thisotherbookaccount's review against another edition
3.0
I feel like I have to repeat myself every time I review a short story collection, but it's true. Ambiguity Machines, like every other short story collection that I have read, is a collection of hits and misses. It almost always comes down to the ratio of hits to misses, and rarely does one rise above to become a great read.
I think there are some interesting concepts and ideas being introduced in Singh's short stories. I also have to commend her for creating very unique and interesting worlds, coming close to some of the universes created by China Mieville, the master of turning locations into characters. With that said, it is a shame that we are only reading about these worlds in short stories, and they are never allowed to exist beyond that.
As I mentioned at the beginning of this review, some stories obviously worked better than others. My favourite comes early in the collection.
A Handful of Rice is a great tale of revenge set in a steampunk fantasy world. This is the universe that I really want to read about, with final confrontation that is intense and surprising. I think this story also showcases just how economical Singh can be with her storytelling, the way she's able to build a world and a cast of characters within just a few pages.
Peripeteia is a story that did not work when I first read it, but it slowly grew on me. I love how the main character leans into science to explain the chaos of the real world.
Oblivion: A Journey is another revenge tale, and it is a lot more straightforward than her other stories, which I love. This one also features a universe that I would love for Singh to explore further.
I think Are You Sannata3159? is the story that surprised me the most, because it seems almost off-brand. This is straight up horror, or something you only expect from a Stephen King short story collection. I am honestly quite shocked at the direction that Singh takes the story, but it's an impressive middle-of-the-book shocker that gives you just enough fuel for the rest of the book.
Sailing the Antarsa reminds me of old school, silver-age science fiction stories, the kind that are less about the space battles and the aliens and more about the spirit and wonders of exploration. It's a slow story with an ambiguous ending, but this one is really about the journey rather than the destination.
Then there are the stories that just didn't quite work with me. I don't want to come across as a hater of slow, contemplative stories, but these stories involve a little too much introspection and contemplation on, er, human relationship. Stories like Ambiguity Machine, Indra's Web, Requiem just did not work for me on any level. Then there are the stories that I skipped outright, because the attempts at creating stories within stories within stories just made me feel impatient.
I think there are some interesting concepts and ideas being introduced in Singh's short stories. I also have to commend her for creating very unique and interesting worlds, coming close to some of the universes created by China Mieville, the master of turning locations into characters. With that said, it is a shame that we are only reading about these worlds in short stories, and they are never allowed to exist beyond that.
As I mentioned at the beginning of this review, some stories obviously worked better than others. My favourite comes early in the collection.
A Handful of Rice is a great tale of revenge set in a steampunk fantasy world. This is the universe that I really want to read about, with final confrontation that is intense and surprising. I think this story also showcases just how economical Singh can be with her storytelling, the way she's able to build a world and a cast of characters within just a few pages.
Peripeteia is a story that did not work when I first read it, but it slowly grew on me. I love how the main character leans into science to explain the chaos of the real world.
Oblivion: A Journey is another revenge tale, and it is a lot more straightforward than her other stories, which I love. This one also features a universe that I would love for Singh to explore further.
I think Are You Sannata3159? is the story that surprised me the most, because it seems almost off-brand. This is straight up horror, or something you only expect from a Stephen King short story collection. I am honestly quite shocked at the direction that Singh takes the story, but it's an impressive middle-of-the-book shocker that gives you just enough fuel for the rest of the book.
Sailing the Antarsa reminds me of old school, silver-age science fiction stories, the kind that are less about the space battles and the aliens and more about the spirit and wonders of exploration. It's a slow story with an ambiguous ending, but this one is really about the journey rather than the destination.
Then there are the stories that just didn't quite work with me. I don't want to come across as a hater of slow, contemplative stories, but these stories involve a little too much introspection and contemplation on, er, human relationship. Stories like Ambiguity Machine, Indra's Web, Requiem just did not work for me on any level. Then there are the stories that I skipped outright, because the attempts at creating stories within stories within stories just made me feel impatient.
mrsbluejay's review
5.0
This short story compilation is one of the best I've ever read. It's as philosophical as Lem's or Le Guin's works, which is a quality a lot of modern sci-fi lacks. I've enjoyed reading it a lot and will surely come back to this author in the future.
shelbyroo's review
5.0
Really cool collection. Some are better than others, but all have a lyrical and foggy whimsy like that of a very strange dream.
jelliestars's review
adventurous
challenging
hopeful
inspiring
reflective
slow-paced
- Plot- or character-driven? A mix
- Strong character development? N/A
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
Graphic: Death, Animal death, Animal cruelty, and Injury/Injury detail
Moderate: Gore and Blood
Minor: Violence, Grief, Colonisation, Alcohol, Homophobia, Infidelity, Lesbophobia, War, Chronic illness, Mental illness, and Racism
The graphic content warning tags are really only for one story, “Are you Sannata3159?”tony_t's review
adventurous
mysterious
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
A wonderful and varied collection of stories that completely and marvelously lives up to the promise of the title - “Ambiguity Machines”. Vandana Singh has joined my collection of contemporary scifi writers most of whom are women and all of whom display a comprehensive mastery of their take on the genre. These stories are mystical rather than martial and rely more on the characters involved than the technology they use. Most highly recommended.
czidya's review
adventurous
challenging
medium-paced
- Plot- or character-driven? N/A
- Diverse cast of characters? Yes
3.5
akpd's review
4.0
This book is important because it was lent to me by a friend who thought Vandana Singh is Bengali (we never resolved the reason behind this impression - the first story? - and emphatically concluded that Singh's research is just very good). I'm grateful for having been lent a physical copy of the book itself because I don't think I would have finished it otherwise (Kindle books all look the same, and there is something about a friend lending you their own beloved copy: "Take care of my baby!").
It's that, and the fact that I've discovered a way (many ways) of being through these stories. Though I haven't always enjoyed the style (my deep-seated squeamishness thanks to a certain kind of "training" in literature?), there's an honesty and a deep sensitivity to them. "Oblivion: A Journey", "Are you Sannata3159?", and "Rumination in an Alien Tongue" broke (through) me. And as they did so, I learnt to like the writing for itself too. This is important.
There is a way when disciplinary boundaries are broken, and Singh does that. She does that in a way that makes the term "disciplinary boundaries" itself seem suspect. This is probably the most important thing I take away from the book, and I'm grateful for this. If I ever look back and see this time in my life as being devoted to unlearning (is that why I'm away from academia?), this book will have been important (I already feel it is).
It's that, and the fact that I've discovered a way (many ways) of being through these stories. Though I haven't always enjoyed the style (my deep-seated squeamishness thanks to a certain kind of "training" in literature?), there's an honesty and a deep sensitivity to them. "Oblivion: A Journey", "Are you Sannata3159?", and "Rumination in an Alien Tongue" broke (through) me. And as they did so, I learnt to like the writing for itself too. This is important.
There is a way when disciplinary boundaries are broken, and Singh does that. She does that in a way that makes the term "disciplinary boundaries" itself seem suspect. This is probably the most important thing I take away from the book, and I'm grateful for this. If I ever look back and see this time in my life as being devoted to unlearning (is that why I'm away from academia?), this book will have been important (I already feel it is).