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ryleelizabeth's review against another edition
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.5
It’s a jumble of characters and plots that do not connect very well, it has some good but 90% is just s#x and dialogue that is so incredibly insufferable.
Content Warnings
Graphic: Drug abuse, Drug use, Sexual content, Toxic relationship, Religious bigotry, Suicide attempt, and Toxic friendship
ladydeathnesta's review against another edition
adventurous
challenging
dark
emotional
funny
hopeful
informative
inspiring
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
I feel like I’m cheating on Silver Flames because I don’t know if I like this one better.
I love them equally.
I love them equally.
Content Warnings
Graphic: Ableism, Addiction, Animal cruelty, Animal death, Body horror, Body shaming, Bullying, Child abuse, Child death, Confinement, Cursing, Death, Domestic abuse, Drug abuse, Drug use, Eating disorder, Emotional abuse, Fatphobia, Genocide, Gore, Gun violence, Hate crime, Infidelity, Mental illness, Misogyny, Panic attacks/disorders, Physical abuse, Racial slurs, Racism, Rape, Self harm, Sexism, Sexual content, Sexual violence, Slavery, Suicidal thoughts, Suicide, Torture, Toxic relationship, Violence, Forced institutionalization, Xenophobia, Blood, Vomit, Police brutality, Medical content, Dementia, Trafficking, Kidnapping, Grief, Religious bigotry, Medical trauma, Stalking, Car accident, Death of parent, Murder, Pregnancy, Fire/Fire injury, Gaslighting, Toxic friendship, Abandonment, Alcohol, Sexual harassment, Colonisation, Dysphoria, War, Injury/Injury detail, Classism, Deportation, and Pandemic/Epidemic
ka_ke's review against another edition
adventurous
emotional
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
I was nervous to start HoEaB when I got it but now it may be a new favourite. I even appreciated the lack of explicit smut, but I do hope there is some in HoSaB. I related to Bryce on an unnatural level, I understood her pain, her grief and her struggle to keep fighting. Thank god I have HoSaB to start now!
Content Warnings
Graphic: Animal cruelty, Body horror, Bullying, Cursing, Death, Drug abuse, Drug use, Mental illness, Racial slurs, Racism, Sexual content, Violence, Blood, Grief, Murder, Gaslighting, Colonisation, Injury/Injury detail, and Classism
Moderate: Addiction, Emotional abuse, Gore, Gun violence, Panic attacks/disorders, Slavery, Medical content, and Religious bigotry
Minor: Suicidal thoughts, Torture, Vomit, Suicide attempt, and War
michellemaas's review against another edition
adventurous
challenging
dark
emotional
inspiring
mysterious
sad
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
* Beware of minor spoilers
5 - ⭐⭐⭐⭐⭐
First Installment in the Crescent City series. This Adult Urban Fantasy novel features the "forced proximity", "forbidden love", "slow burn", and "hurt/comfort" tropes while dealing with themes of loss, elitism, and slavery.
It was amazing! Great variety of mythological creatures, relatable and lovable characters, and the story kept me intrigued up until the very end.
“That's the point of it, Bryce. Of life. To live, to love, knowing that it might all vanish tomorrow. It makes everything that much more precious.”
Bryce is breathing but she is not alive. Things have never been the same since the sudden death of her best friend and when another person turns up murdered the same way, Bryce is the only lead the police have. As a result, she is forced to partner up with the infamous Hunt Athlar in the hopes of finally solving the mystery surrounding her friend's death and bringing her killer to justice.
"With the strength of the most powerful force in the world. The most powerful force in any realm. What brings loyalty beyond death, undimming despite the years. What remains unwavering in the face of hopelessness . . . Through love, all is possible."
Phew, I have a LOT to say so buckle up for a hefty review. This book has exceeded every possible expectation I had of it. Its page count and the fact that it was Urban Fantasy instead of my usual High Fantasy made me weary at the beginning but it was AMAZING. The characters were well developed, the story had me at the edge of my seat, and despite being over 900 pages strong there wasn't a single paragraph I thought was unnecessary.
