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annamariem_reads's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
HOLY SHIIIIT this was so good I'm gonna COMBUST! I was truly on the edge of my seat for the entirety of this book. I didn't think it could be any better than The Final Strife but I was very much proven wrong! I shouldn't be shocked thought because it's Saara and she always gives us BANGER AFTER BANGER AFTER BANGER!
Hassa and Kwame were such a lovely and welcome surprise. Also! Even though Anoor and Sylah were separated for this book, it did not detract from the story at all. I was not bored once and I was not wishing that they would both be back in the Warden's Empire together. Anoor's character really took a turn during this book and honestly I don't know how to feel about her anymore. I don't like her but I don't hate her? I don't know what exactly it is but I have FEELINGS. Also wtf was that with Jond???? Now I like him again???? I hope him and Kara end up together so he can finally move on from Sylah. But like... Saara you are truly giving us whiplash with these characters!!! And thank gods for the addition of Rascal. Lil cutie angel kitten!!! Can I also say how much I love the Elders? They are so cool and I want to hang out with them for a day in Chrysalis. Also, Nayeli's story is wild and I am here for it. 100% am here to support women's wrongs and feminine rage!!!!
The reveals towards the end had me slack-jawed!!!! How could Saara leave us hanging like that? I need book 3 IMMEDIATELY.
Graphic: Addiction, Torture, and Colonisation
Moderate: Sexual content, Violence, Blood, Vomit, and Grief
kendal_reads's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Death, Miscarriage, Blood, Grief, and Injury/Injury detail
Moderate: Panic attacks/disorders, Sexual content, and Alcohol
lisacanteven's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Body horror, Confinement, Death, Torture, Violence, Blood, Death of parent, Fire/Fire injury, Colonisation, War, Injury/Injury detail, and Classism
Minor: Addiction, Drug abuse, and Drug use
malinhalia's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
0.5
The characters are extremely one-dimensional and most are straight up unlikeable (unable to conjure the slightest bit of empathy, emotion, critical thinking, or even a consistent plan of action). The writing style itself is very heavy-handed and every plot point is carefully and patronisingly explained to you in detail (you really don't need conclusion-drawing skills to read this book). In addition to this, the author in multiple instances unnecessarily spoils the plot in advance by having chapter openers (for example, notes to or from certain characters). This works well in some books but not in this one. They detract from rather than add to the story, as they make - in some places - several chapters unnecessary as the plot point is glaringly clear from just this short text. The writing is choppy and doesn't feel suitable for a book marketed to an adult audience.
Whilst I found the background of
Moderate: Domestic abuse, Sexual assault, Sexual violence, Torture, and Blood
Minor: Animal death, Child death, Slavery, and Injury/Injury detail
evekenzinator's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Graphic: Domestic abuse, Miscarriage, Rape, Slavery, Blood, Police brutality, and Acephobia/Arophobia
Moderate: Slavery, Torture, Blood, Toxic friendship, and Colonisation
Minor: Kidnapping
rachaeltobindodd's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
Moderate: Death, Violence, Blood, and Murder
caseythereader's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Graphic: Addiction, Child death, Cursing, Death, Domestic abuse, Gore, Miscarriage, Slavery, Torture, Violence, Blood, Medical content, Grief, Death of parent, Murder, Alcohol, Colonisation, Injury/Injury detail, and Classism
Minor: Sexual content
samusc's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Saara El-Arifi took a bunch of risks with this title, and executed them flawlessly:
Anoor and Sylah are apart for the entire book, and yet their love for one another still drives their decisions. -
Sylah is knocked out from a severe injury for a decent amount of the book, providing opportunity for strong character moments from Jond and the mysterious old man Niha. -
Anoor 's paranoia increases as she accuses nearly everyone in her inner circle of murder, which has heavy consequences. By the end of the book, she's made some truly awful decisions. While emotionally hard to read about, it makes sense given everything she's been through. She's a young traumatized women who's entire worldview has been rocked; she's ripe for manipulation. - Locations and cultures of people new to our main characters were revealed masterfully. By the end of the first book in the series, Sylah didn't have much to go off of beyond a map showing land beyond the sea and Loot's yellow blood. In comparison, by the end of this title, both the reader and characters of a much larger understanding of the world. This includes one of my favorite aspects of worldbuilding, also seen in the Roots of Chaos series, when groups of people have different explanations for similar religious phenomena, largely due to migration.
- A big theme in The Battle Drum is sacrifice. Unfortunately, we lost many characters on this journey in brutally detailed ways. However, these heartbreaking moments are presented alongside hopeful ones, as is necessary in any fantasy (in my opinion). It's a joy to read about Hassa and Kwame's growing relationship, as well as Jond's adoption of a sand kitten.
This installment in the Ending Fire Trilogy is a perfect example of what a second book in a fantasy trilogy can be, akin to The Oleander Sword by Tasha Suri.
Once I got to the last third of this book last night, I had to finish it, there was just so much happening! It then took me over an hour to fall asleep because my mind was buzzing with everything these characters had gone through and predictions for the third book.
Graphic: Death, Torture, Blood, and Death of parent
barda's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.75
The first book had some flaws, but I still broadly enjoyed the characters, the setting, and the worldbuilding. While this second book fixed my biggest pet peeve of rapidly switching POV's (this one had the more standard format of a chapter only having one character's POV), it felt like this one was actually more confusing than the first one, and that the author lost plot momentum from the first book.
The characters just weren't as likeable in this book. I still really enjoyed Hassa and she's easily a stand-out character, but Jond was just boring and Sylah was not in the book enough for me to judge her characterisation. Anoor, however, I was the most disappointed in. Like Sylah, it feels like she barely has any screen-time in this book, but most egregiously she seems to regress in all of her character development that she gained in the first book. I hate to criticise characters who make seemingly stupid mistakes, as oftentimes they'll be realistic mistakes that you might expect one to make, but Anoor keeps making mistakes over and over and doesn't seem to learn from the negative impacts of these. She's incompetent and seemingly regains her naivety that she grew out of in the first book. This makes the twist
The plot certainly had some interesting bits, particularly with the Academy and how the cultures of the mainland work. I did also broadly enjoy the plot reveals towards the end of the book; however, they were all suddenly shoved into the end of the book leaving little room for the characters to breathe, and many of the plot twists could have been revealed and solved earlier if characters simply communicated with each other (
Broadly, this book's usually interesting plot was dragged down by its characters and overall characterisation. I still might pick up the next one when it comes out as I think the mysteries that have been set up are worth reading, but I do hope that the author can figure out where they want their characters to go.
Graphic: Domestic abuse, Miscarriage, Physical abuse, Rape, Self harm, Sexual assault, Sexual violence, Blood, and Religious bigotry
Moderate: Child death, Death, Drug abuse, Drug use, Sexual content, Slavery, Violence, Grief, Death of parent, Murder, Colonisation, Injury/Injury detail, and Classism
Minor: Cursing
purplesoccer126's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Death, Miscarriage, Physical abuse, Slavery, Torture, Violence, Blood, Medical trauma, Murder, Fire/Fire injury, Colonisation, Injury/Injury detail, and Classism
Moderate: Addiction, Drug abuse, and Sexual violence