uparrowhead's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
4.5
The novel introduces the story of the Opera Ghost, which stalks the shadows of the Paris Opera House and hunts for mischief and mystery. Strange events emerge and connect as the singer Christine Daaé slowly begins her rise in fame with her heavenly vocals, supposedly learning to sing from the Angel of Music. The reader navigates through this episodic novel and slowly gathers the truths to the unfolding story.
The Phantom of the Opera places a great emphasis on concepts of love, obsession, desire, and pity. How can we learn to, not love, but accept someone who is supposedly heartless? How can we take pity on people who are seemingly monstrous? How does unrecieved love mould into an overpowering obsession built upon desires we are unable to satisfy? The novel feels like it is truly a love letter to these themes as both pain and pleasure are combined into the flowing story.
I have loved this ever since watching the musical, and the original story that brought it to life is absolutely incredible.
Spoiler
I can't get over how beautifully tragic the ending for this novel is. It ends in Erik's death for his own overflowing love of Christine, one which he had never experienced with another woman in his life. It just serves to show how much Erik wished for nothing but a normal life but was cursed from the endeavour ever since he was first born just for his horrific features, leading him down a path of using his wits and intellect for his own disturbing gains as a way to not acknowledge his pain.Graphic: Toxic relationship, Body horror, Confinement, Kidnapping, and Torture
Moderate: Suicidal thoughts, Murder, Classism, Death, Drug use, Violence, Stalking, and Suicide
Minor: Injury/Injury detail, Physical abuse, Self harm, Racism, Suicide attempt, Alcohol, Death of parent, and Schizophrenia/Psychosis
lorendushku's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
I really enjoyed the setting of the Opera theatre in this novel. The author does a great job in creating a dark atmosphere.
I was also really surprised by the Phantom's background. I didn't expect him to have such a tragic and meaningful story. It was really eye-opening to see how society can create evil again and again.
My favorite character in the novel was the Phantom himself. He is a complex and well-developed character who is both sympathetic and terrifying. I loved learning about his past and his motivations.
My favorite parts of the novel were the ones on the stage with Christine singing, the past of the Phantom in Persia, and the final escape of Raoul and the Persian. The scenes on the stage were really exciting and I loved the way the author used music to create tension. The scenes in Persia were also really interesting and gave us a better understanding of the Phantom's past. The final escape was a thrilling climax to the novel.
I think this book can teach us a few things. First, it shows us that a scarred soul can be accepted, Christine loved the Phantom for who he was, despite his disfigurement. This is a powerful message of acceptance.
Second, the book shows us that our sins are not always forgotten. The Phantom's past caught up to him in the end, even though he tried to escape it. This is a reminder that we should always be mindful of our actions, because they can have lasting consequences.
I really enjoyed The Phantom of the Opera. It is a well-written and suspenseful novel with a lot to offer. I would definitely recommend it to fans of gothic literature.
If I am the phantom, it is because man's hatred has made me so. If I am to be saved it is because your love redeems me.
Minor: Death and Bullying
ina_pages's review
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Moderate: Torture, Death, Stalking, Blood, Emotional abuse, Gaslighting, Kidnapping, Pedophilia, Murder, Adult/minor relationship, Gore, Toxic relationship, and Body horror
Minor: Suicide attempt
giulianalb99's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
La verdad es que la trama me ha parecido muy buena pero muchas veces se me ha hecho un poco pesado y lento. Aunque eso no quiere decir que la pluma del escritor es una pasada, para mi gusto le sobran páginas.
La verdad es que hay muy pocos personajes de la historia que me hayan gustado y no he llegado a simpatizar con casi ninguno: Raoul me ha parecido bastante pesado y siento un amor/odio hacia Christine que no sabría ni cómo explicar. También me hubiera gustado que hubieran pasado más cosas en la ópera ya que me ha parecido que ahí no están casi nunca (sólo al principio y al final).
Por los temas que trata, me parece que es un libro que todo el mundo debería leer (aunque no esperéis una historia de romance bonita, porque este libro es básicamente horror y tragedia).
Graphic: Forced institutionalization, Gaslighting, Suicidal thoughts, Suicide attempt, Death, Kidnapping, Torture, Toxic relationship, Confinement, Domestic abuse, Emotional abuse, Stalking, Body horror, and Body shaming
Minor: Death of parent and Fire/Fire injury
jobaji's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.5
Graphic: Murder, Death of parent, Stalking, Death, and Kidnapping
Moderate: Abandonment
alicearaujoms's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.75
Graphic: Death, Suicide, Toxic relationship, Suicide attempt, Abandonment, Kidnapping, and Murder
linnylionheart's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Graphic: Body shaming, Stalking, Emotional abuse, Torture, Confinement, Kidnapping, Death, Gaslighting, and Murder
Moderate: Bullying, Mental illness, Classism, Suicide attempt, and Suicide
Minor: Child abuse, Misogyny, Blood, and Death of parent
mengzhenreads's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Graphic: Kidnapping, Murder, and Toxic relationship
Moderate: Torture, Death, and Emotional abuse
Minor: Death of parent, Suicide, and Suicide attempt
toffishay's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Moderate: Death and Murder
Minor: Racism and Sexism
maeverose's review against another edition
- Plot- or character-driven? A mix
- Diverse cast of characters? No
3.0
My rating is mostly for the unintentional comedy of how ridiculous the book is. I know some parts are supposed to be funny but I think I was laughing at the wrong parts. I also just love the idea of some guy secretly living in an opera house and messing with people. Sadly though I was bored most of the time while reading this. I liked Raoul and Christine well enough (though they were both extremely naive), Erik was very different than I thought he would be (I didn’t know anything about his backstory and I had no idea he’d be so talkative and weird. I thought he’d be more brooding lol). I found it hard to imagine the descriptions of the opera house, especially when they went underground, though that’s likely a fault of the translation.
Speaking of the translation, I don’t know if my edition (paper mill press) is just a bad edition but there were quite a few typos and a lot of things were worded awkwardly, and I don’t think it was just the writing style, it seemed like a bad translation. Maybe I’ll have to do some research and see if there’s a better one.
I really wanted to like this but I think I might just not get along with classics that well. Every time I read a classic I feel like I would like it better if it had been written today. Same time period, story and characters, just a more modern writing style (and less misogyny, racism and ableism… although this story relies so heavily on the ableism I’m not sure how you’d write it without it…). I don’t mind the old language so much but I don’t like the overly dramatic repetitive dialogue that classics often have (this one had a lot of that). I don’t like how repetitive in general classics tend to be. Which is sad because I want to like classics. The stories themselves are sometimes interesting but then the writing and dialogue ruin it for me :/
Spoiler
That ending though… Erik really went to all that trouble… just to break down over a forehead kiss and decide to let Christine marry Raoul after all. THEN DIE. OVER SAID KISS. Dude..Also, I can’t imagine a room of mirrors being that convincing that you’d have to have prior knowledge of what it is to know it’s not actually a forest. YOU’D SEE YOUR OWN REFLECTION. COME ON.
I think this is probably much better experienced via the actual musical rather than the book. I’ve never seen the musical but now I want to.
Graphic: Body shaming, Confinement, Ableism, Emotional abuse, Kidnapping, Toxic relationship, and Religious bigotry
Moderate: Animal death, Misogyny, Death, Torture, Murder, Racial slurs, and Racism
Minor: Xenophobia and Fatphobia
incel behavior, controlling behavior, manipulation