wordnerdy's review against another edition
5.0
https://wordnerdy.blogspot.com/2019/06/2019-book-78.html
This novel is really a series of interconnected short stories, about two interconnected families, starting with the improbable meeting of two little Jewish girls in 1920 and following their descendants. There are fantastic elements and sci-fi elements, and some of it made me cheer and a lot of it made me cry. It’s suffused with Jewish folklore and history and I loved it. Weird but great. A.
This novel is really a series of interconnected short stories, about two interconnected families, starting with the improbable meeting of two little Jewish girls in 1920 and following their descendants. There are fantastic elements and sci-fi elements, and some of it made me cheer and a lot of it made me cry. It’s suffused with Jewish folklore and history and I loved it. Weird but great. A.
lfs's review against another edition
4.0
This was...weird, but kinda great. Its been a minute since I read a book so physically engaging; I found myself frequently flipping pages, retracing my steps, referring back to the characters' family trees, looking at how all of the pieces fit together. Some of the individual stories were more interesting than others, and there were some I would have liked explored in some more depth, but overall I enjoyed this as a weird, magical retrospective on life, death, family and the interconnectedness of things.
abutler's review against another edition
3.0
These were a little hit and miss for me, but Sabbath Wine is incredible and worth reading even by itself.
mariahaskins's review against another edition
5.0
A beautifully written book that links together history and fiction, people and stories, past and present. I love how it focuses on "ordinary" lives (that aren't ever quite as ordinary as we might believe) and the quiet, subtle magic that runs through the world.
Krasnoff's stories mix an earthy sense of realism with delicate strands of fantasy, the weird, the strange, and even science fiction, and lets us know that there are ghosts and witches at work in the everyday world we all walk through. Following a family through many years, it shows how lives intersect and divert, how people can be connected through time and space, and how we all matter in ways that we don't always understand ourselves.
Krasnoff's stories mix an earthy sense of realism with delicate strands of fantasy, the weird, the strange, and even science fiction, and lets us know that there are ghosts and witches at work in the everyday world we all walk through. Following a family through many years, it shows how lives intersect and divert, how people can be connected through time and space, and how we all matter in ways that we don't always understand ourselves.
trespassers_william's review against another edition
emotional
sad
medium-paced
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
kkreads's review against another edition
4.0
Good collection of interconnected short stories about the descendants of two Jewish girls who meet in a forest, although they live in different countries. These stories encompass the term “magical realism” for me. Although the supernatural is present, each story feels like something that could really happen. I particularly enjoyed Sabbath Wine, Cancer God, and Time and the Parakeet.
phyrre's review against another edition
4.0
You can read the full review on my blog, The Writerly Way, here.
Thanks to NetGalley and Mythic Delirium Books for an eARC in exchange for an honest, unbiased review.
This year, I’ve really been about reading books in new formats, and this is one that snatched my attention: a series of interconnected short stories that builds on a single premise. I tend to read extremely linear books, so the fact that this didn’t actually have an overarching plot was something that I thought would be novel, even though I wasn’t sure how I would like it. The verdict: I loved it.
The first important fact: the 2065 in the title is not a year. Reading comprehension skills are important, kids. Since I don’t possess these, I went in thinking it was “The History of Soul … 2065.” False. It’s all one thing. It’s “The History of Soul 2065.” That’s a very big distinction. And I’m glad, because what I thought was sort of lame, and the way the author took it was much more enjoyable and rewarding to read.
The History of Soul 2065 has a little bit of everything, from ghosts to witches to the afterlife to grief, and everything in between. There’s a pervasive eerie supernatural atmosphere in a lot of stories that was easy to get caught up in, and it always kept me guessing.
As with all short story collections, there were some I liked more than others. There were only a couple that I just didn’t care for at all, and with a collection this large, that’s pretty impressive, in my opinion.
My Thoughts:
- The family trees so kindly provided in the front of the book are not recommendations. Read them. They’re sort of required. Don’t be like me. I’m the awful sort of person who skips superfluous content in the beginning of the book to get right to the story. I ended up having to go back to read the family trees in the front of the book, and when I did, everything fell into place. Imagine that, yeah? The whole premise of the book is that these two little girls meet in a magical clearing, and while they promise to meet again, life has other plans in store for them, the way it does. But their promise is fulfilled, little by little, through the actions of their family, and it goes down the line until the two families eventually meet again, several generations later. So it’s important to know these two trees if you’re really going to understand all the wonderful Easter eggs Krasnoff drops from one story to the next.
- I’m the super nerdy sort of reader who loves looking for Easter eggs in stories, and man did this book ever deliver on that. I mean, it’s really a series of short stories, so I guess they had to be connected somehow, right? Sometimes it can feel random, jumping from one story to the next, but there’s always little details that ground it in previous stories. Even though the story might be about one character, others are name dropped or brought in as secondary characters, and while we may not get to learn a whole lot about a character all at once, it builds up to a very clear picture of a host of endearing characters and how they effect each other’s lives.