First and foremost, there was some really good -and surprising- social commentary in this. Mainly the discussion about racism, classism, and politics, but also the discussions about how different people deal with grief and experiencing loss. Bryce working through her loss was a huge theme in this book and I thought it was really well done. It showed how different people dealt with it- Juniper threw herself into her dance. Fury disconnected from her friends. Bryce put on a carefree front because it was easier for her to have people assume the worst than to let them see how broken the loss of her friend left her. Her life was completely ruined by the loss of Danika and since it's not "normal" for her to have been this strongly affected considering they were not blood-related or romantically involved Bryce was always made to feel that she had to hide how not okay she was. As if, if others don't understand why you need to grieve, you're not entitled to it.
“The power shall always belong to those who give their lives to the city.”
Secondly was the good relationship development. Bryce and Hunt felt like such an authentic slow burn. They became friends, they showcased some of their best qualities and they proved their loyalty to one another all before the attraction and eventual love developed.
Then the reveal was so beautifully done. I like that there wasn't a clean, perfect, and logical trail they followed to get the killer. They had to consider several possibilities (most of which were born of luck) and follow some dead ends before reaching their goal. Kudos to Sarah for designing such an intricate plot that kept me guessing up until the twist. Also a big old middle finger to Sarah for making me have an absolute mental breakdown at 1 in the morning after reading the reveal and not being able to sleep or continuing on functioning as a normal human being the next day. But actually though, the power of words on a piece of paper . . . This woman is truly brilliant. Still hate her for breaking my heart beyond repair though but the good kind of hate. The positive kind of hate. I don't react to books very dramatically. I never cry or want to throw books in anger or any of that. And it's not because I don't care, I feel deeply for these characters, I'm just not wired that way. I don't really react in a particularly dramatic fashion to real-life occurrences either but this book elicited SUCH a reaction from me. I actually cried over a book for the first time after 7 years of avid reading. Say what you will about her plots or questionable romances, but if there is one thing no one can take away from Sarah it is what a talented writer she is. She has a way with words that can bring out every single emotion in you, and just really feel for the characters.
“Bryce was a ghost for a long while, Hunt. She pretended she wasn’t, but she was. . . You brought her back to life.”
And on that note, I love that all our characters were so complex and so utterly and beautifully flawed. They all felt so rich and well developed from Viktoria to the Autumn King and of course our main people. Each character had flaws and redeeming qualities, there was no one character I went: that's the morally sound, perfect, and incorruptible character. They were all plagued by some sort of shortcoming even if they were "good characters". That made them feel so REAL and relatable. I don't want characters who are so high and mighty above everyone else, then judgemental when someone can't live up to their own level of perfectness. I want to dimension. I want realistic. And I got it. Not only did that make these characters more relatable but it made them so much better to read about. A hero can be flawed and a villain can be someone with good intentions despite their bad ones. I'll admit that having read 2 ACOTAR books and the first TOG book I didn't really get all the Sarah hype. . . Like yeah the books were good and I liked them. They were entertaining reads with some hard-hitting moments and good romances but I couldn't discern why she- above a lot of other authors who write very similarly- was so popular. This book though . . . I get it now.
Furthermore, I like that this was very distinctly adult with the topics it discussed but there wasn't a huge focus on sex. In fact, our main love interests didn't even have sex with each other (though they did with other people). I feel a lot of authors think "adult (insert genre here)" and go: cool, we'll take a YA story and just add a bunch of sex and innuendos and call it a day. That was not the case at all. The matters discussed were very adult and this book felt challenging in a way I would not have expected from a fantasy novel.
"You’re my friend. Who watches trashy TV with me and puts up with my sh*t. You’re the person I don’t need to explain myself to—not when it matters. You see everything I am, and you don’t run away from it.”
