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loaf_of_bread's review against another edition
adventurous
dark
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
My favorite aspect of Libra is that in some moments it feels very fictional, but in other moments it feels like you are reading a true account of the JFK assassination. Delillo’s writing is great throughout. I really liked how the story switched between Oswald’s life leading up to the attempt and the others trying to come up with and then understand the conspiracy.
It is confusing at times, but I don’t think it is so confusing that I struggled to get through it.
I found it very interesting that the JFK assassination conspiracy theories are still alive today and amplified through the internet. I wonder how Delillo would have changed the book had it been written more recently with conspiracy theories spread through the internet and social media.
It is confusing at times, but I don’t think it is so confusing that I struggled to get through it.
I found it very interesting that the JFK assassination conspiracy theories are still alive today and amplified through the internet. I wonder how Delillo would have changed the book had it been written more recently with conspiracy theories spread through the internet and social media.
katsteele5's review against another edition
dark
funny
mysterious
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
charmingmanatee's review against another edition
4.0
An excellent fictionalized version of the Kennedy assassination, alternating between the life of Oswald, and a CIA conspiracy to drum up support for Cuba that quickly spirals out of control. Confusing at times, but then shouldn't conspiracies be a little confusing? A much better entry point to DeLillo than the other books of his that I've read (Underworld is massive, White Noise is annoying).
shelbywilson's review against another edition
2.0
Postmodern JFK conspiracy novel. The plot is basically the same of Oliver Stone's JFK. Not something I would read on my own. Verryyyy tiring.
OkyoucaughtmeIneverfinishedit.
OkyoucaughtmeIneverfinishedit.
nickmcelroy's review against another edition
adventurous
challenging
dark
emotional
mysterious
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.25
Kind of tough going towards the end. Entertaining and page turning at times. Much more enjoyable than White Noise in my opinion.
christopherc's review against another edition
4.0
Libra is Don DeLillo's 1988 historical fiction of Lee Harvey Oswald and the assassination of John F. Kennedy, a result of painstaking research that prefigured the new wave of interest in JFK conspiracy theories that would erupt in the early 1990s. In DeLillo's imagination, the assassination of JFK was the work of three bitter CIA operatives -- the fictional Win Everett, Larry Parmenter and T.J. Mackey -- veterans of the fight against Castro who cannot forgive Kennedy for denying air support to the Bay of Pigs invasion and thus causing the operation to fail. They feel that an attempt on Kennedy's life, with a tangled thread that leads toward Cuba, will reenergize action to take back the island. Everett painstakingly fakes IDs, all manner of paperwork and elaborate back stories, but when the cabal learns of Lee Harvey Oswald, they find their man is already there waiting for them.
Lee Harvey Oswald is the Libra of the title, born in October and like scales wildly out of balance, he constantly teeters between extremes: a juvenile delinquent who joins the Marines and then becomes Communist and defector to the USSR, only to be disillusioned by the Soviet Union's political system. DeLillo's treatment of the assassin is remarkable: Oswald's innermost thoughts and motivations are on display, everything that makes him tick, and yet we can never crack him like we can the other characters. As David Foster Wallace wrote in the introduction to one edition of the novel, "Libra is proof that the best authors can do anything they want. A book about Lee Harvey Oswald, Libra manages to get into Oswald's head and yet leave him a mystery because DeLillo knows the degree to which some men are enigmas even to themselves."
Another strong point of Libra is DeLillo's ability to maintain tension even though we all know how this will end, that Kennedy will be assassinated and Oswald killed in turn. The reader cannot wait to find how DeLillo's vision of the assassination will fall into place. The author manages to reconcile both the conspiracy/grassy knoll and lone gunmen versions of the event. Oswald proves to be both a despicable thug and a pitiful patsy.
Libra was the follow-up to DeLillo's breakthrough novel White Noise, which depicted America in the 1980s as exhausted by media overload and consumer choice. This concern appears in Libra as well. The sheer amount of data available to DeLillo's CIA librarian writing a secret history of the assassination -- ballistics reports, a computer-enhanced Zapruder film, photographs of the myriad figures implicated -- serves only to obfuscate what really happened on November 22, 1963, not to clarify it. The assassination of JFK and Oswald's murder by Jack Ruby two days earlier was mediated to millions of Americans by television and film, and the endlessly occuring rebroadcast of the events has served to mythologize it like no political assassination before.