- There is a little of everything in these stories—I laughed and cried and pondered life and death and fell in love with the characters over and over again. There were just so dang many moments where the hairs on my arm raised because the writing hit just the right chord, whether it was a supernatural moment that caught me off-guard with its eeriness or just a situation that was so poignant and relatable that it gave me chills. Emotions are hard work, yo, and this had me all over the board. It wasn’t all negative and heartache, but I felt like even the lighter moments hit me just right and really endeared me to the characters. The situations they go through are things many of us have experienced, with just a bit of supernatural sprinkled on top.
- The writing is just beautiful. It walks the line between eerie, thoughtful, emotional, and just easy reading. Once I started a story, I wanted to finish it (with few exceptions). The way they unfold, it always felt like there was a little twist or something to be discovered along the way, which made even the more mundane stories exciting, because I knew there’d be a payoff in the end and there almost always was. The thing I was probably most impressed about with the writing was just how creative it was, with so many large concepts tackled succinctly and subtly, while still with an appropriate depth to do them justice.
- There is no one overarching plot that carries this book, so if that’s what you’re in it for, choose something else. This is very much a character-driven story. Each short story can stand on its own, but when they’re taken in tandem with all the others, it really brings a new life to each piece. The backdrop of all the other stories in the collection makes each new story mean just that little more, precisely because of all the Easter eggs and little ways that the stories are connected.
Sticking Points:
- As I said, there were some short stories that were complete misses for me (which is to be expected from a collection). I felt like they went a bit too far from believability, considering the magical realism setting in the rest of the stories. I loved the magical realism and the fantasy elements that were slightly outside of ordinary life: the women who made things happen almost magically, the haunting of spirits, the afterlife, magical items, etc. These elements were obviously fantasy, but the way they were broached was like a hint at the unknown, rather than so in-your-face about it. The tone was a little bit different, though, with a story where someone uses magic to body swap, or one that involved aliens, or similar stories. This really comes down to personal preference, but I prefer the subtle supernatural elements, the things that make you consider if something like that could really happen, rather than the more out there fantasy elements.
- The friendship of the two girls in the beginning, Chana and Sophia, is overstated. They only meet once and promise to return and meet again, but that’s about it. Yet, during the story, the big focus is on the “friendship” of these girls, which feels like a bit of a stretch. There may have been an immediate connection, a sort of kinship, but I don’t think meeting someone for an hour or less constitutes as a friendship. Since this is the big founding premise of the stories, it was a bit disappointing. I would’ve liked to see them meet more than once in their secret glade and actually have a running friendship going before they find they can no longer return due to life.
Thanks to NetGalley and Mythic Delirium Books for an eARC in exchange for an honest, unbiased review.
This year, I’ve really been about reading books in new formats, and this is one that snatched my attention: a series of interconnected short stories that builds on a single premise. I tend to read extremely linear books, so the fact that this didn’t actually have an overarching plot was something that I thought would be novel, even though I wasn’t sure how I would like it. The verdict: I loved it.
The first important fact: the 2065 in the title is not a year. Reading comprehension skills are important, kids. Since I don’t possess these, I went in thinking it was “The History of Soul … 2065.” False. It’s all one thing. It’s “The History of Soul 2065.” That’s a very big distinction. And I’m glad, because what I thought was sort of lame, and the way the author took it was much more enjoyable and rewarding to read.
The History of Soul 2065 has a little bit of everything, from ghosts to witches to the afterlife to grief, and everything in between. There’s a pervasive eerie supernatural atmosphere in a lot of stories that was easy to get caught up in, and it always kept me guessing.
As with all short story collections, there were some I liked more than others. There were only a couple that I just didn’t care for at all, and with a collection this large, that’s pretty impressive, in my opinion.
My Thoughts:
- The family trees so kindly provided in the front of the book are not recommendations. Read them. They’re sort of required. Don’t be like me. I’m the awful sort of person who skips superfluous content in the beginning of the book to get right to the story. I ended up having to go back to read the family trees in the front of the book, and when I did, everything fell into place. Imagine that, yeah? The whole premise of the book is that these two little girls meet in a magical clearing, and while they promise to meet again, life has other plans in store for them, the way it does. But their promise is fulfilled, little by little, through the actions of their family, and it goes down the line until the two families eventually meet again, several generations later. So it’s important to know these two trees if you’re really going to understand all the wonderful Easter eggs Krasnoff drops from one story to the next.