Finally, I liked the inclusion of whatever the hell the opposite of toxic masculinity is. Toxic femininity? I consider myself a feminist when the end goal is equality. A lot of feminists believe in lifting up women by degrading men and that's just not the point. Regardless if you're addressing racism, sexism, or any other -ism it's important to realize that it's not about taking turns. It's not: oh well that group of people have been in power and favored for the past few centuries, so now it's our turn and after centuries we can go back . . . No. Women should be lifted up until we have equal rights . . . Not more rights. I love that that was addressed since I've never seen it talked about and also it didn't feel degrading either. Sarah handled it perfectly so that it wasn't offensive just an enlightening moment. For example, Bruce was super big on being an independent woman who didn't need help from anyone. And she was super cautious about accepting help or advice from men because her mother had been caught in a possessive and toxic relationship. However, Hunt talked about wanting the best for her well-being because he cared about her, not because it gave him a power trip to control her. Another time Bryce was on the brink of death and her friend told her not to give up because she had Hunt waiting for her on the other end, and Bryce replied "you're convincing me to live because of a guy" essentially which some might have seen as anti-woman, but her friend replied with "there's nothing wrong with caring enough about someone to want to live out your life with them- regardless of gender". There was such a thing about women being portrayed as weak in earlier years, then it tipped over to the other extreme of them not needing anyone at all but Sarah proved we can have both. Bryce is undoubtedly one of the most badass female characters ever, amplified by the fact that she had no power to rely on- only her own hard work, training, wit, and brains. That's what I think made this particular subplot not be offensive because Bryce could have stayed independent but there is no prize for it just like there's no prize for accepting love. Bryce was able to enter a relationship and rely on someone without that taking away from her skills or abilities. She doesn't need Hunt in a physical sense, but there's no shame in it if she did.
“And why is it a somehow a mark against your strength to admit that there is someone, who happens to be male, worth returning to? Someone who I know made you feel like things are far from f*cked.”
If I had to nitpick, I'd say the world was a little difficult to get used to. I'm a seasoned fantasy reader and even I was struggling with all the different creatures. I was also a little confused throughout different periods in the book (but that was very intentional on the author's part since she is going to do a bunch of big reveals in the sequels).
“Memento Mori. Remember that you will die, and enjoy each pleasure the world has to offer.”
Overall, I would absolutely recommend this to every human ever. It was beautiful, it was heartbreaking, and it was just so damn good. I cannot wait to read the sequel, even if I know that it will likely break me even more than this first installment.
* Please note that this is an Adult novel that deals with very serious and potentially triggering themes, therefore not suitable for minors or sensitive readers. Be sure to check trigger warnings on the author's website before reading. Your enjoyment is not worth risking your mental health for!
5 - ⭐⭐⭐⭐⭐
First Installment in the Crescent City series. This Adult Urban Fantasy novel features the "forced proximity", "forbidden love", "slow burn", and "hurt/comfort" tropes while dealing with themes of loss, elitism, and slavery.
It was amazing! Great variety of mythological creatures, relatable and lovable characters, and the story kept me intrigued up until the very end.
“That's the point of it, Bryce. Of life. To live, to love, knowing that it might all vanish tomorrow. It makes everything that much more precious.”
Bryce is breathing but she is not alive. Things have never been the same since the sudden death of her best friend and when another person turns up murdered the same way, Bryce is the only lead the police have. As a result, she is forced to partner up with the infamous Hunt Athlar in the hopes of finally solving the mystery surrounding her friend's death and bringing her killer to justice.
"With the strength of the most powerful force in the world. The most powerful force in any realm. What brings loyalty beyond death, undimming despite the years. What remains unwavering in the face of hopelessness . . . Through love, all is possible."
Phew, I have a LOT to say so buckle up for a hefty review. This book has exceeded every possible expectation I had of it. Its page count and the fact that it was Urban Fantasy instead of my usual High Fantasy made me weary at the beginning but it was AMAZING. The characters were well developed, the story had me at the edge of my seat, and despite being over 900 pages strong there wasn't a single paragraph I thought was unnecessary.
First and foremost, there was some really good -and surprising- social commentary in this. Mainly the discussion about racism, classism, and politics, but also the discussions about how different people deal with grief and experiencing loss. Bryce working through her loss was a huge theme in this book and I thought it was really well done. It showed how different people dealt with it- Juniper threw herself into her dance. Fury disconnected from her friends. Bryce put on a carefree front because it was easier for her to have people assume the worst than to let them see how broken the loss of her friend left her. Her life was completely ruined by the loss of Danika and since it's not "normal" for her to have been this strongly affected considering they were not blood-related or romantically involved Bryce was always made to feel that she had to hide how not okay she was. As if, if others don't understand why you need to grieve, you're not entitled to it.
“The power shall always belong to those who give their lives to the city.”
Secondly was the good relationship development. Bryce and Hunt felt like such an authentic slow burn. They became friends, they showcased some of their best qualities and they proved their loyalty to one another all before the attraction and eventual love developed.
