo

6 reviews

kate_has_book_thoughts's review against another edition

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dark tense fast-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

1.0


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tiernanhunter's review against another edition

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adventurous dark emotional funny sad tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

4.5


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sarah_joy's review against another edition

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dark emotional sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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jessgreads's review against another edition

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challenging dark emotional funny informative mysterious reflective sad tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

4.5

Rating: ⭐⭐⭐⭐✨
Title: The Godfather
Author: Mario Puzo
Genre: Fiction / Crime Fiction
Setting: NYC, NY / Las Vegas, NV / Sicily, Italy / Los Angeles, CA
Month Read: February 2022
Book Type: Paperback (50th Anniversary Edition)
Publication: 1969
Publisher: Berkley
Pages: 435
*A PBS Great American Read book.



TRIGGER WARNING- 
Abuse / Murder / Drugs / Abortion / Sex / Rape / Alcohol (these are the big ones)




"You cannot say 'no' to the people you love, not often. That's the secret. And then when you do, it has to sound like a 'yes'. Or you have to make them say 'no.' You have to take time and trouble."







No Spoiler Summary:
The Godfather is a book about a mafia crime family in New York, and brings you straight into the criminal heart of New York City in the 1940s. You learn about everyone in the Corleone family, as well as a motley crew of side characters who work for and against The Don. 







Review:
I'm not one who generally reads a lot of 'crime fiction', but this book was incredibly hard to put down. I thought the characters were interesting, and the entire book kept you just knowing enough where you wanted to read more to know where the story went next. I loved that you got into the heads of so many different characters, and was actually surprised by how many women you got to know during the story (since this book is super patriarchal, because 1940's Italians. 


I've never seen the movie (much like with Gone With the Wind) so again went into this novel knowing a few parts that have invaded pop culture, but not much else, and I think this was so helpful. I gave myself the entire month of February to read this book, and then finished it in a week. 


I went into this assuming I wouldn't have a favorite character, but as the book went on I really fell for Michael, much like everyone else in the book seems to. I think his character arc was so interesting, and honestly follows in his father's footsteps more than anyone seems to know (including Michael, and maybe even his Dad.)


I'd highly recommend giving this a read, even if you think it's not your thing. The entire book reads like a movie, and now I'm really excited to watch it. It'll be really nice putting faces to names, because with a cast as large as this book had, I did get lost a few times trying to figure out who everyone was. I really enjoyed myself for this one, and am hoping this trend continues with the classics I have to read this year to work on the Great American Read PBS list.









"He should be careful. It's dangerous to be an honest man."


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mondovertigo's review against another edition

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dark emotional medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

4.75


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tendertorn's review against another edition

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dark reflective tense medium-paced
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0

One of the most powerful things about this novel, for me, is the way that the prose is so utilitarian (and oftentimes, even ugly), but the story itself is so beautiful complex. It's a really stark example of the age-old "show, don't tell" concept: things aren't told to you overtly, they're shown to you in the actions and inner worlds of each character and how they evolve over time.

There was a review of the book, years ago, that mentioned how a lot of men write books that are intended to be about the human condition, but end up just being about men, entirely by accident. The Godfather, by contrast, is a book that reads as intentionally, and brutally, about men, and masculinity, and the sort of violent hypermasculinity that simultaneously empowers men and destroys them.

The Godfather presents a world in which a marginalized community is pushed to the outskirts of society, exploited and degraded by those with more social power than themselves, and the things they do in order to gain some power of their own. Denied dignity, denied justice — and, most importantly to the story, denied their masculinity — the characters of The Godfather do whatever it takes to build and demand the masculinity and dignity and social power they're denied — often with bloody, ruthless results.

This is a very violent, very ugly story, but it's also, undeniably, a very tragic one — anyone who treats this story like a power fantasy is missing the point. Michael's "rise" as the Don of the Corleone crime family is also his descent.

When we first meet him, Michael is a kind, seemingly gentle man, with a loving, respectful relationship with his soon-to-be wife (although he possesses no social power, and is often regarded as emasculate by his family). As Michael wades deeper and deeper into the "family business," however, and becomes more and more aware of his Sicilian heritage and all the violent, bloody baggage that comes with it, we see him slowly garner more and more power in the underworld, all while becoming a more violent and brutal version of himself in an attempt to garner legitimacy as his father's successor.

It's devastating, and while we, as readers, revel in the triumph of Michael's intricately plotted ascension, we're also constantly reminded of the misery and violence it brings. Every moment of pain and loss in the book is brought on by someone's grab for power, and this is driven home again and again.

While I felt like some of the themes could have been handled better, particularly involving the women in the story, The Godfather is ultimately a book that I find extremely powerful, if for nothing more than exhibiting the ways that lush, illustrious prose are not everything when it comes to telling a gut-wrenching story. 

QUOTES:


 “Tom, don’t let anybody kid you. It’s all personal, every bit of business. Every piece of shit every man has to eat every day of his life is personal. They call it business. OK. But it’s personal as hell."

"Carlo had the sense to realize that Sonny would kill him, that Sonny was a man who could, with the naturalness of an animal, kill another man, while he himself would have to call up all his courage, all his will, to commit murder. It never occurred to Carlo that, because of this, he was a better man than Sonny Corleone, if such terms could be used; instead, he envied Sonny his awesome savagery."

"He doesn’t accept the rules of the society we live in because those rules would have condemned him to a life not suitable to a man like himself, a man of extraordinary force and character... He refuses to live by rules set up by others, rules which condemn him to a defeated life.... But his ultimate aim is to enter that society with a certain power, since society doesn’t really protect its members who do not have their own individual power."

"I know Michael can’t, but you’re not Sicilian: you can tell a woman the truth, you can treat her like an equal, a fellow human being.” 

"She emptied her mind of all thought of herself, of her children, of all anger, of all rebellion, of all questions. Then, with a profound and deeply willed desire to believe, to be heard, as she had done every day since the murder of Carlo Rizzi, she said the necessary prayers for the soul of Michael Corleone."

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