- I’m the super nerdy sort of reader who loves looking for Easter eggs in stories, and man did this book ever deliver on that. I mean, it’s really a series of short stories, so I guess they had to be connected somehow, right? Sometimes it can feel random, jumping from one story to the next, but there’s always little details that ground it in previous stories. Even though the story might be about one character, others are name dropped or brought in as secondary characters, and while we may not get to learn a whole lot about a character all at once, it builds up to a very clear picture of a host of endearing characters and how they effect each other’s lives.
- There is a little of everything in these stories—I laughed and cried and pondered life and death and fell in love with the characters over and over again. There were just so dang many moments where the hairs on my arm raised because the writing hit just the right chord, whether it was a supernatural moment that caught me off-guard with its eeriness or just a situation that was so poignant and relatable that it gave me chills. Emotions are hard work, yo, and this had me all over the board. It wasn’t all negative and heartache, but I felt like even the lighter moments hit me just right and really endeared me to the characters. The situations they go through are things many of us have experienced, with just a bit of supernatural sprinkled on top.
- The writing is just beautiful. It walks the line between eerie, thoughtful, emotional, and just easy reading. Once I started a story, I wanted to finish it (with few exceptions). The way they unfold, it always felt like there was a little twist or something to be discovered along the way, which made even the more mundane stories exciting, because I knew there’d be a payoff in the end and there almost always was. The thing I was probably most impressed about with the writing was just how creative it was, with so many large concepts tackled succinctly and subtly, while still with an appropriate depth to do them justice.
- There is no one overarching plot that carries this book, so if that’s what you’re in it for, choose something else. This is very much a character-driven story. Each short story can stand on its own, but when they’re taken in tandem with all the others, it really brings a new life to each piece. The backdrop of all the other stories in the collection makes each new story mean just that little more, precisely because of all the Easter eggs and little ways that the stories are connected.
Sticking Points:
- As I said, there were some short stories that were complete misses for me (which is to be expected from a collection). I felt like they went a bit too far from believability, considering the magical realism setting in the rest of the stories. I loved the magical realism and the fantasy elements that were slightly outside of ordinary life: the women who made things happen almost magically, the haunting of spirits, the afterlife, magical items, etc. These elements were obviously fantasy, but the way they were broached was like a hint at the unknown, rather than so in-your-face about it. The tone was a little bit different, though, with a story where someone uses magic to body swap, or one that involved aliens, or similar stories. This really comes down to personal preference, but I prefer the subtle supernatural elements, the things that make you consider if something like that could really happen, rather than the more out there fantasy elements.
- The friendship of the two girls in the beginning, Chana and Sophia, is overstated. They only meet once and promise to return and meet again, but that’s about it. Yet, during the story, the big focus is on the “friendship” of these girls, which feels like a bit of a stretch. There may have been an immediate connection, a sort of kinship, but I don’t think meeting someone for an hour or less constitutes as a friendship. Since this is the big founding premise of the stories, it was a bit disappointing. I would’ve liked to see them meet more than once in their secret glade and actually have a running friendship going before they find they can no longer return due to life.
karenteacher's review
4.0
The History of Soul 2065 is a series of short, semi-historical fantasy stories that follows the families of Chana and Sophia across multiple generations, beginning just before WWII, and ending about 60 years in the future, compared to the publication date. It’s rare to see fantasy so clearly grounded in history, and rarer still to see fantasy so grounded in Judaism.
ammonite's review
4.0
First off: I received this as a Goodreads Giveaway in ebook format, so thank you to all responsible for getting it to me.
This book has been described as a mosaic novel and helpfully, there are family trees for the families of the two characters who are the originators of their family lines as relevant to the stories. Unfortunately, in ebook format, it's not as easy to go bank and forth to these trees when I want to refer to them (which may speak more to my lack of skill in fully using the features found in ebooks), so I perhaps wasn't as always appreciative of their precise relationships as I should have been.
But the stories themselves are wonderful and beautifully tie together at the end. Honestly, Jane Yolen's introduction says everything that I feel I want to express here, so I recommend reading her excellent and heartfelt introduction.
I will be keeping an eye out for Krasnoff's work and look forward to seeking out other stories that she's written.
This book has been described as a mosaic novel and helpfully, there are family trees for the families of the two characters who are the originators of their family lines as relevant to the stories. Unfortunately, in ebook format, it's not as easy to go bank and forth to these trees when I want to refer to them (which may speak more to my lack of skill in fully using the features found in ebooks), so I perhaps wasn't as always appreciative of their precise relationships as I should have been.
But the stories themselves are wonderful and beautifully tie together at the end. Honestly, Jane Yolen's introduction says everything that I feel I want to express here, so I recommend reading her excellent and heartfelt introduction.
I will be keeping an eye out for Krasnoff's work and look forward to seeking out other stories that she's written.