Reviews tagging 'Violence'

The Phantom of the Opera by Gaston Leroux

10 reviews

seapotatohowisitalrtaken's review against another edition

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adventurous dark emotional funny mysterious reflective sad fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.5


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enchantingreads's review against another edition

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dark emotional mysterious sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? N/A
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

I absolutely loved this book. I decided to finally read it, because I was named after Christine Daae. This book was so much better than the movie. This book is full of so much detail that it really ties the book together and makes it enjoyable. 

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charity_ix's review against another edition

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dark mysterious tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No

4.0

My first classic! I was intrigued by the first chapter alone and knew I was going to love this book. The penguin classics edition was also super easy to read and the notes gave me so much insight into the world this book takes place in. I was very invested throughout the book and it was so intense at times. Some parts did feel very long and at times I felt like the pacing was slightly odd, but in the end, it was fine. The epilogue tied everything together for me and it just felt perfect. Erik as a character was written so well and even the descriptions of him gave me chills. Overall, this is the perfect book if you want to start reading classics or if you just want to read a whimsical story of The Paris Opera in the 1800s. 

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smithreads's review against another edition

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adventurous dark emotional funny informative reflective tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0


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annoyedhumanoid's review against another edition

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adventurous dark mysterious medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0


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isabella_boytsan's review against another edition

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dark mysterious sad tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0


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silversparkles50's review against another edition

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adventurous dark emotional mysterious sad tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.25


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maiahhtratchh's review against another edition

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dark emotional mysterious fast-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? It's complicated

3.25

I’m obsessed with the musical and there are very few times where the adaption deserves to outshine the source material and this was one of those times. While I did really enjoy it, specifically the middle part, the end dragged out for a long time and some aspects (ie the Persian), though probably on par for the time are bordering on problematic. I was just really confused by the inclusion of this character if not just to have a mystical foreigner swoop in full in the background gaps and save the white characters lives. 

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evaosterlee's review against another edition

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dark mysterious tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.25


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wolfiegrrrl's review against another edition

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dark mysterious slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? N/A
  • Flaws of characters a main focus? Yes

2.0

I had heard that the original Phantom of the Opera novel is far more horror-based and intense than the Andrew Lloyd Webber musical I am familiar with, so I was curious to see for myself just how different the two stories are from each other.

Mostly, I wanted to see what Erik's deal was because he has so much more going on than what the adaptations of the character that I'm familiar with touch on. Now that I have listened to the entire book and its epilogue, I'd say that the best way to describe Leroux's Phantom is "the character whose OP backstory was created after the main story was written in order to explain how the mystery worked and prove that it was just a man the entire time!" but it honestly leaves me with more questions than answers. I also really wasn't fond of the sentiment about birth deformities being a sign of inherent inner evil to be pitied by the "beautiful" people of the world, so I don't really know what to make of that regarding Erik's character development at the end.

That being said, the novel was rather boring in how it mostly consisted of uneventful exposition dumps until the story picks up about halfway through when the Phantom and the Persian take more prominent roles. Their part of the story is still mostly large exposition dumps, but at least those dumps were entertaining in how absolutely buck wild they are. My main complaint is that having to follow a whiny, self-entitled Raoul around through the eyes of the narrator was so draining because he is a prime example of the Nice Guy trope and I can't really say I was rooting for him like we're so clearly supposed to.

It was fun to spot all of the story/character notes that the musical plucked out when reworking the plot into more of a dark romance. Having experienced Leroux's original work, I now have a greater appreciation for adaptations that play around with the fun and interesting concepts that are laid out in the novel.

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