Then the reveal was so beautifully done. I like that there wasn't a clean, perfect, and logical trail they followed to get the killer. They had to consider several possibilities (most of which were born of luck) and follow some dead ends before reaching their goal. Kudos to Sarah for designing such an intricate plot that kept me guessing up until the twist. Also a big old middle finger to Sarah for making me have an absolute mental breakdown at 1 in the morning after reading the reveal and not being able to sleep or continuing on functioning as a normal human being the next day. But actually though, the power of words on a piece of paper . . . This woman is truly brilliant. Still hate her for breaking my heart beyond repair though but the good kind of hate. The positive kind of hate. I don't react to books very dramatically. I never cry or want to throw books in anger or any of that. And it's not because I don't care, I feel deeply for these characters, I'm just not wired that way. I don't really react in a particularly dramatic fashion to real-life occurrences either but this book elicited SUCH a reaction from me. I actually cried over a book for the first time after 7 years of avid reading. Say what you will about her plots or questionable romances, but if there is one thing no one can take away from Sarah it is what a talented writer she is. She has a way with words that can bring out every single emotion in you, and just really feel for the characters.
“Bryce was a ghost for a long while, Hunt. She pretended she wasn’t, but she was. . . You brought her back to life.”
And on that note, I love that all our characters were so complex and so utterly and beautifully flawed. They all felt so rich and well developed from Viktoria to the Autumn King and of course our main people. Each character had flaws and redeeming qualities, there was no one character I went: that's the morally sound, perfect, and incorruptible character. They were all plagued by some sort of shortcoming even if they were "good characters". That made them feel so REAL and relatable. I don't want characters who are so high and mighty above everyone else, then judgemental when someone can't live up to their own level of perfectness. I want to dimension. I want realistic. And I got it. Not only did that make these characters more relatable but it made them so much better to read about. A hero can be flawed and a villain can be someone with good intentions despite their bad ones. I'll admit that having read 2 ACOTAR books and the first TOG book I didn't really get all the Sarah hype. . . Like yeah the books were good and I liked them. They were entertaining reads with some hard-hitting moments and good romances but I couldn't discern why she- above a lot of other authors who write very similarly- was so popular. This book though . . . I get it now.
Furthermore, I like that this was very distinctly adult with the topics it discussed but there wasn't a huge focus on sex. In fact, our main love interests didn't even have sex with each other (though they did with other people). I feel a lot of authors think "adult (insert genre here)" and go: cool, we'll take a YA story and just add a bunch of sex and innuendos and call it a day. That was not the case at all. The matters discussed were very adult and this book felt challenging in a way I would not have expected from a fantasy novel.
"You’re my friend. Who watches trashy TV with me and puts up with my sh*t. You’re the person I don’t need to explain myself to—not when it matters. You see everything I am, and you don’t run away from it.”
Finally, I liked the inclusion of whatever the hell the opposite of toxic masculinity is. Toxic femininity? I consider myself a feminist when the end goal is equality. A lot of feminists believe in lifting up women by degrading men and that's just not the point. Regardless if you're addressing racism, sexism, or any other -ism it's important to realize that it's not about taking turns. It's not: oh well that group of people have been in power and favored for the past few centuries, so now it's our turn and after centuries we can go back . . . No. Women should be lifted up until we have equal rights . . . Not more rights. I love that that was addressed since I've never seen it talked about and also it didn't feel degrading either. Sarah handled it perfectly so that it wasn't offensive just an enlightening moment. For example, Bruce was super big on being an independent woman who didn't need help from anyone. And she was super cautious about accepting help or advice from men because her mother had been caught in a possessive and toxic relationship. However, Hunt talked about wanting the best for her well-being because he cared about her, not because it gave him a power trip to control her. Another time Bryce was on the brink of death and her friend told her not to give up because she had Hunt waiting for her on the other end, and Bryce replied "you're convincing me to live because of a guy" essentially which some might have seen as anti-woman, but her friend replied with "there's nothing wrong with caring enough about someone to want to live out your life with them- regardless of gender". There was such a thing about women being portrayed as weak in earlier years, then it tipped over to the other extreme of them not needing anyone at all but Sarah proved we can have both. Bryce is undoubtedly one of the most badass female characters ever, amplified by the fact that she had no power to rely on- only her own hard work, training, wit, and brains. That's what I think made this particular subplot not be offensive because Bryce could have stayed independent but there is no prize for it just like there's no prize for accepting love. Bryce was able to enter a relationship and rely on someone without that taking away from her skills or abilities. She doesn't need Hunt in a physical sense, but there's no shame in it if she did.
