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therainbowshelf's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
As an odd coincidence, the same day I started reading this book, a journalist I was working with told me about his family heritage. One side of his family came to the U.S. to escape the pogroms in the early 1900s. It was the first time I’d heard of the pogroms in Russia, and then this book centers them.
Graphic: Animal death, Body horror, Child death, Death, Genocide, Gore, Hate crime, Homophobia, Racism, Terminal illness, Transphobia, Violence, Xenophobia, Blood, Antisemitism, Grief, Murder, Fire/Fire injury, Abandonment, Alcohol, War, and Injury/Injury detail
Death of baby, death of family member, graphic Reanimation of dead animalcallmemartiall's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Genocide and Antisemitism
Minor: Homophobia
18soft_green's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
This is a good book, unfortunately.
I say it this way because a lot of the time it felt like the author was being pretentious in her flowery style and drama. The POV switches were painful and Isaac is my least favorite type of character and Bellatine is so fucking annoying! And her statue love interest is worse! Baba Yaga herself was very interesting but her great, great, great, great grandkids are the worst! In fact, it's as if Nethercotte took my least favorite types of characters, added some quirks, and dumped them into a story.
But the story is good! The grief is real, the magic is weird, the contradictions are mysterious, the walking house is fantastic! The angst, my friends! It's such good angst! Not the relationship angst, that shit was boring as hell and annoying, but the life angst, the way the characters felt about themselves, that was the true sauce.
It also felt so fucking weird that Nethercotte constantly acknowledged the atrocities of the land. Maybe that's just my privilege talking but it felt so out of place and character for the Yaga siblings. Like, this book isn't addressing those topics so why is it bringing them up. I care very much about those issues but it felt like the story was only bringing them up out of obligation and personal responsibility rather than because it was important to the story. It was awkward for me.
4/5 I would not recommend unless the situation truly called on THIS particular book
Graphic: Genocide, Hate crime, Mental illness, Police brutality, and Grief
Moderate: Adult/minor relationship, Body horror, Child abuse, Panic attacks/disorders, Vomit, Medical trauma, Fire/Fire injury, Cultural appropriation, War, and Injury/Injury detail
Minor: Ableism, Animal cruelty, Animal death, Child abuse, Child death, Homophobia, Misogyny, Self harm, Antisemitism, and Kidnapping
zoeelizabethk's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Most of this book is positives for me. I think the narrative structure of Thistlefoot is brilliant. I can't say too much because of spoilers, but the way different stories are broken up and told opposite and in front and in back of each other is well done. If you have any familiarity with slavic fairytales it will feel familiar but also clever. I also loved the prose and the narrative tone of the book. Nethercott is also a poet, and that definitely comes across in her writing. It's very suited to a liminal fairy tale. I really liked the discussion of the power of story, remembrance, and generational memory. I wrote my college thesis on Russian generational memory surrounding WWII, so it's a topic that I've spent a good amount of time with, and I thought that Thistlefoot was a really good vehicle to explore that topic.
The few negatives for me that I noticed, but didn't necessarily impact my enjoyment of the book. Occasionally the prose got a little unwieldy in my opinion and the book could have been shorter. I thought the minor romance that develops came out of nowhere and did nothing; I'm not sure that it even served as a plot device. I think there's good development for Isaac and Bellantine, but don't expect the side characters to be really well fleshed out. I thought they were sufficient for this story, but this might bother character driven readers. The settings felt often very vague despite seeming vivid to the characters. It was very hard to remind myself that this was taking place in modern day. Finally, I think the ending was probably the right choice thematically, but it was not necessarily satisfying, particularly for our characters.
Overall, I am really glad I read Thistlefoot. I'm looking forward to what Nethercott comes up with next, because I really appreciated what she created here. If you are a fan of slavic folklore/fairy tales, I think that this is definitely worth picking up. The blub likens it to Spinning Silver, and I don't disagree, but I think it is more similar to Deathless by Catherynne Valente. If you enjoyed Deathless, Spinning Silver, or the Winternight Trilogy (which I had serious problems with), give Thistlefoot a try!
Thanks to Netgalley and Anchor Books for an eARC in exchange for my honest review. I also listened to the audiobook narrated by January LaVoy, who overall had a terrific narration.
Graphic: Animal death, Child death, Death, Gore, Hate crime, Racial slurs, Xenophobia, Antisemitism, Grief, and Religious bigotry
Moderate: Body horror, Gore, Homophobia, Violence, Blood, and Injury/Injury detail
Minor: Adult/minor relationship, Sexual content, Fire/Fire injury, Abandonment, and Alcohol