Libra is an enjoyable novel and many aspects of it have stuck with me. What holds me back from giving it a full five stars is that too much of the domestic dialogue between the CIA men and their spouses is the kind of unrealistic, oddball conversations DeLillo already indulged in with White Noise: dry listings of factoids, vapid, inane commentary and characters who seem to be talking to themselves in a trance. Nonetheless, don't let that critique hold you back, Libra is fun.
Lee Harvey Oswald is the Libra of the title, born in October and like scales wildly out of balance, he constantly teeters between extremes: a juvenile delinquent who joins the Marines and then becomes Communist and defector to the USSR, only to be disillusioned by the Soviet Union's political system. DeLillo's treatment of the assassin is remarkable: Oswald's innermost thoughts and motivations are on display, everything that makes him tick, and yet we can never crack him like we can the other characters. As David Foster Wallace wrote in the introduction to one edition of the novel, "Libra is proof that the best authors can do anything they want. A book about Lee Harvey Oswald, Libra manages to get into Oswald's head and yet leave him a mystery because DeLillo knows the degree to which some men are enigmas even to themselves."
Another strong point of Libra is DeLillo's ability to maintain tension even though we all know how this will end, that Kennedy will be assassinated and Oswald killed in turn. The reader cannot wait to find how DeLillo's vision of the assassination will fall into place. The author manages to reconcile both the conspiracy/grassy knoll and lone gunmen versions of the event. Oswald proves to be both a despicable thug and a pitiful patsy.
Libra was the follow-up to DeLillo's breakthrough novel White Noise, which depicted America in the 1980s as exhausted by media overload and consumer choice. This concern appears in Libra as well. The sheer amount of data available to DeLillo's CIA librarian writing a secret history of the assassination -- ballistics reports, a computer-enhanced Zapruder film, photographs of the myriad figures implicated -- serves only to obfuscate what really happened on November 22, 1963, not to clarify it. The assassination of JFK and Oswald's murder by Jack Ruby two days earlier was mediated to millions of Americans by television and film, and the endlessly occuring rebroadcast of the events has served to mythologize it like no political assassination before.
Libra is an enjoyable novel and many aspects of it have stuck with me. What holds me back from giving it a full five stars is that too much of the domestic dialogue between the CIA men and their spouses is the kind of unrealistic, oddball conversations DeLillo already indulged in with White Noise: dry listings of factoids, vapid, inane commentary and characters who seem to be talking to themselves in a trance. Nonetheless, don't let that critique hold you back, Libra is fun.
icecoldkarl's review against another edition
challenging
dark
informative
mysterious
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.25
cody240fc's review against another edition
4.0
The best Delillo work I have read to date (White Noise, Zero K). Conspiracy theories are fun, but the JFK assasination is in a league of its own and Delillo brings it to life beautifully.
In his other novels I have noticed that Delillo spends an unusual amount of time inside his characters’ minds, and this is again the case in Libra. This approach might not work for most writers, but it is Dellilo’s calling card and I love it. Nobody can pry open the mind of his characters quite like Delillo. I found myself nodding in appreciation once Delillo reveals the source of the novels title as well: just another example of his brilliance in character study. The writing is not at all elegant but smooth and effective nonetheless. Guess I loved a lot of things about this one, so I reserve the right to upgrade this to five stars once I have chewed on it a little longer.
In his other novels I have noticed that Delillo spends an unusual amount of time inside his characters’ minds, and this is again the case in Libra. This approach might not work for most writers, but it is Dellilo’s calling card and I love it. Nobody can pry open the mind of his characters quite like Delillo. I found myself nodding in appreciation once Delillo reveals the source of the novels title as well: just another example of his brilliance in character study. The writing is not at all elegant but smooth and effective nonetheless. Guess I loved a lot of things about this one, so I reserve the right to upgrade this to five stars once I have chewed on it a little longer.