“And why is it a somehow a mark against your strength to admit that there is someone, who happens to be male, worth returning to? Someone who I know made you feel like things are far from f*cked.”
If I had to nitpick, I'd say the world was a little difficult to get used to. I'm a seasoned fantasy reader and even I was struggling with all the different creatures. I was also a little confused throughout different periods in the book (but that was very intentional on the author's part since she is going to do a bunch of big reveals in the sequels).
“Memento Mori. Remember that you will die, and enjoy each pleasure the world has to offer.”
Overall, I would absolutely recommend this to every human ever. It was beautiful, it was heartbreaking, and it was just so damn good. I cannot wait to read the sequel, even if I know that it will likely break me even more than this first installment.
* Please note that this is an Adult novel that deals with very serious and potentially triggering themes, therefore not suitable for minors or sensitive readers. Be sure to check trigger warnings on the author's website before reading. Your enjoyment is not worth risking your mental health for!
Content Warnings
Graphic: Body horror
Moderate: Addiction, Animal cruelty, Bullying, Confinement, Cursing, Deadnaming, Death, Drug abuse, Drug use, Emotional abuse, Genocide, Gore, Gun violence, Infidelity, Mental illness, Panic attacks/disorders, Physical abuse, Racial slurs, Racism, Self harm, Sexism, Sexual assault, Sexual content, Slavery, Torture, Violence, Blood, Police brutality, Medical content, Grief, Cannibalism, Religious bigotry, Medical trauma, Suicide attempt, Murder, Abandonment, Alcohol, Sexual harassment, Colonisation, War, Injury/Injury detail, and Classism
Minor: Deadnaming, Death, Car accident, and Death of parent
msradiosilence's review against another edition
challenging
emotional
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
0.25
I would’ve given this book a 0 or if it was possible. For FUCK’S sake.
Okay, first of all, I love swearing. It’s the most fun a girl can have. But dropping a fuck word, twice, on every page is excessive. And unnecessary.
Speaking of unnecessary, I don’t think there was a SINGULAR person who wasn’t described as beautiful (female) or powerful (male). And the amount of times Hunt or Bryce were described as such?? What the fuck. Also, stop with the racial ambiguousness. Hunt and Bryce are white, not *golden*, not *tan* these bitches are white. I think the only two “brown” people were Juniper (maybe? After 800 pages you forget what happens) and another person I’m forgetting bc it was a brief encounter and I was beyond fed up at that point. It’s not hard to diversity your characters, especially in a fantasy world you made yourself. Stop being ambiguous and say it with your whole chest.
Also, the amount of “toe curling” and nonsense that was happening was unacceptable. Not that Maas knows ANYTHING about anatomy, especially writing lines like “vital arteries.” ??? You mean ALL arteries?? Because I can assure you they’re ALL vital. I’m also calling bullshit on Bryce double fisting a sword and a rifle (which, you get no details. It’s just “Hunt’s rifle.” What kind of rifle? One you need to cock *and* can use one handed? I think the fuck not). And correct me if I’m wrong, but Bryce as a half-Fae is reminded time and again she’s not as strong as the other Vanir so how is she cutting down demons (who Hunt states he fought and BARELY survived ONE) one handed? Huh?
Coming from a forensics background too, the investigation was a hot fucking mess. Nitpicky, but DNA analysts (what I’m studying to be) don’t actually go into the field. The only people at a crime scene are the police, CSI, and nosy nellys. It’s the basics, anything you can google. And this had to be the most boring murder I’ve ever read about, with conclusions that literally anyone could’ve come to in half the time it took Hunt and Bryce, who are the dumbest people on the planet.
Bryce is the reason people who know the victims/people of interest are not allowed anywhere near the case.
For a book set in ONE city, this world has absolutely no meat. If you copy and pasted any passage from ToG about any of their cities, same for ACOTAR, they wouldn’t read any different. I had friends in my undergrad who could world build so much better, and in less than 800 pages!! How can you write 800 fucking pages and not actually say a fucking thing???
Go to therapy. I know Maas said it was great and then immediately shit on it, but Bryce is in no way a role-model. If you are having thoughts about self-harm, unaliving yourself, you need to seek out help. It’s such a dangerous message to put out, especially as a well-known author, that you can just “deal” and you “deserve the pain” and “taking it away is forgetting the ones you’ve lost”. If it’s so serious your friends are talking you off a roof you need help. Please call a professional.
I finished this book out of pure spite. There was ONE character I actually cared about (Aidas) and that’s bc I have a hangup about death and darkness gods, etc. Will I read the next one? Not immediately, and I won’t be buying it.
Okay, first of all, I love swearing. It’s the most fun a girl can have. But dropping a fuck word, twice, on every page is excessive. And unnecessary.
Speaking of unnecessary, I don’t think there was a SINGULAR person who wasn’t described as beautiful (female) or powerful (male). And the amount of times Hunt or Bryce were described as such?? What the fuck. Also, stop with the racial ambiguousness. Hunt and Bryce are white, not *golden*, not *tan* these bitches are white. I think the only two “brown” people were Juniper (maybe? After 800 pages you forget what happens) and another person I’m forgetting bc it was a brief encounter and I was beyond fed up at that point. It’s not hard to diversity your characters, especially in a fantasy world you made yourself. Stop being ambiguous and say it with your whole chest.
Also, the amount of “toe curling” and nonsense that was happening was unacceptable. Not that Maas knows ANYTHING about anatomy, especially writing lines like “vital arteries.” ??? You mean ALL arteries?? Because I can assure you they’re ALL vital. I’m also calling bullshit on Bryce double fisting a sword and a rifle (which, you get no details. It’s just “Hunt’s rifle.” What kind of rifle? One you need to cock *and* can use one handed? I think the fuck not). And correct me if I’m wrong, but Bryce as a half-Fae is reminded time and again she’s not as strong as the other Vanir so how is she cutting down demons (who Hunt states he fought and BARELY survived ONE) one handed? Huh?
Coming from a forensics background too, the investigation was a hot fucking mess. Nitpicky, but DNA analysts (what I’m studying to be) don’t actually go into the field. The only people at a crime scene are the police, CSI, and nosy nellys. It’s the basics, anything you can google. And this had to be the most boring murder I’ve ever read about, with conclusions that literally anyone could’ve come to in half the time it took Hunt and Bryce, who are the dumbest people on the planet.
Bryce is the reason people who know the victims/people of interest are not allowed anywhere near the case.
For a book set in ONE city, this world has absolutely no meat. If you copy and pasted any passage from ToG about any of their cities, same for ACOTAR, they wouldn’t read any different. I had friends in my undergrad who could world build so much better, and in less than 800 pages!! How can you write 800 fucking pages and not actually say a fucking thing???
Go to therapy. I know Maas said it was great and then immediately shit on it, but Bryce is in no way a role-model. If you are having thoughts about self-harm, unaliving yourself, you need to seek out help. It’s such a dangerous message to put out, especially as a well-known author, that you can just “deal” and you “deserve the pain” and “taking it away is forgetting the ones you’ve lost”. If it’s so serious
I finished this book out of pure spite. There was ONE character I actually cared about (Aidas) and that’s bc I have a hangup about death and darkness gods, etc. Will I read the next one? Not immediately, and I won’t be buying it.
Content Warnings
Graphic: Ableism, Addiction, Alcoholism, Animal cruelty, Animal death, Body horror, Body shaming, Child death, Confinement, Cursing, Death, Drug abuse, Drug use, Emotional abuse, Fatphobia, Genocide, Gore, Gun violence, Hate crime, Incest, Mental illness, Panic attacks/disorders, Self harm, Sexual content, Slavery, Suicidal thoughts, Suicide, Torture, Toxic relationship, Violence, Blood, Vomit, Medical content, Trafficking, Grief, Religious bigotry, Medical trauma, Suicide attempt, Death of parent, Murder, Fire/Fire injury, Gaslighting, Toxic friendship, Alcohol, War, and Injury/Injury detail